They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club.Benjamin Alire Sáenz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. Sáenz is the chair of the creative writing department of University of Texas at El Paso.Awards:PEN/Faulkner Award for FictionLambda Literary AwardSouthwest Book Award

    But when Tornor is overrun by raiders, a young prince is the tower's last hope-in an enchanting story of a time far removed from ours, and a land alive with warriors, lovers, war and honor. The Watchtower is the first in the memorable Chronicles of Tornor Trilogy by one of speculative fiction's most honored and exciting voices.

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    Franklin was caught, convicted, and put away in juvenile detention for what he did. The ordeal seems to be over.Until Rem’s mother selects Franklin as a test subject for an experimental brain procedure intended to “cure” him of his cruel and violent impulses. Suddenly Rem’s memories of that day start coming back to the surface. His nightmares become worse than ever. Plus he has serious doubts about whether his mother’s procedure will even work. Can evil really just be turned off?Then, as part of Franklin’s follow-up testing, he and Rem are brought face to face, and Rem discovers…Franklin does seem different. Despite everything, Rem finds himself becoming friends with Franklin. Maybe even something more than friends.But when another of their classmates turns up dead, Rem’s world turns upside-down yet again. Franklin insists that he’s innocent, that he’s cured, but Rem doesn’t know what to believe. Is someone else responsible for this new murder, or is Franklin fated to stay a monster forever? And can Rem find out the answer to this question before the killer, whoever it is, comes after him too?

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    The last thing she wants is to fall in love with a girl--especially when that girl is her best friend, Baker. Hannah knows she should like Wally, the kind, earnest boy who asks her to prom. She should cheer on her friend Clay when he asks Baker to be his girlfriend. She should follow the rules of her conservative Louisiana community--the rules that have been ingrained in her since she was a child.But Hannah longs to be with Baker, who cooks macaroni and cheese with Hannah late at night, who believes in the magic of books as much as Hannah does, and who challenges Hannah to be the best version of herself. And Baker might want to be with Hannah, too--if both girls can embrace that world-shaking, yet wondrous, possibility.

    As a girl in boys’ clothes, she is accepted by neither tribe, bullied by both. What are you? they ask. Abandoned as a baby wrapped in a T-shirt with an image of a lizard on the front, Kivali found a home with nonconformist artist Sheila. Is it true what Sheila says, that Kivali was left by a mysterious race of saurians and that she’ll one day save the world? Kivali doesn’t think so. But if it is true, why has Sheila sent her off to CropCamp, with its schedules and regs and what feels like indoctrination into a gov-controlled society Kivali isn’t sure has good intentions?But life at CropCamp isn’t all bad. Kivali loves being outdoors and working in the fields. And for the first time, she has real friends: sweet, innocent Rasta; loyal Emmett; fierce, quiet Nona. And then there’s Sully. The feelings that explode inside Kivali whenever Sully is near—whenever they touch—are unlike anything she’s experienced, exhilarating and terrifying. But does Sully feel the same way?Between mysterious disappearances, tough questions from camp director Ms. Mischetti, and weekly doses of kickshaw—the strange, druglike morsel that Kivali fears but has come to crave—things get more and more complicated. But Kivali has an escape: her unique ability to channel and explore the power of her animal self. She has Lizard Radio.Will it be enough to save her?

    A mix-up. Will there be a make-up?Jess Sharp’s life hasn’t exactly gone according to plan. She’s 32, unemployed, and single after a devastating breakup. She’s also left Australia for London to live in her parents’ spare room. Her chaotic life seems to be spiraling until she meets someone who could be a game-changer. She’s optimistic after a wildly successful first date, but far too much tequila and the ghosts of girlfriends past may drag her far below her lowest point. Can she win the race for romance without tripping? London Calling is the first book in a series of lesbian romance novels. If you like punchy drama, wicked humor, and charming British characters, then you’ll love Clare Lydon’s hilarious debut novel. Buy London Calling today to see if Jess stands a chance!

    From first loves to weird roommates, heartbreak, self-discovery, coming out and mental health, the two of them document every wild and awkward moment to each other. But as each changes and grows into her new life, will their friendship be able to survive the distance?

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy.

    Delany appropriated the conceits of sword-and-sorcery fantasy to explore his characteristic themes of language, power, gender, and the nature of civilization. Wesleyan University Press has reissued the long-unavailable Nevèrÿon volumes in trade paperback. The eleven stories, novellas, and novels in Return to Nevèrÿon's four volumes chronicle a long-ago land on civilization's brink, perhaps in Asia or Africa, or even on the Mediterranean. Taken slave in childhood, Gorgik gains his freedom, leads a slave revolt, and becomes a minister of state, finally abolishing slavery. Ironically, however, he is sexually aroused by the iron slave collars of servitude. Does this contaminate his mission - or intensify it? Presumably elaborated from an ancient text of unknown geographical origin, the stories are sunk in translators' and commentators' introductions and appendices, forming a richly comic frame.

    Qiouyi Lu, reprinted fiction by Kameron Hurley, essays by Sam J. Miller, Elsa Sjunneson-Henry, Shveta Thakrar, Dawn Xiana Moon, and Paul Booth, poetry by Cassandra Khaw, Brandon O’Brien, Bogi Takács, and Lisa M. Bradley, interviews with Stephen Graham Jones and Sarah Pinsker by Julia Rios, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

    These doomed love stories and twisted fairytales explore the lives of women--particularly queer women and mothers--and reveal the monsters lurking in our daily lives: the madness, isolation, betrayals, and regrets that arise as we seek human connection.Through this collection, readers are taken to places where the sun never sets, where cornfields rustle ominously and sleepwalkers prowl the night. In "Weekend," the lead actors of an avant-garde television show begin to confuse their characters' identities with their own; in "Go West, and Grow Up," a young girl living in a car with her mother is forced to shed her innocence too soon; and in "Safekeeping," a woman trapped inside a futuristic safehouse gradually unravels as she waits for her lover, who may never return.With exquisite prose and transfixing imagery, Joffre explores worlds both strange and familiar, homing in on the darker side of humanity. Powerful, unsettling, and wildly imaginative, Night Beast is a mind-bending, genre-hopping debut, a provocative and uncommonly raw examination of relationships and sexuality, trauma and redemption, the meaning of family, and coming-of-age--and growing old--as an outsider.