Until now. With The Patience Stone, Atiq Rahimi gives face and voice to one unforgettable woman–and, one could argue, offers her as a proxy for the grievances of millions…it is a rich read, part allegory, part a tale of retribution, part an exploration of honor, love, sex, marriage, war. It is without doubt an important and courageous book.” from the introduction by Khaled Hosseini, author of The Kite Runner and A Thousand Splendid SunsIn Persian folklore, Syngue Sabour is the name of a magical black stone, a patience stone, which absorbs the plight of those who confide in it. It is believed that the day it explodes, after having received too much hardship and pain, will be the day of the Apocalypse. But here, the Syngue Sabour is not a stone but rather a man lying brain-dead with a bullet lodged in his neck. His wife is with him, sitting by his side. But she resents him for having sacrificed her to the war, for never being able to resist the call to arms, for wanting to be a hero, and in the end, after all was said and done, for being incapacitated in a small skirmish. Yet she cares, and she speaks to him. She even talks to him more and more, opening up her deepest desires, pains, and secrets. While in the streets rival factions clash and soldiers are looting and killing around her, she speaks of her life, never knowing if her husband really hears. And it is an extraordinary confession, without restraint, about sex and love and her anger against a man who never understood her, who mistreated her, who never showed her any respect or kindness. Her admission releases the weight of oppression of marital, social, and religious norms, and she leads her story up to the great secret that is unthinkable in a country such as Afghanistan. Winner of the Prix Goncourt, The Patience Stone captures with great courage and spare, poetic, prose the reality of everyday life for an intelligent woman under the oppressive weight of the Taliban regime in Afghanistan.

    We follow them through romantic entanglements, ennui, and other existential crises. Sagan also interrupts the narrative throughout the book with her own personal insights, such as: "Who reads Proust?" and "What about you, dear readers, what are your lives like?"

    Buck paints the portrait of a poor woman living in a remote village whose joys are few and hardships are many. As the ancient traditions, which she bases her philosophies upon, begin to collide with the new ideals of the communist era, this peasant woman must find a balance between them and deal with the consequences.

    Alexey tries to break through the wall of the established order in Russia, but instead becomes mired in the endless downward spiral of betting and loss. His intense and inescapable addiction is accentuated by his affair with the General’s cruel yet seductively adept niece, Polina. In The Gambler, Dostoevsky reaches the heights of drama with this stunning psychological portrait.

    . . breathtaking theological thriller.-Elle (France) Rising out of the sea on a rocky isle off the coast of France, the church and abbey of Mont-Saint-Michel have withstood the harsh northern weather-and withheld its darkest medieval mysteries-for one thousand years. Until now. Now a young, brilliant archeologist, Joanna, has begun to uncover and explore secrets that have long lain buried at the sacred site. For not even ten centuries have been able to obliterate completely the brutal treachery of the Benedictine monk Brother Almodius or the misfortunes of the tender-hearted Brother Roman in his forbidden love for a Celtic girl who survived ritualistic torture by the elements of earth, air, fire, and water. In an expedition at once metaphysical and archeological, reality becomes an elusive, dangerous place, and it leaves Joanna with no one she can fully trust: from her married lover, Franois, to Simon, the cosmopolitan antique dealer strangely connected to the abbey; to Guillaume, whose passion for Joanna's work comes not unalloyed; to the jealous archeologist-and devious saboteur-Patrick Fenoy. Her science increasingly challenged by inexplicable mysteries, in the embrace of peril Joanna treads the ancient stones and arcana in the depths of the Romanesque abbey at Mont-Saint-Michel as this prize-winning and artfully-crafted thriller unfolds. Frdric Lenoir is a philosopher specializing in the study of religions. He has published over 20 books and been translated in over a dozen languages. Violette Cabesos has written one previous novel, Sang Comme Neige, Both she and Mr. Lenoir live in Paris.

    Lawrence Valley. It also tells of the Montreal and Quebec-based explorers and traders who traveled, mapped, and inhabited a very large part of North America, and “embrothered the peoples” they met, as Jack Kerouac wrote.Connecting everyday life to the events that emerged as historical turning points in the life of a people, this book sheds new light on Quebec’s 450-year history––and on the historical forces that lie behind its two recent efforts to gain independence.

    The Swedish Academy lauded Ōe for his "poetic force [that] creates an imagined world where life and myth condense to form a disconcerting picture of the human predicament today."His most personal book, A Personal Matter, is the story of Bird, a frustrated intellectual in a failing marriage whose utopian dream is shattered when his wife gives birth to a brain-damaged child.

    A sinister totalitarian ministry called the Palace of Dreams recruits Mark-Alem to sort, classify, and interpret the dreams of the people in the empire, seeking the master-dreams that give clues to the empire's destiny.

    . . . A very funny, intelligent book that can be read both for its politics and for its extraordinary depiction of a woman who revels in her bestial transformation."

    After the war, the couple settles in Morocco to start a farm. While Amine tries to cultivate the rocky and unforgiving terrain, Mathilde feels suffocated by the harsh climate. Alone and isolated with her two children, she struggles with assimilation and classism. The ten years of the novel are also those of a rise in tensions and violence that will lead in 1956 to Morocco's independence. All the characters in this novel live "in the country of others": settlers vs. natives, soldiers vs. peasants, and exiles. Women, especially, live in the country of men, and must constantly fight for their emancipation.

    Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor - an attractive married woman and mother - while Polo dreams about quitting his gruelling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme. Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society - with its racist, classist, hyperviolent tendencies - and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

    These are, Kerrigan writes, "ferocious writers, truculent, badly spoken, foul mouthed." However provocative and disturbing, they are also flat-out dazzling as writers, whose sentences, as rigorous as riotous, lodge like knives in the reader's mind. Cela called himself a proponent of "uglyism," of "nothingism." But he has the knack, the critic Am�erico Castro reminds us, of deploying those "nothings and lacks" to construct beauty. The Hive is set over the course of a few days in the Madrid of 1943, not long after the end of the Spanish Civil War and when the regime of General Francisco Franco was at its most oppressive. The book includes more than three hundred characters whose comings and goings it tracks to hypnotic effect. Scabrous, scandalous, and profane, this virtuosic group portrait of a wounded and sick society was first published in Buenos Aires in 1950 because in Spain it could not be published at all. This new translation by James Womack is the first in English to present Cela's masterpiece in uncensored form"--