Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    Oddly) Flowers is living quietly in Oregon with Winnifred, her tortoise, when she finds out her dear father has been knocked into a coma back in Newfoundland. Despite her fear of flying, she goes to him, but not before she reluctantly dumps Winnifred with her unreliable friends. Poor Winnifred. When Audrey disarms an Air Marshal en route to St. John’s we begin to realize there’s something, well, odd about her. And we soon know that Audrey’s quest to discover who her father really was—and reunite with Winnifred—will be an adventure like no other.

    Companion tales: The Thanksgiving Visitor and A Christmas Memory in one boxed edition.

    This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless.

    Seventeen stories written over the past fifteen years reveal the author's vision of human love and tragedy.Wants --Debts --Distance --Faith in the afternoon --Gloomy tune --Living --Come on, ye sons of art --Faith in a tree --Samuel --The burdened man --Enormous changes at the last minute --Politics --Northeast playground --The little girl --A conversation with my father --The immigrant story --The long-distance runner

    In "Horseman," a professor confronts a young plagiarist as well as her own weaknesses as the Thanksgiving holiday looms closer and closer: "And after that, who knew?" In "Intervention," a realtor facing an ominous medical prognosis finds himself in his father's shadow while he presses forward--or not. In "Voice," a semiretired academic is conned by his increasingly estranged brother into coming along on a group tour of the Venice Biennale, fleeing a mortifying incident with a traumatized student back in Massachusetts but encountering further complications in the maze of Venice. And in "Milton and Marcus," a lapsed novelist struggles with his wife's illness and tries to rekindle his screenwriting career, only to be stymied by the pratfalls of that trade when he's called to an aging, iconic star's mountaintop retreat in Wyoming.

    Death at the Excelsior and Others is a posthumously published compilation of short stories by Wodehouse, including: - Death at the Excelsior - Misunderstood - The Best Sauce - Jeeves and the Chump Cyril - Jeeves in the Springtime - Concealed Art - The Test Case

    Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Semley's Necklace" is a short story originally published in the collection The Wind's Twelve Quarters.

    And so, for this holiday season, we present a Christmas story that only he could write, about the wicked boy who got everything.When Twain arrived in San Francisco in 1864, he quickly landed a job writing for a newly launched literary weekly called The Californian, which was co-edited by Bret Harte (future author of “The Outcast of Poker Flat”) and Charles Henry Webb. With their encouragement and guidance, he honed his skills as a satirist and within a few months he was paid $50 a month to write one piece per issue—a respectable amount at the time, although never enough for the young Samuel Clemens, whose financial woes were a recurrent theme in his journals and letters. The newspaper was a success, but turnover among owners and editors led to its eventual demise. Before the periodical ceased publication in 1868, it had also introduced Ambrose Bierce to its readers.Published two days before Christmas in the newspaper’s first year, “The Christmas Fireside” features a character familiar to readers of Mark Twain: the naughty boy. Compared with the affably mischievous Tom Sawyer and Huckleberry Finn, however, “Jim” is a downright monster. But Twain’s satire isn’t really about boyhood. If anything, Twain has written what might be called an “anti-story”—less about what does happen to Jim and more about what does not. He has two targets: the laughably implausible Sunday school catechisms of the era and (particularly in the closing paragraphs) the American propensity for rewarding corruption and vice among members of its political and entrepreneurial class. “Bah, humbug!” one might think, but what keeps the young Mark Twain from being the Californian Scrooge is a sense of impishness to mitigate the cynicism.

    Set largely in the small Newfoundland mining town of Black Rock, but straying as far west as Vancouver and as far east as China, these stories are subtle, stark portrayals of people alternately looking for or trying desperately to escape their place in the world.A young boy confuses love and allegiance, then stumbles into the complexities of adulthood; a brother and sister fall in love with the same woman; a frustrated wife protests her husband’s neglect by going on strike with the miners’ union; a lover’s drug habit reunites a woman with the sister she has lost.Anchor Books is proud to publish an expanded edition of Michael Crummey’s brilliant collection Flesh and Blood, which includes three original stories written just for this edition. Graceful, affecting, and generous of spirit, these stories are unforgettable.

    In Delta of Venus Anaïs Nin penned a lush, magical world where the characters of her imagination possess the most universal of desires and exceptional of talents. Among these provocative stories, a Hungarian adventurer seduces wealthy women then vanishes with their money; a veiled woman selects strangers from a chic restaurant for private trysts; and a Parisian hatmaker named Mathilde leaves her husband for the opium dens of Peru. Delta of Venus is an extraordinarily rich and exotic collection from the master of erotic writing.Part of the Quality Paperback Book Club series with limited-edition art cover. Cover art painted by Monica Elias.

    This book presents Lovecraft's original poem in its entirety and also features a visual interpretation.

    Here are seven exquisite tales combining the keen psychological insight characteristic of the modern short story with the haunting mystery of the nineteenth-century Gothic tale, in the tradition of writers such as Goethe, Hoffmann, and Poe.

    Miraculously saved yet hideously scarred, tormented at school and at work, Matty becomes a wanderer, a seeker after some unknown redemption. Two more lost children await him: twins as exquisite as they are loveless. Toni dabbles in political violence, Sophy in sexual tyranny. As Golding weaves their destinies together, as he draws them toward a final conflagration, his book lights up both the inner and outer darknesses of our time.

    M. Homes as one of the most provocative and daring writers of her generation. Here you'll find the cult classic A Real Doll, the tale of a teenage boy's erotic obsession with his sister's favorite doll; Adults Alone, which first introduced Paul and Elaine, the crack-smoking yuppie couple whose marriage careens out of control in Homes's novel Music for Torching; and Looking for Johnny, in which a kidnapped boy, having failed his abductor's expectations, is returned home. Brilliantly conceived, sharply etched, and exceptionally satisfying, these stories explore the American dream in ways you're not likely soon to forget. Working in Kodacolor hues, Homes offers an uncanny picture of a surreal suburbia-outrageous and utterly believable.