He is hugely intelligent. He’s an incredible observer. He is able to memorise and categorise in astonishing detail. He has a beautiful and unusual imagination. More than that, Elliott is an ideal friend. He is overflowing with compassion and warmth and fun. To know him is to adore him.But few people do know Elliott, properly. Because Elliott is also stuck. He lives in a wheelchair in an orphanage. It’s 1979. Elliott is forced to spend his days in an empty corridor, either gazing out of the window at the birds in a tree or staring into a white wall – wherever the Catholic Sisters who run the ward have decided to park him.So when Jim, blind and mute but also headstrong, arrives on the ward and begins to defy the Sisters’ restrictive rules, Elliott finally sees a chance for escape. Individually, the unloved, unvalued orphans will stay just where they are; together, they could achieve a magnificent freedom – if only for a few hours.But how can Elliott, unable to move or speak clearly, communicate all this to Jim? How can he even get Jim to know he exists?Patience is a remarkable story of love and friendship, courage and adventure – and finding joy in the most unlikely of settings. Elliott and Jim are going to have some fun.

    She is about thirty-three, speaks French fluently… Her character is gay, sweet and ironic, but she has bursts of anger over nothing when she is confined to a straitjacket.”So wrote James Joyce in 1940, in a letter about his only daughter, Lucia. It is one of the few surviving contemporary portraits of her troubled life. Most other references to her have been lost. An attempt has been made to erase her from the pages of history. We know she was the daughter of the famous writer. She was the lover of Samuel Beckett. She was a gifted dancer. From her late twenties she was treated for suspected schizophrenia – and repeatedly hospitalised. She spent the last thirty years of her life in an asylum.And, after her death, her voice was silenced. Her letters were burned. Correspondence concerning her disappeared from the Joyce archive. Her story has been shrouded in mystery, the tomb door slammed behind her.Alex Pheby’s extraordinary new novel takes us inside that darkness. In sharp, cutting shards of narrative, Lucia evokes the things that may have been done to Lucia Joyce. And while it presents these stories in vivid and heart-breaking detail, it also questions what it means to recreate a life. It is not an attempt to speak for Lucia. Rather, it is an act of empathy and contrition that constantly questions what it means to speak for other people.Lucia is intellectually uncompromising. Lucia is emotionally devastating. Lucia is unlike anything anyone else has ever written.

    Sparrow's dream is the World Lightweight Championship. But when he finally has it in his grasp he can't deliver the finishing punch. Sparrow's life falls apart, and fifteen years later he's a bum, a loser. Then something happens that convinces him that there are still things worth fighting for ...

    His birthplace is famed as the city of lovers, but so far love has always eluded him. Instead his life revolves around the investment bank where he works. And then one day he realizes he is being followed around, by a pale, scrawny man. The man's name is Paul Murray.Paul claims to want to write a novel about Claude and Claude's heart sings. Finally, a chance to escape the drudgery of his everyday office life, to be involved in writing, in art! But Paul himself seems more interested in where the bank keeps its money than in Claude-and soon Claude realizes that Paul is not all he appears to be ...

    All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

    It has become a modern Irish classic, promising to make immortal the Tailor and his irrepressible wife, Ansty. The Tailor never travelled further than Scotland, yet the breadth of the world could not contain the wealth of his humour and fantasy. All human life is here - marriages, inquests, matchmaking, wakes - and always the Tailor, his wife and their black cow.

    His estate agent Avigail, whose name is definitely not Abigail, is trying – in vain – to rein in Charles’s most unhelpful eccentricities, especially his repeated recounting to prospective buyers of a failed burglary that took place twelve years ago. When Wang Shu and her daughter Ying Yue view the house, Wang Shu is mysteriously struck by a falling oyster shell – the first in a series of seemingly innocuous events distort the reality of the characters’ lives and cause them to question their very existence. As religious epiphanies bump up against declarations of love, the characters begin to sabotage the fictional world they inhabit, causing our entire understanding of the book – and of the boundaries between fiction and real life – to be radically upended.

    Though his return rekindles his affection for his childhood home, it also triggers a resurgence of the family tensions that caused him to leave in the first place. As Edward becomes tangled in his family’s web of corrosive secrets, his homecoming tips a precariously balanced dynamic into sudden chaos. The Italian Girl is Murdoch’s compelling story of a man’s reunion with his estranged family, and of the tragedy that shocks them all into confronting their dark past.

    James Carroll is the author of five novels and two acclaimed works of nonfiction, including the National Book Award-winning An American Requiem.

    For Lily and Jack, that moment comes when their baby daughter, home alone with Lily, pulls a pot of boiling water off the stove and suffers terrible burns. It is an accident, but the state suspects abuse and takes temporary custody of the child.To win her back, Lily and Jack must prove to strangers that they are good parents and that their daughter belongs with them and their two sons. They must convince others even as they struggle to once again believe it themselves...even as they begin to fall away from each other just when they most need to be together.Rachel Basch's remarkable debut is an eloquent and touching story about family and individuality, guilt and blame, and how love can fail us or save us, often to our great surprise. It is a book to be cherished, a rich novel that will linger in every reader's mind and heart.

    Now comes his final work of fiction, a subtle, concentrated culmination of his art and ideas. For more than fifty years Gaddis collected notes for a book about the mechanization of the arts, told by way of a social history of the player piano in America. In the years before his death in 1998, he distilled the whole mass into a fiction, a dramatic monologue by an elderly man with a terminal illness. Continuing Gaddis's career-long reflection on those aspects of corporate technological culture that are uniquely destructive of the arts, Agape Agape is a stunning achievement from one of the indisputable masters of postwar American fiction.

    She has just lost her mother Tess and brother Mikey, her marriage to Joe is coming apart at the seams and her thirty-year friendship with Karen is on the rocks.While clearing out her childhood home, Carmel discovers that her mother gave birth to a baby in an Irish Mother and Baby home when she was sixteen, a place notorious for its mass burial of babies and illegal adoptions.Carmel goes on a quest for the truth about her troubled mother’s past. Her roller-coaster journey takes her from her comfortable Manchester home to the west of Ireland and to London's theatre land. It’s a journey that leads her to ask: Can we ever escape our own family history or is our destiny in our DNA?

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    Driving her mobile library van through Finfarran's farms and villages, she tries not to think of the sophisticated London life she abandoned when she left her cheating husband. Or that she's now stuck in her crotchety mum's spare bedroom.With her daughter Jazz travelling the world and her relationship with her mother growing increasingly fraught, Hanna decides to reclaim her independence. Then, when the threatened closure of her library puts her plans in jeopardy, she finds herself leading a battle to restore the heart and soul of the fragmented community. Will she also find the new life she's been searching for?

    Marlowe gives it to us. The backdrop is Renaissance Europe, a world alive with creative ferment, triple-crossing intrigue, and the passionate quest for novelty. Lofty tragedy and lyric poetry still reign as queens of the literary arts, but young writers heady with ambition seek live action to give substance to their teeming imaginations. It is scoundrel time, and the novel is in gestation. To enter Cervantes's world we cross a threshold that is Shakespearean and quixotic into a metaphysical wonderland where time expands to become space and vast vaulted distances bend back on themselves, where the threads of fiction and the strands of history shuttle back and forth in the great loom of the artist's imagination. Marlowe's Cervantes is a towering creation: flesh and blood and living legend, actor in and creator of the events in his own fantastical life story. He not only survives war, prison, torture, and poverty, he survives death itself, growing inexorably toward the writing of Don Quixote, which would bring both him and his character immortal fame.