Both are in every obvious respect what is generally termed masculine. There is no suggestion of the effeminate – nothing that could evoke the characterization of gay. Their backgrounds and personalities are thoroughly American, and they live and work in a completely normal man's social and professional world. Other men respect and admire their courage and ability and even their physical prowess. Women are very much attracted to both of them.Tim, the older the two, has already recognized and resolved the problem of his sexual deviation. Phillip has not. A product of rural American mores and attitudes, he has a fierce contempt for "queers" and at the same time a deep and secret dread that the germ of homosexuality maybe buried somewhere within himself. One or two incidences in his life have shaken him profoundly and have made him determined ruthlessly to crush any tendencies in himself as well as to avoid any close relations with other men. He is engaged to be married as soon as he is discharged from the Navy, and he intends to rear a big family, to take over the operations of his family's bank and other interests, and to become a responsible and civic-minded leader in his community.As the story opens, he has almost reached the refuge and security he has carefully planned. But then he meets Danelaw. From that moment the struggle begins – a tense and shattering emotional upheaval composed of aversion, self-contempt, admiration and – finally – love. There are other well-drawn characters in this drama – Phillip's exceptional family; his fiancée and her mother; Tim's fascinating wife; Lt. Bruner, the blackmailer; Stuff, the hard-boiled sailor who worshipped Philip. QUATREFOIL is a deeply moral novel. Two men of integrity and intellect are confronted with the knowledge that they are deviants from the normal pattern of our society – that most people in that society would abhor and persecute them if they openly avowed their difference. Both men avidly desire to live within the social conventions and to attain the ends that motivate all men – a home, a family, respecting in their community, an opportunity to do honest and satisfying work, to realize their ambitions.This is their problem and QUATREFOIL is their story. It will evoke some disturbing thoughts.

    Her adventures in getting over take her from SF to NYC, from dyke bars to telemarketing outfits, casinos to free clinics. With the signature poet's voice that has won her awards and acclaim, Liebegott investigates the conjoined hearts of hope and addiction in an unforgettable story of what it means to be young and broke in America.Praise for Cha-Ching!"Cha-Ching! is a rush - the clatter of youth on the angry move, the rattling of dreamy gambles in crappy apartments, the desperate crash of falling for someone despite the million reasons why and the bang! bang! bang! of our tender hearts."—Daniel Handler, author of Why We Broke Up"Cha-Ching! is so raw with need that I found myself itching that addict's itch to chase the seemingly impossible."—Karolina Waclawiak, deputy editor of The Believer and author of How to Get Into the Twin Palms"An open-hearted, deeply romantic story about a fucked-up dyke, her pit bull, her search for love, her tenuous grasp on hope, a pretty girl and the literal spin of the wheel."—Sarah Schulman, author of The Gentrification of the Mind: Witness to a Lost Imagination"In the game of American-life-on-the-go hopscotch, Ali Liebegott's heroine Theo just jumped a square ahead of Dean Moriarty. . . . The author's fine writing about gambling is as good as I ever read, including Dostoevski's and the Barthelme Bros. In the end, love, in whatever twisted, pallid form, a love that has little to do with sexuality, is the only answer. . . .Wonderful book."—Andrei Codrescu, author of So Recently Rent a World: New and Selected Poems

    The love between Michaela and Rivi is depicted precisely and delicately. . . . It’s beautiful.” —Amos Oz“More than anything else, the book is a temple of love to the imaginary, and to literature as an option for deep and vigorous living.” — Time Out Written by best-selling Israeli author Judith Katzir, Dearest Anne is a stirring record of an artist’s coming-of-age during the 1970s and the story of a hidden, erotic love affair between a teenaged girl and her married teacher, Michaela.After reading Anne Frank’s diary, young Rivi starts a series of writing notebooks that document the angst of growing up in rural Israel. The entries reveal how her crush on her literature teacher develops into a poignant and turbulent love affair that lasts for years before its scandalous end. Decades later, the grown Rivi, now a mother, wife, and established author, comes to terms with the forbidden love that shaped her life.

    When Manhattan stops being big enough for both of them—at least if Levi ever wants to fall out of love with Adam—Levi accepts a job in in San Francisco.But when Adam pulls an Adam—upending Levi's calm new life with a plea to lend his photography talent to a worthy cause—Levi is helpless to resist. Adam will be the first Fortune 100 CEO to come out of the closet in grand fashion. He needs a trusted ally on his PR team. And the job will only last three weeks.Levi accepts on one hidden condition: he’ll keep his new friends away from Adam, certain that if they get a whiff, they'll fall under Adam’s spell. Bent on keeping his two lives separate, Levi barely makes it through the first two weeks unscathed. Then, Adam drops another bomb….

    "Sutcliffe has managed to pull off a worthy British companion to Portnoy's Complaint" Jay Rayner,Observer "Well-written,clever and very funny" Literary Review "Smart,entertaining stuff...somewhere between Adrian Mole and Holden Caulfield" Philip Hensher,Mail on Sunday

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth. But when Joel arrives at Skully’s Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks.Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place.This new edition, featuring an enlightening Introduction by John Berendt, offers readers a fresh look at Capote’s emerging brilliance as a writer of protean power and effortless grace.From the Hardcover edition.

    Before, he had always brought men with him on his visits, lovers with whom his mother had been “civil, even flirtatious,” while his father retreated into his sacred woodshop. Now his mother has died and, at age thirty-six, Raphael has come back to see his dying father, who knows and disapproves of Raphael’s boyfriends but who is unaware that this, his youngest child, may be ill as well. Raphael’s halting, often painful attempt to reconcile with his father forms the centerpiece of Fenton Johnson’s astonishing novel. At times funny, at times heartbreakingly poignant, Scissors, Paper, Rock explores with wisdom and humor the many kinds of family, the infinite varieties of love. Through the intricately interwoven stories of the Hardin parents and children, Scissors, Paper, Rock contrasts the families we inherit — our blood ties — with the families we choose, our partners in love and our friends.

    Apparently, he was in a car accident—and the body of classmate Sean Brody was found in his car, shot to death. But nothing makes sense to Eric. He and Sean weren’t friends. In fact, they disliked each other--Sean was gay and Eric is...well, he's not sure of much right now! Except he is certain he didn’t shoot Sean, even though he can’t remember anything about the day of the accident.To make matters worse, he starts having psychic flashes about the people around him: his doctor, a nurse, his mother, and other visitors.As Eric’s memories slowly start to come back to him, he becomes more and more certain that not only is he innocent, but that the real murderer is out there….and wants to shut him up permanently.

    Hiding among the choir, he was content to be ignored at school. But in order to make his singing dreams come true and win the scholarship, he has to push aside that shyness and stand out. When new kid, Maverick Cole shows up, all of Ashton’s plans are thrown into chaos. Now he has to work with his new duet partner to perfect their song for the biggest choir competition in the country. The moment things start to look up, Ashton suddenly finds himself at the lowest point in his life. His new friend steps in to save him, proving their friendly rivalry might be more than friendship, on and off the stage. If only he could tell Maverick how he really feels. With his heart and his future on the line, will Maverick and Ashton be able to work together to make this work or will the pressure of winning tear them apart? The stakes are high, so Ashton will have to be ready to not only stand out, but come out. Especially if he wants to win both the competition and his Maverick’s heart. Besides, who needs therapy when you have harmony? *The Boy I Love The Most is a young adult gay romance*

    Whether in southern Italy, where as a boy he has a crush on his parents’ cabinet maker, or on a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; on a tennis court in Central Park, or a sidewalk in early spring New York, his attachments are ungraspable, transient and forever underwritten by raw desire—not for just one person’s body but, inevitably, for someone else’s as well. In mapping the most inscrutable corners of desire, Aciman proves to be an unsparing reader of the human psyche and a master stylist of contemporary literature. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want only to offer what we crave from them. Behind every step the hero takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love always casts its luminous halo. We may not always know what we want. We may remain enigmas to ourselves and others. But sooner or later we discover who we’ve always known we were.

    But when Jack's father takes him out in a rowboat on Lake Watchmayoyo and tells his son that he's gay, nothing will ever be normal again.

    They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    But when a classmate discovers the truth, a terrified Jamie does all he can to change who he is. At first, it's easy. Everyone notices when he starts hanging out with Celia Gamez, the richest and most beautiful girl in school. And when he steals an experimental new drug that's supposed to "cure" his attraction to guys, Jamie thinks he's finally going to have a "normal" life.But as the drug's side effects worsen and his relationship with Celia heats up, Jamie begins to realize that lying and using could shatter the fragile world of deception that he's created-and hurt the people closest to him.Told with equal doses of humor and suspense, Love Drugged explores the consequences of a life constructed almost entirely of lies . . . especially the lies we tell ourselves.

    Hoyt, Peter begins to pen the letter that makes up the pages of Good Times/Bad Times.From Peter’s elaborate involvement on campus and meeting the closest friend he’s ever had to the unwelcome sexual advances he received from Mr. Hoyt, this letter tells of the ups and downs of Peter’s time at school.As the good times give way to bad and a series of compelling incidents steadily heighten the tension of his time as a student at Gilford Academy, readers fall under the spell of the magnificent storyteller Peter exposes himself to be. Good Times/Bad Times pulses with warmth and laughter of the young and still honest, complete with strong and memorable characters.