Moody adopted him and called him Horrie. More than a mascot, Horrie repeatedly saved the lives of the thousand-strong contingent.The little dog' warning ritual of sitting, barking, then dashing for the trenches had the gunners running for cover before they even heard the enemy aircraft.Horrie accompanied Moody through the battle zones of the Middle East and beyond. As Japanese forces spread across Asia, Moody and his mates joined the fight, smuggling Horrie onto a troop ship for the harrowing back to Australia. Once the war was over, Moody brought Horrie out of hiding to raise money for the Red Cross and the brave little dog'a story became widely known. When quarantine officers pounced, demanding the dog be put down, there was a public outcry. How could a cruel bureaucracy heartlessly kill this little four-legged hero? Was Horrie condemned to die or Moody devise a scheme to save him?

    As a boy he was exiled from his hometown, and from this devastating loss he has created art of the highest order. His poems portray experiences that range from catastrophe to splendor, each preserving an essential human dignity. So What includes Arabic en face and introductions by cotranslators Gabriel Levin and Peter Cole.

    Gordon Thomas's 1999 publication of Gideon's Spies, resulting from closed-door interviews with Mossad agents, informants, and spymasters as well as from classified documents and top-secret sources, revealed previously untold truths about the Israeli intelligence agency. And now, in this edition, Thomas updates his classic text and shows the Mossad as it truly is: brilliant, ruthless, and flawed, but ultimately awesome.Three all-new chapters cover topics including:- How the Mossad planned to assassinate Saddam Hussein- Saddam's food-testing ritual, and the surprising "source" within his government- China's U.S.-based front-companies, and its relationship with bin Laden- Mossad's untold role in the events before and after 9/11- Mossad and revelations about Princess Diana's death- The disappearance of the millions transferred from the Vatican Bank to the Polish Solidarity movement- How extremists recruit suicide bombers, including women- Mossad's untold role in the Iraq war and the hunts for Saddam and bin Laden- Saddam's plans for trial

    He enjoys nothing more than heading out into the countryside that surrounds his home. But in recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel. In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at length on the character of his native land, a terrain of olive trees on terraced hillsides, luxuriant valleys carved by sacred springs, carpets of wild iris and hyacinth and ancient monasteries built more than a thousand years ago. Shehadeh's love for this magical place saturates his renderings of its history and topography. But latterly, as seemingly endless concrete is poured to build settlements and their surrounding walls, he finds the old trails are now impassable and the countryside he once traversed freely has become contested ground. He is harassed by Israeli border patrols, watches in terror as a young hiking companion picks up an unexploded missile and even, on one occasion when accompanied by his wife, comes under prolonged gunfire. Amid the many and varied tragedies of the Middle East, the loss of a simple pleasure such as the ability to roam the countryside at will may seem a minor matter. But in Palestinian Walks, Raja Shehadeh's elegy for his lost footpaths becomes a heartbreaking metaphor for the deprivations of an entire people estranged from their land.

    In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and as such must account for its repeated failed diplomacy efforts to resolve this enduring strife.The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows—right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians, and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective, and peopled by colorful and outsized personalities and politics, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it.

    On every page, the glint of hope for dignity and a better life is heartbreakingly alive.’ Khaled Hosseini, author of The Kite RunnerMost novels are written by professional writers using second hand material. Not this one. Peirene commissioned nine refugees to tell their ‘Shatila Stories’. The result is a piece of collaborative fiction unlike any other. If you want to understand the chaos of the Middle East – or you just want to follow the course of a beautiful love story – start here.Adam and his family flee Syria and arrive at the Shatila refugee camp in Beirut. Conditions in this overcrowded Palestinian camp are tough, and violence defines many of the relationships: a father fights to save his daughter, a gang leader plots to expand his influence, and drugs break up a family. Adam struggles to make sense of his refugee experience, but then he meets Shatha and starts to view the camp through her eyes.Why Peirene chose to commission this book:‘I want to hear their stories and see if their imaginations can open up a new path of understanding between us. Collaborative works of literature can achieve what no other literature can do. By pooling our imaginations we are able to access something totally different and new that goes beyond boundaries – that of the individual, of nations, of cultures. It connects us to our common human essence: our creativity. Let’s make stories, not more war.’ Meike Ziervogel

    Joining the trio is a childhood friend and former Marine whose past service in Iraq adds an unexpected and sometimes unwelcome viewpoint, both to the people they come across and perhaps even themselves.As the crew works their way through Turkey, Iraq, and Syria, Glidden observes the reporters as they ask civilians, refugees, and officials, “Who are you?” Everyone has a story to tell: the Iranian blogger, the United Nations refugee administrator, a taxi driver, the Iraqi refugee deported from the US, the Iraqis seeking refuge in Syria, and even the American Marine.Glidden (How to Understand Israel in 60 Days or Less) records all that she encounters with a sympathetic and searching eye. Painted in her trademark soft, muted watercolors and written with a self-effacing humor, Rolling Blackouts cements Glidden’s place as one of today’s most original nonfiction voices.

    From her friends, Hass learns the secrets of slipping across sealed borders and stealing through night streets emptied by curfews. She shares Gaza's early euphoria over the peace process and its subsequent despair as hope gives way to unrelenting hardship. But even as Hass charts the griefs and humiliations of the Palestinians, she offers a remarkable portrait of a people not brutalized but eloquent, spiritually resilient, bleakly funny, and morally courageous.Full of testimonies and stories, facts and impressions, Drinking the Sea at Gaza makes an urgent claim on our humanity. Beautiful, haunting, and profound, it will stand with the great works of wartime reportage.

    Each beautifully packaged volume offers a way to see the world anew, to rediscover great civilizations and legends, vast deserts andunspoiled mountain ranges, unusual flora and strange new creatures, and much more.

    Now, in 1967--a number-one bestseller in Hebrew--he brings his masterful skills to the watershed year when six days of war reshaped the country and the entire region.Going far beyond a military account, Segev re-creates the crisis in Israel before 1967, showing how economic recession, a full grasp of the Holocaust's horrors, and the dire threats made by neighbor states combined to produce a climate of apocalypse. He depicts the country's bravado after its victory, the mood revealed in a popular joke in which one soldier says to his friend, "Let's take over Cairo"; the friend replies, "Then what shall we do in the afternoon?"Drawing on unpublished letters and diaries, as well as government memos and military records, Segev reconstructs an era of new possibilities and tragic missteps. He introduces the legendary figures--Moshe Dayan, Golda Meir, Gamal Abdul Nasser, and Lyndon Johnson--and an epic cast of soldiers, lobbyists, refugees, and settlers. He reveals as never before Israel's intimacy with the White House as well as the political rivalries that sabotaged any chance of peace. Above all, he challenges the view that the war was inevitable, showing that a series of disastrous miscalculations lie behind the bloodshed.A vibrant and original history, 1967 is sure to stand as the definitive account of that pivotal year.

    Hersh has riveted readers -- and outraged the Bush Administration -- with his explosive stories in The New Yorker, including his headline-making pieces on the abuse of prisoners at Abu Ghraib. Now, Hersh brings together what he has learned, along with new reporting, to answer the critical question of the last four years: How did America get from the clear morning when two planes crashed into the World Trade Center to a divisive and dirty war in Iraq?In Chain of Command, Hersh takes an unflinching look behind the public story of the war on terror and into the lies and obsessions that led America into Iraq. Hersh draws on sources at the highest levels of the American government and intelligence community, in foreign capitals, and on the battlefield for an unparalleled view of a critical chapter in America's recent history. In a new afterword, he critiques the government's failure to adequately investigate prisoner abuse -- at Abu Ghraib and elsewhere -- and punish those responsible. With an introduction by The New Yorker's editor, David Remnick, Chain of Command is a devastating portrait of an administration blinded by ideology and of a president whose decisions have made the world a more dangerous place for America.

    They take us from firefights on the Cambodian border during the Vietnam War to the streets and alleyways of Iraq today. They teach us what it was really like to patrol the streets of Mogadishu in the days of Black Hawk Down. They show the horror that was Saddam’s Iraq during the first Gulf War. They take us to the moonscape that is Afghanistan in search of the Taliban. The Wars of the Green Berets continues the saga of Moore’s classic The Green Berets, revealing more than a few tantalizing secrets and anecdotes for the first time.

    The 2013 military coup replaced him with a new strongman, Abdel Fattah el-Sisi, who has cracked down on any dissent or opposition with a degree of ferocity Mubarak never dared. New York Times correspondent David D. Kirkpatrick arrived in Egypt with his family less than six months before the uprising first broke out in 2011, looking for a change from life in Washington, D.C. As revolution and violence engulfed the country, he received an unexpected and immersive education in the Arab world.For centuries, Egypt has set in motion every major trend in politics and culture across the Middle East, from independence and Arab nationalism to Islamic modernism, political Islam, and the jihadist thought that led to Al Qaeda and ISIS. The Arab Spring revolts of 2011 spread from Cairo, and now Americans understandably look with cynical exasperation at the disastrous Egyptian experiment with democracy. They fail to understand the dynamic of the uprising, the hidden story of its failure, and Washington's part in that tragedy. In this candid narrative, Kirkpatrick lives through Cairo's hopeful days and crushing disappointments alongside the diverse population of his new city: the liberal yuppies who first gathered in Tahrir Square; the persecuted Coptic Christians standing guard around Muslims at prayer during the protests; and the women of a grassroots feminism movement that tried to seize its moment. Juxtaposing his on-the-ground experience in Cairo with new reporting on the conflicts within the Obama administration, Kirkpatrick traces how authoritarianism was allowed to reclaim Egypt after thirty months of turmoil.Into the Hands of the Soldiers is a heartbreaking story with a simple message: The failings of decades of autocracy are the reason for the chaos we see today across the Arab world. Because autocracy is the problem, more autocracy is unlikely to provide a durable solution. Egypt, home to one in four Arabs, is always a bellwether. Understanding its recent history is essential to understanding everything taking place across the region today--from the terrorist attacks in the North Sinai and Egypt's new partnership with Israel to the bedlam in Syria and Libya.

    Traces more than a century in the lives of three women from an Arab-Christian family in Lebanon, Syria, Palestine, and Egypt, in an account that describes their acts of faith and courage against a backdrop of the fall of the Ottoman Empire, the founding of Israel, the Arab-Israeli wars, and other conflicts.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.