But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways. Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa's most exciting literary talents.

    His mind is full of soul music and girls and the lyric novel he is writing. But his roommate is brutally attacked by soldiers; his first love is forced to marry a wealthy old man; and his neighbors on Poverty Street are planning a demonstration that is bound to incite riot and arrests. Lomba can no longer bury his head in the sand.Helon Habila's vivid, exciting, and heart-wrenching debut opens a window onto a world in some ways familiar-with its sensuously depicted streets, student life, and vibrant local characters-yet ruled by one of the world's most corrupt and oppressive regimes, a scandal that ultimately drives Lomba to take a risk in the name of something greater than himself. Habila captures the energy, sensitivity, despair, and stubborn hope of a new African generation with a combination of gritty realism and poetic beauty. Winner of the Caine Prize for African Writing 2001. Reading group guide included.

    In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr Naomi Buthelezi, a retired professor and science fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a "force more powerful than humankind" is genuine. Thus begins TRIANGULUM, a found manuscript composed of the mysterious woman's memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose sick father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-apartheid South Africa.When three girls go missing from their town, on her mother's birthday, the narrator is convinced that it has something to do with "the machine" and how her mother also went missing in the '90s. Along with her friends, Litha and Part, she discovers a puzzling book on UFOs at the library, the references and similarities in which lead the friends to believe that the text holds clues to the narrators's mother's abduction. Drawing upon suggestions in the text, she and her friends set out on an epic journey that takes them from their small town to an underground lab, a criminal network, and finally, a mysterious, dense forest, in search of clues as to what happened to the narrator's mother. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous artistic accomplishment.s crafted an inventive and marvelous artistic accomplishment.

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

    Khadeejah Bibi Ballim is a hard-working and stubborn first generation Indian who longs for her beloved homeland and often questions what she is doing on the tip of Africa. At thirty-seven, her daughter Summaya is struggling to reconcile her South African and Indian identities, while Summaya's own daughter, eleven-year old Aneesa, is a girl who has some difficult questions of her own. Is her mother lying to her about her father's death? Why won't she tell her what really happened? Gradually, the past merges with the present as the novel meanders through their lives, uncovering the secrets people keep, the words they swallow and the emotions they elect to mute. For this family, faintly detectable through the sharp spicy aromas that find their way out of Khadeejah's kitchen, the scent of tragedy is always threatening. Eventually it will bring this family together. If not, it will tear them apart.

    An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

    Recording her memories of their life together in spare, wrenching prose, Mukasonga preserves her mother's voice in a haunting work of art.

    Ava is a Mexican prostitute, beautiful and no victim of circumstance. When DelRay falls in love with her at the drive-in whorehouse where she is the prize, she seizes the chance to break free. They take off for Sinaloa ,Texas, the lone-dog state where "nothin’ good ever happens." The far-out border flunkies they meet — Thankful Priest, the one-eyed former football player; Indio Desacato, Ava’s pimp and a small-town racketeer; Arkadelphia Quantrill Smith, an octogenarian whose father marched with Shelby in the Iron Brigade; and many others — fill out the sinister and electrifying ride.

    Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son. Magona began to imagine how easily it might have been her own son caught up in the wave of violence that day. The book is based on this real-life incident, and takes the form of an epistle to Amy Biehl's mother. The murderer's mother, Mandisi, writes about her life, the life of her child, and the colonized society that not only allowed, but perpetuated violence against women and impoverished black South Africans under the reign of apartheid. The result is not an apology for the murder, but a beautifully written exploration of the society that bred such violence.

    This novel links Hillbrow, rural Tiragalong and Oxford, and contains the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that cuts short the promise of young people, and the Africanist understanding of the life.

    Faced with the difficult choice of living with their abusive extended family or slithering into the dark underbelly of Lusaka’s streets, Chimuka and Ali escape and become street kids.Against the backdrop of a failed military coup, election riots and a declining economy, Chimuka and Ali are raised by drugs, crime and police brutality. As a teenager, Chimuka is caught between prostitution and the remnants of the fragile stability that existed before her parents’ death.The Mourning Bird is not just Chimuka’s story, it’s a national portrait of Zambia in an era of strife. With lively and unflinching prose, Kalimamukwento paints a country’s burden, shame and silence, which, when juxtaposed with Chimuka’s triumph, forms an empowering debut novel.

    Houston. Dr. Wale Olufunmi, lunar rock geologist, has a life most Nigerian immigrants would kill for, but then most Nigerians aren’t Wale—-a great scientific mind in exile with galactic ambitions. Then comes an outlandish order: steal a piece of the moon. With both personal and national glory at stake, Wale manages to pull off the near impossible, setting out on a journey back to Nigeria that leads anywhere but home. Compelled by Wale’s impulsive act, Nigerians traces arcs in time and space from Houston to Stockholm, from Cape Town to Bulawayo, picking up on the intersecting lives of a South African abalone smuggler, a freedom fighter’s young daughter, and Wale’s own ambitious son. Deji Bryce Olukotun’s debut novel defies categorization—-a story of international intrigue that tackles deeper questions about exile, identity, and the need to answer an elusive question: what exactly is brain gain?PRAISE FOR NIGERIANS IN SPACE "Fast-paced, well-written and packed with insight and humor. Olukotun is a very talented storyteller. "—-Charles Yu, National Book Award 5-Under-35 winner and author of How to Live Safely in a Science Fictional Universe"A deft mingling of satirical humor, Noirish twists…and a keen-eyed yet accessible take on cultural displacement in contemporary times. "—-Olufemi Terry, winner of the Caine Prize for African Writing"You can taste Cape Town, you can hear it in the dialogue, see its beauty in the descriptions. Deji Olukotun has my city's number: especially its nasty underbelly, the dangerous dealing of abalone poachers. "—-Mike Nicol, author of the Revenge Trilogy

    Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision.Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking.But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.