Even before she gets thrown out of school for shouting at the principal, there’s the simmering rage and all the weird destructive choices. The only thing going right for Ava is her job at Magic Kebab.Which is where she meets Gideon. Skinny, shy, anxious Gideon. A mad poet and collector of vinyl records with an aversion to social media. He lives in his head. She lives in her grief. The only people who can help them move on with their lives are each other.

    But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives. Brilliant and beguiling, The Wife and The Widow takes you to a cliff edge and asks the question: how well do we really know the people we love?

    She's wary of the other kids at school, of what they might see in her drawings, or of what they would say if they knew she was different. Most of the time she blocks it all out and pretends she's just like everyone else.But a missing girl is trying to tell Evie something. A girl who is very persistent, who will not give up until she is found. A girl who once wore the red cardigan Evie now wears. And Evie can no longer ignore the question that needs an answer...Who is the girl in the red cardigan?

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    The brutal murder of two teenage girls on the last day of Nora Cunningham's junior year in high school throws Nora into turmoil. Her certainties, friendships, religion, her prudence, her resolve to find a boyfriend taller than she is - are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy's guilt, and finally comes to believe him innocent - the lone dissenting voice in Elmgrove.Told from several different perspectives, including that of the murderer, Mister Death's Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.

    but the war isn't over.For Ellie Linton, being back on the farm with her parents is what makes the terrible things that happened during the war -- the things she, Homer, Lee, Fi, and the others had to do -- all worthwhile. It's where she belongs.But the war won't let her go. A devastating tragedy has shattered any hope she ever had to reclaim her life, or herself. It's a new kind of fight. And the enemy isn't always from the other side of the border.Another spectacular novel of war and its consequences by bestselling author John Marsden.

    She was in the local swimming club, and loved it; she lived with her parents and her brother, Cam, in the small coastal town she'd known all her life. She had friends, she had goals - she had a life. Now Cam is dead, her parents might as well be - and Lucy can't bear to get back in the pool. All she has to look forward to now is a big pile of going-nowhere.Drawn to Steffi, her wild ex-best-friend who reminds Lucy of her mysterious, unpredictable brother, and music-obsessed Evan, the new boy in town, Lucy starts asking questions. Why did Cam die? Was it an accident or suicide? But as Lucy hunts for answers she discovers much more than she expects. About Cam. About her family. About herself.

    . . .Anna is everything her identical twin is not. Outgoing and athletic, she is the opposite of quiet introvert Jess. The same on the outside, yet so completely different inside--it's hard to believe the girls are sisters, let alone twins. But they are. And they tell each other everything.Or so Jess thought.After Anna falls to her death while sneaking out her bedroom window, Jess's life begins to unravel. Everyone says it was an accident, but to Jess, that doesn't add up. Where was Anna going? Who was she meeting? And how long had Anna been lying to her?Jess is compelled to learn everything she can about the sister she thought she knew. At first it's a way to stay busy and find closure . . . but Jess soon discovers that her twin kept a lot of secrets. And as she digs deeper, she learns that the answers she's looking for may be truths that no one wants her to uncover.Because Anna wasn't the only one with secrets.

    It also marked the starting point of Kathy Lette's writing career, which sees her now as an author at the forefront of her field.Puberty Blues is about top chicks and surfie spunks and the kids who don't quite make the cut: it recreates with fascinating honesty a world where only the gang and the surf count. It's a hilarious and horrifying account of the way many teenagers live and some of them die. Kathy Lette and Gabrielle Carey's insightful novel is as painfully true today as it ever was.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    As the hours tick by, the girls know the chance of Yin being found alive is becoming smaller and smaller.Police suspect the abduction is the work of a serial offender, with none in the community safe from suspicion. Everyone is affected by Yin’s disappearance—even scholarship student Chloe, who usually stays out of Balmoral drama, is drawn into the maelstrom. And when she begins to form an uneasy alliance with the queen of Year Ten, Natalia, things get even more complicated.Looking over their shoulders at every turn, Chloe and Natalia must come together to cope with their fear and grief as best they can. A tribute to friendship in all its guises, The Gaps is a moving examination of vulnerability and strength, safety and danger, and the particular uncertainty of being a young woman in the world.

    With the help of his friends Preston and Parvati, Max starts Liars, Inc. Suddenly everybody needs something and the cash starts pouring in. Who knew lying could be so lucrative?When Preston wants his own cover story to go visit a girl he met online, Max doesn’t think twice about hooking him up. Until Preston never comes home. Then the evidence starts to pile up—terrifying clues that lead the cops to Preston’s body. Terrifying clues that point to Max as the murderer.Can Max find the real killer before he goes to prison for a crime he didn’t commit? In a story that Kirkus Reviews called "Captivating to the very end," Paula Stokes starts with one single white lie and weaves a twisted tale that will have readers guessing until the explosive final chapters.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    Yapas.They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal: their family connections tie them together for life.Born just five days apart in a remote corner of the Northern Territory, the girls are inseperable, until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie has lost interest in the community, preferring to hang out in the nearby mining town, where she goes to school with the glamorous Selena, and Selena’s gorgeous older brother Nick.When a political announcement highlights divisions between the Aboriginal community and the mining town, Rosie is put in a difficult position: will she be forced to choose between her first love and her oldest friend?

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.