This touching account tells of his love of reading, and how his unwavering perseverance, along with the help of a co-worker, came together to make Richard's dream a realityAn inspirational story for children of all backgrounds, Richard Wright and the Library Card shares a poignant turning point in the life of a young man who became one of this country's most brilliant writers, the author of Native Son and Black Boy.This book is the third in a series of biographies by William Miller, including Zora Hurston and the Chinaberry Tree and Frederick Douglass: The Last Day of Slavery. All focus on important moments in the lives of these prominent African Americans.

    Each story focuses on the role of women--both real and fantastic--and their particular strengths, joys and sorrows. Full-color illustrations.

    This is also the story of two outsiders - Billie Holiday, a young black woman raised in poverty, and Abel Meeropol, the son of Jewish immigrants - whose combined talents created a truly unforgettable song.

    They should have called it what it was: a big, bad war. Brother and sister Millicent and John are slaves on Simon Plenty’s plantation and have suffered one hurt and heartbreak after another. Their parents had told them old tales of how their ancestors had flown away to freedom just as free and easy as a bird. Millicent and John hold these stories in their hearts long after their parents are gone. “Maybe such a time will come for you,” their parents said. Then one day a mysterious bird appears in their lives. The bird transforms them and gives them the courage to set their plan into motion and escape to freedom.

    She imagined herself surrounded by billions of stars, floating, gliding, and discovering.She wanted to be an astronaut.Her mom told her, "If you believe it, and work hard for it, anything is possible.”Little Mae’s curiosity, intelligence, and determination, matched with her parents' encouraging words, paved the way for her success at NASA as the first African American woman to travel in space.

    Told from a young Taino boy’s point of view, this is a story of how the boy tried to warn his people against welcoming the strangers, who seemed more interested in golden ornaments than friendship. Years later the boy, now an old man, looks back at the destruction of his people and their culture by the colonizers.

    The sound of the young man's racing heart is almost audible as Edwards describes his desperate predicament: "He was fearful of what lay before him. He was terrified of what lay behind." But the man has allies in the underbrush, creatures that perceive him as "the Barefoot" (in contrast to "the Heavy Boots" who come in angry pursuit). A frog signals the presence of water, which quenches the Barefoot's thirst; a scurrying squirrel turns his eye to a blanket of leaves under which he naps; a deer diverts a crew of Heavy Boots away from this hiding place; and fireflies light the way to the safe house ahead. The vigilant eyes of these deftly rendered creatures peer out from Cole's haunting paintings, cleverly skewed to invoke the animals' ground-hugging perspective on the Barefoot's flight.

    But do you know about the mathematical genius who made sure that Apollo 13 returned safely home?As a child, Katherine Johnson loved to count. She counted the steps on the road, the number of dishes and spoons she washed in the kitchen sink, everything! Boundless, curious, and excited by calculations, young Katherine longed to know as much as she could about math, about the universe.From Katherine's early beginnings as a gifted student to her heroic accomplishments as a prominent mathematician at NASA, this is the story of a groundbreaking American woman who not only calculated the course of moon landings but, in turn, saved lives and made enormous contributions to history.

    Along the way they encounter prejudice, but they also discover The Green Book, a real guide to accommodations which was published for decades to aid African-American travelers as they faced prejudice on the roads across the country.

    He took photos of his family, classmates, and anyone who would sit still for a portrait. By the fifth grade, James was the school photographer and unofficial town photographer. Eventually he outgrew his small town and moved to the exciting, fast-paced world of New York City. After being told by his boss that no one would want his or her photo taken by a black man, James opened his own portrait studio in Harlem. He took photographs of legendary figures of the Harlem Renaissance politicians such as Marcus Garvey, performers including Florence Mills, Bill Bojangles Robinson, and Mamie Smith and ordinary folks in the neighborhood too. Everyone wanted fancy portraits by James Van Der Zee. Winner of Lee & Low's New Voices Award, Take a Picture of Me, James Van Der Zee! tells the story of a groundbreaking artist who chronicled an important era in Harlem and showed the beauty and pride of its people.

    “With its restrained poetic text and impressionist paintings, this is a picture book for older readers, too.”--Booklist

    In the segregated south, a young girl thinks that she can drink from a fountain marked "Whites Only" because she is wearing her white socks.

     Everybody knows about the Founding Fathers and the Declaration of Independence in 1776. But the founders weren't the only ones who believed that everyone had a right to freedom. Mumbet, a Massachusetts enslaved person, believed it too. She longed to be free, but how? Would anyone help her in her fight for freedom? Could she win against her owner, the richest man in town? Mumbet was determined to try. Mumbet's Declaration of Independence tells her story for the first time in a picture book biography, and her brave actions set a milestone on the road toward ending slavery in the United States.The case is fascinating, emphasizing the destructive irony at the heart of the birth of America and making Mumbet an active and savvy architect of her own release, and this is likely to spur much discussion. --The Bulletin of the Center for Children's Books

    She lived through the Civil War and Reconstruction, and eventually owned a cotton farm with her family, all the while relying on her skills with the needle to clothe and feed her children.   Later she began making pictorial quilts, using each square to illustrate Bible stories and local legends. She exhibited her quilts at local cotton fairs, and though she never traveled outside of Georgia, her quilts are now priceless examples of African American folk art.   Barbara Herkert’s lyrical narrative and Vanessa Newton’s patchwork illustrations bring this important artist to life in a moving picture-book biography.

    Little ballerinas have big dreams. Dreams of pirouettes and grande jetes, dreams of attending the best ballet schools and of dancing starring roles on stage. But in Harlem in the 1950s, dreams don’t always come true—they take a lot of work and a lot of hope. And sometimes hope is hard to come by.   But the first African-American prima ballerina, Janet Collins, did make her dreams come true. And those dreams inspired ballerinas everywhere, showing them that the color of their skin couldn’t stop them from becoming a star.   In a lyrical tale as beautiful as a dance en pointe, Kristy Dempsey and Floyd Cooper tell the story of one little ballerina who was inspired by Janet Collins to make her own dreams come true.