Mr. Morning, an inscrutable urban recluse, employs Iris to tape-record verbal descriptions of objects that belonged to a murder victim. George, a photographer, takes an eerie portrait of Iris, which then acquires a strange life of its own, appearing and disappearing without warning around the city. After a series of blinding migraines, Iris ends up in a hospital room with Mrs. O., a woman who has lost her mind and memory to a stroke, but who nevertheless retains both the strength and energy to torment her fellow patient. And finally, there is Professor Rose, Iris’s teacher and eventually her lover. While working with him on the translation of a German novella called The Brutal Boy, she discovers in its protagonist, Klaus, a vehicle for her own transformation and ventures out into the city again--this time dressed as a man.

    One choice. Someone must die.From #1 New York Times bestselling author Dean Koontz comes this pulse-pounding thriller that starts with a terrifying decision we all might face one day: Help—or run. Timothy Carrier is an ordinary guy. He enjoys a beer after work at his friend’s tavern, the eccentric customers and amusing conversations. But tonight is no ordinary night. The jittery man sitting beside him has mistaken Tim for someone else—and passes him an envelope stuffed with cash and the photo of a pretty woman. “Ten thousand now. You get the rest when she’s gone.”Tim Carrier always thought he knew the difference between right and wrong, good and evil. But tonight everything he thought he knew—even about himself—will be challenged. For Tim Carrier is at the center of a mystery of extraordinary proportions, the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself of which he never dreamed, capacities that will transform his idea of who he is and what it takes to be . . .

    If I leave, he'll destroy Addie and Drew.Jillian Kane appears to have it all - a successful career, a gorgeous home, a loving husband, and two wonderful children. The reality behind closed doors is something else entirely. For nine years, she has hid the bruises and the truth of her abusive marriage in order to protect Addie and Drew, knowing, if she left, Gordon would destroy her-destroy them.When, in an act of desperation, she flees, her worst nightmare is realized, and she finds herself on the run with her two young children, no money, and no plan. With Gordon in hot pursuit, there is only one inescapable certainty: No matter where she goes, he will find her. Kill her. And take her children.A riveting page-turner, Hush Little Baby exposes the shame and terror of domestic violence as well as the disturbing role manipulation and sabotage can play in the high-stakes game of child custody. Suspenseful and unforgettably moving, it's a novel about the unbreakable bonds of family and the astounding, terrifying devotion of a mother's love.

    She's a down-on-her-luck actress reduced to staging kids' puppet shows. He knows a dozen ways to kill with his bare hands. She knows a dozen ways to kill with laughs.But she's not laughing now. When she was a teenager, he terrified her. Now they're trapped together on a snowy island off the coast of Maine. Is he the villain she remembers or has he changed? Her head says no. Her heart says yes.It's going to be a long, hot winter.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    . . but before I go there are some things you should know . . . !!!! Set in a London ad agency desperate to land a coveted big account, e follows the bureaucratic bungling, cutthroat maneuvers, and outrageous sexual antics of a group of Miller-Shanks employees as they scheme, lie, lust, and claw their way up (and down) the company ladder.Written by a former advertising copywriter, this hilarious, dead-on-target novel marks the debut of a hip and exciting new voice in contemporary fiction. With the click of a mouse, Matt Beaumont brings the novel of letters into the twenty-first century, turning his merciless, unerring eye on today's Machiavellian corporate culture-with uproarious results. Rachel Stevenson, Personnel-1/5/00, 3:09 pm to: Chandra Kapoor cc: David Cruttonre: Urgent: Please delete Carla Browne's ID from e-mail with immediate effect. Thank you.

    Their explosive story begins in a time of innocence and spans a turbulent quarter century, culminating in their dramatic twenty-five reunion at which they confront their classmates--and the balance sheet of  their own lives. Always at the center; amid the  passion, laughter, and glory, stands Harvard--the symbol of who they are and who they will be. They were a generation who made the rules--then broke them--whose glittering successes, heartfelt tragedies, and unbridled ambitions would stun the world.

    But as Long Man opens, the Tennessee Valley Authority's plans to dam the river and flood the town of Yuneetah for the sake of progress-to bring electricity and jobs to the hardscrabble region-are about to take effect. Just one day remains before the river will rise, and most of the town has been evacuated. Among the holdouts is a young mother, Annie Clyde Dodson, whose ancestors have lived for generations on her mountaintop farm; she'll do anything to ensure that her three-year-old daughter, Gracie, will inherit the family's land. But her husband wants to make a fresh start in Michigan, where he has found work that will secure the family's future. As the deadline looms, a storm as powerful as the emotions between them rages outside their door. Suddenly, they realize that Gracie has gone missing. Has she simply wandered off into the rain? Or has she been taken by Amos, the mysterious drifter who has come back to town, perhaps to save it in a last, desperate act of violence? Suspenseful, visceral, gorgeously told, Long Man is a searing portrait of a tight-knit community brought together by change and crisis, and of one family facing a terrifying ticking clock. It is a dazzling and unforgettable tour de force.

    She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl's estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.

    Tracy Whitney is young, beautiful and intelligent - and about to marry into wealth and glamour. Until, suddenly, she is betrayed, framed by a ruthless Mafia gang, abandoned by the man she loves. Only her ingenuity saves her and helps her fight back.

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.