But when Cameron finds a patient hanged in the utilities closet, his infatuation with other people's stories becomes an obsession. Assuming the man's identity, Cameron seeks out and forges a relationship with the victim's mentally challenged sister, who lives in a home uptown. As Cameron becomes more involved in the woman's life, he begins to discover truths that will challenge him to the very core of his existence.

    Now in her nineties, the famously reclusive painter remains devoted to her work. She has never married, never had a family, never had a child. So when a letter arrives disclosing that she has a granddaughter living in New York, her world is turned upside down and the past is brought painfully to life.Disowned by her bourgeois family, the young Ivory had gone to interwar Paris to study art, and quickly found her true home among the avant-garde painters and poets who crowd the city's cafes. In fellow painter Tacita, she finds the sister she never had. In the Zoological Gardens, she finds a subject for her art capable of fascinating her endlessly. And in Lev, the brooding, haunted Russian 'migr' painter fleeing the Revolution and destined for greatness, she finds the love that will mark her life forever.But she loses all this, and more, when the Second World War sweeps away the life she has only just discovered. In her grief, she turns to the project she had begun in Paris, and which will consume the rest of her life: a dictionary of animal languages. Part science, part art, the dictionary strives to transcribe the wordless yearning of animals, the lonely and love-laden cries that expect no response.By nature solitary, Ivory withdraws fully into herself as she pursues her life's work. Until the discovery of one of Lev's paintings from 1940, inscribed to Ivory and now worth a fortune, brings to light a secret from her time in Paris that even Ivory could never guess. Now in her nineties, she is forced to acknowledge afresh all she has lost, and also to find meaning and beauty in a world defined by longing.Masterfully written, and emotionally charged, The Dictionary of Animal Languages is about love and grief and art and the realization that, like tragedy, the best things in life arrive out of the blue.

    Johannes Göransson's translation captures the seething instability of Berg's bizarre compound nouns and linguistic contortions.

    Wright is one of America’s leading poets, an artist of idiosyncratic vision who demands ever more from words and poems. As Dave Eggers wrote in The New York Times, “C.D. Wright has been writing some of the greatest poetry-cum-prose you can find in American literature.”Rising, Falling, Hovering is a work of profound social, political, and cultural consequence, a collection that uses experimental forms to climb within the unrest teeming around the world and inside the individual. “We are running on Aztec time,” she writes, “fifth and final cycle.”In short lyrics and long sequences, Wright’s language is ever-sharpened with political ferocity as she overlays voices from the United States, Oaxaca, Baghdad, and the borderlands between nations, to reveal the human struggle for connection and justice during times of upheaval and grief.If a body makes 1 centavo per chile picked or5 cents for 50 chiles can Wal-Mex get it down to 3 cents. Pass the savings on to US.Will they open a Supercenter in Falluja once it is pacified. Once the corpsesin the garden have decomposed. Once the wild dogs have finished off the bones.Does the war never end. Is this the war of all against all.Who will build the great wall between us, the illegals, the vigilantes, theevangelicals. . .C.D. Wright, author of twelve collections of poetry and prose, is a professor of English at Brown University and received a MacArthur Fellowship in 2005. She lives outside Providence, Rhode Island.

    The result is a lyrical and piercingly insightful collection of essays, letters (to her grandmother, to the basketball star Michael Jordan, to Death), and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression.Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today.

    "Lost Geography" takes the complexity of migration as its central subject: Why do landscape, work, and family lock some people in place and release others? In settings both rural and urban, these stalwart, tragically dispersed yet resilient people respond not only to new environments and experiences but to the eruption of sudden loss and change.As the settings and characters shift in this wise, resonant book, readers are invited to see how habits of survival translate from one generation to another. How are we like our forebears? How does circumstance make us alter what our heritage has told us is important? With unfailing subtlety and elegance, "Lost Geography" teaches us, in a luminous sequence of intense personal dramas, that what keeps us alive isn't so much our ability to understand the details of our past as having the luck and courage to survive the assaults of both the present and history.

    Black Maria–the title is a slang term for a police van as well as a hearse–is a twisting tale of suspicion, passion, mystery, and the city. Young channels the world of detective movies, picking up its lingo and dark glamour in five “reels” of poetry–the adventures of a “soft-boiled” private eye, known as A.K.A. Jones, and an ingenue turned femme fatale, Delilah Redbone, who’s come to town from down south (“Mama bent till dark / tending rows to send / Me to school . . . I wanted / To head on & hitch . . . strike it / Big”). We follow Jones and Delilah through a maze of aliases and ambushes, sex and suspicions, fast talk and hard luck, in Shadowtown where noir characters abound. The Killer, The Gunsel, The Hack, The Director, The Champ, and The Snitch are among the local luminaries and beautiful losers who mingle with Jones and his elusive lady as they stalk one another through the scenes of the poet’s dazzling “treatment.” Charming, funky, bleak, humorous, picaresque, and full of pathos, Black Maria is brimming with the originality and stark lyricism we have come to expect from this remarkable poet.When we met her first request:Got a light?*I only had darkso gave her that instead.*Ashtray full of butts& maybes.*The sound of her heels down the hallto me means reveille.(from “Stills”)Click on the poem titles below to hear Kevin Young read from Black Maria.

    It’s probably nothing serious, but when Rebecca hears that a home health care provider named Eduardo Morales disappeared from the neighbourhood that very night, she puts her detective hat on and gets to work.Over the course of the subsequent weeks, Rebecca juggles motherhood and detective work—alternating between unproductive visits with the Simard family, for whom the missing Eduardo worked, and tearful visits to potential daycares for Lucie. She faces down inconclusive interviews with evasive subjects and inconveniently timed diaper changes. Pascal Girard’s observational humor and perfect timing shine through each page, highlighting how Rebecca’s (over)confident, brash approach gets results, not just with the troublesome Simards but with everyone in her life.Rebecca and Lucie in the Case of the Missing Neighbor is a lighthearted maternity leave mystery that centers a new mother in all her postpartum glory.

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Leila’s younger brother Chia, influenced by their father’s past torture, imprisonment, and his deep-seated desire for justice, begins to engage with social and political affairs. But his activism grows increasingly risky and one day he disappears in Tehran. Seeking answers about her brother’s whereabouts, Leila fears the worst and begins a campaign to save him. But when she publishes Chia’s writings online, she finds herself in grave danger as well.Daughters of Smoke and Fire is an evocative portrait of the lives and stakes faced by 40 million stateless Kurds and a powerful story that brilliantly illuminates the meaning of identity and the complex bonds of family, perfect for fans of Khaled Hosseini’s The Kite Runner and Chimamanda Ngozi Adichie’s Half of a Yellow Sun.

    Don't lose more time searching for the perfect poems or readings - I've already done all the hard work to save you the trouble. This book combines several well known anthologies and brings you well over 1000 poems since 1250. The original anthologies used as a source are: 1919 Arthur Quiller-Couch, The Oxford Book of English Verse, and 1917 The New Poetry - An Anthology - Edited by Harriet Monroe and Alice Corbin Henderson.

    Our companions are an aging poet, who is sad because he can no longer write—he has lost the joy he used to have in simply being alive–and a young, mischievous female donkey, who is sad because she can't run and play—she has a touch of arthritis. . . . There is a moral, of course, but any moral looks dull next to the simple happiness of the old poet and his long-eared muse."—The New Yorker

    Depression & Other Magic Tricks explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living. Benaim's wit, empathy, and gift for language produce a work of endless wonder.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    His new poems are no less observant of the human and the worldly, no less skeptical, and no less amusing, but they have drifted toward the greater depths of open emotion. Over six collections, Hoagland’s poetry has gotten bigger, more tender, and more encompassing. The poems in Priest Turned Therapist Treats Fear of God turn his clear-eyed vision toward the hidden spaces―and spaciousness―in the human predicament.