Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?

    She finds solace in “The Kingdom,” a stand of red oak and thick mountain laurel near her home in suburban Pennsylvania, where she can escape from her large and unruly family and share menthol cigarettes and lukewarm beers with her best friend. One night, while driving home, Libby’s mother, exhausted and overwhelmed with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off leaving a twelve-year-old girl on the side of the road five miles from home with darkness closing in, is what will happen next. A Crooked Tree is a surprising, indelible novel, both a poignant portrayal of an unmoored childhood giving way to adolescence, and a gripping tale about the unexpected reverberations of one rash act.

    They decide to share it - and form a friendship that changes their lives.Jenny can't wait to marry Dan. Then, after years of silence, she hears from the woman who could shatter her dreams.Maggie has put her broken heart behind her and is gearing up for the biggest event of her career - until she's forced to confront the past once more.Alison seems to have it all: married to her childhood sweetheart, with two gorgeous daughters. But as tensions mount, she is pushed to breaking point.Dealing with friendship and families, relationships and careers, highs and lows, The Vintage Teacup Club is heart-warming storytelling at its very best.

    Bawdy and moving, the ultimate word-of-mouth bestseller, Rubyfruit Jungle is about growing up a lesbian in America--and living happily ever after.

    Like most young women, they’ve struggled with their bodies and food since childhood, and high school finds them turning to food—or not—to battle the waves of insecurity and the yearning for popularity. But their connection can be as destructive as it is supportive, a yin to yang. when Rose stops eating, Lily starts—consuming everything Rose won’t or can’t.Within a few years, Rose is about to mark her one-year anniversary in a rehabilitation facility for anorexics. Lily, her sole visitor, is the only thing tethering her to a normal life.But Lily is struggling, too. A kindergarten teacher, she dates abusive men, including a student’s married father, in search of the close yet complicated companionship she lost when she became separated from Rose. When Lily joins a cult diet group led by a social media faux feminist, whose eating plan consists of consuming questionable non-caloric foods, Rose senses that Lily needs her help. With her sister’s life in jeopardy, Rose must find a way to rescue her—and perhaps, save herself.Illuminating some of the most fraught and common issues confronting women, Thin Girls is a powerful, emotionally resonant story, beautifully told, that will keep you turning the pages to the gratifying, hopeful end.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    After the violent death of her father, in which she is complicit, Margo takes to the Stark River in her boat, with only a few supplies and a biography of Annie Oakley, in search of her vanished mother. But the river, Margo's childhood paradise, is a dangerous place for a young woman traveling alone, and she must be strong to survive, using her knowledge of the natural world and her ability to look unsparingly into the hearts of those around her. Her river odyssey through rural Michigan becomes a defining journey, one that leads her beyond self-preservation and to the decision of what price she is willing to pay for her choices.

    This, despite the fact that it was he and Elsa who broke the family in the first place. The Greys have been avoiding each other for a dozen years. Elsa and Nolan travel to their father's field station, a wild and isolated spot off the Gulf Coast. Here, their father's fatalistic colleagues, the Reversalists, obsessively study the undowny bufflehead, a rare sea duck whose loss of waterproof feathers proves, they say, that evolution is running in reverse and humanity's best days are behind us. On an island that is always looking backward, it's impossible for the siblings to ignore their past. Stuck together in the close quarters of their island stilt-house, and provoked by the absurd antics of the remaining Reversalists, years of family secrecy and blame between Elsa and Nolan threaten to ruin them all over again. As the Greys urgently trek the island to find the so-called Paradise Duck, their father's final obsession, they begin to fear that they were their father's first evidence that the future held no hope. In the irreverent and exuberant spirit of Kevin Wilson, Alissa Nutting, and Karen Russell, CJ Hauser speaks to a generation's uncertainties: Is it possible to live in our broken world with both scientific pragmatism and hope? What does one generation owe another? How do we know which parts of the past, and ourselves, to jettison and which to keep? Delightfully funny, fiercely original, high-spirited and warm, Family of Origin grapples with questions of nature and nurture, evolution and mating, intimacy and betrayal, progress and forgiveness.

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Failing out of school, picking up shifts at Margo’s diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.As April moves through the world, meeting people who feel like home, she chronicles her life in the songs she writes and discovers that where she came from doesn’t dictate who she has to be. This lyrical, unflinching tale is for anyone who has ever yearned for the fierce power of found family or to grasp the profound beauty of choosing to belong.

    Twenty-one year old Fenfang Wang has traveled one thousand eight hundred miles to seek her fortune in contemporary urban Beijing, and has no desire to return to the drudgery of the sweet potato fields back home. However, Fenfang is ill-prepared for what greets her: a Communist regime that has outworn its welcome, a city under rampant destruction and slap-dash development, and a sexist attitude seemingly more in keeping with her peasant upbringing than the country’s progressive capital. Yet Fenfang is determined to live a modern life. With courage and purpose, she forges ahead, and soon lands a job as a film extra. While playing roles like woman-walking-over-the bridge and waitress-wiping-a-table help her eke out a meager living, Fenfang comes under the spell of two unsuitable young men, keeps her cupboard stocked with UFO noodles, and after mastering the fever and tumult of the city, ultimately finds her true independence in the one place she never expected.At once wry and moving, Twenty Fragments of a Ravenous Youth gives us a clear-eyed glimpse into the precarious and fragile state of China’s new identity and asserts Xiaolu Guo as her generation’s voice of modern China.

    Home-schooled, Ada accompanies David to work every day; by twelve, she is a painfully shy prodigy. The lab begins to gain acclaim at the same time that David's mysterious history comes into question. When his mind begins to falter, leaving Ada virtually an orphan, she is taken in by one of David's colleagues. Soon after she embarks on a mission to uncover her father’s secrets: a process that carries her from childhood to adulthood. What Ada discovers on her journey into a virtual universe will keep the reader riveted until The Unseen World's heart-stopping, fascinating conclusion.

    Yet the two are drawn powerfully together even when it is clear they are bound to bring each other grief. Their difficult marriage leads them and their children to a house made of glass in the Connecticut countryside, to the avenues of  Manhattan , and to the blue waters of Long Island Sound. Glass breaks, love hurts, and families make their own rules. Ultimately, it falls to their grandson, Will, to solve the emotional puzzle of his family and of his own identity.

    New Year's Eve. A tragic accident after the party of the year. Cara survives. Her best friend, G, doesn't.Nine months later, Cara is still struggling, consumed by guilt and grief. In the hopes of giving Cara a fresh start, her mother sends her to boarding school in Switzerland, a place where no one knows what happened--and where they never will, if Cara can help it.But her new classmates Ren and Hector won't let her close herself off. They are determined to break down the walls she has so carefully built up. And maybe Cara wants them to . . . especially Hector, who seems to understand her like no one else does.The problem is that the closer Cara gets to Hector, the more G slips away. If moving on means letting go of the past--and admitting what she did that night--Cara's not sure she can.She's not sure she deserves a second chance.

    But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.