A terrible accident say the local police. But why did Beulah leave her cabin without a coat? It was thirty below in Parson's Cove. Someone must have forced her, amateur sleuth, Mabel Wickles suggests to her friend, Flori. Nobody seems to know anything, and Mabel is becoming frustrated.When Mabel witnesses some strange goings-on one night in the vacant house next door, she perks up. A person or persons unknown appear to be using the empty house for nefarious purposes. Could they be connected to Beulah's death? Mabel suspects they might and she sets out to investigate.But Mabel should be cautious. One unsuspecting resident of Parson's Cove has already slipped and died. She might be next.

    He also tackles the complicated issue of identity and details recent efforts and successes in cultural preservation and language revitalization.A personal account from the state’s first female Indian lawyer, Margaret Treuer, tells her firsthand experience of much change in the community and looks ahead with renewed cultural strength and hope for the first people of Minnesota.Anton Treuer is professor of Ojibwe at Bemidji State University and editor of Living Our Language: Ojibwe Tales and Oral Histories, Aaniin Ekidong: Ojibwe Vocabulary Project, Omaa Akiing, and Oshkaabewis Native Journal, the only academic journal of the Ojibwe language.

    In this illuminating, in-depth Q & A, “America’s storyteller” lets readers in on his philosophical approach to understanding our nation’s past, as well as a little family secret for overcoming your fears.Tom Roston is a veteran journalist who began his career at The Nation and Vanity Fair magazines, before working at Premiere magazine as a senior editor. He writes a regular blog about nonfiction filmmaking on PBS.org and he is a frequent contributor to The New York Times. He lives with his wife and their two daughters in New York City. Cover design by Adil Dara.

    In 1789 a small band of Indians attacked the Wiley cabin and killed Jennie’s three older children and her brother. Jennie was taken captive along with her baby son.Quickly the Indians and their captives moved westward into what is now Kentucky. Jennie’s only hope for herself and her child was to keep pace with her captors. The Indians moved northwest into the Big Sandy Valley of Kentucky. Unable to cross the flooded Ohio River, they retreated to a series of winter camps in present-day Carter, Lawrence and Johnson (Kentucky) Counties.With only a rock bluff for shelter Jennie spent the winter laboring as a slave. After almost a year in captivity Jennie escaped, miraculously evading pursuit as she made her way to a small settlement at Harman’s Station on John’s Creek where settlers helped her return to her husband.The author Arville Wheeler was inspired to write this book because his grandmother told him the story of Jennie Wiley when he was a child.

    He does so, not with abstract opinions but with apt and colourful examples taken from the past and the present: Sam Steele’s gold rush censorship of the Turkish Whirlwind Danseuse; Ontario’s grudging acceptance of beer in three Toronto ballparks; New York’s St. Patrick’s Day Parade; Lorne Greene’s rueful return to Toronto; William Van Horne’s tirade against winter carnivals; the role of Kentucky in the War of 1812; W.A.C. Bennett’s surprising takeover of the B.C. Electric Company on the day of its president’s funeral. All these apparently disconnected incidents are woven into a carefully thought-out dissection of the national character, a distillation of more than thirty years of Berton research.

    Once one of the continent’s most ubiquitous mammals, they ranged from the Atlantic to the Pacific, and from the Rio Grande to the edge of the northern tundra. Wherever there was wood and water, there were beavers — 60 million (or more) — and wherever there were beavers, there were intricate natural communities that depended on their activities. Then the European fur traders arrived.In Once They Were Hats, Frances Backhouse examines humanity’s 15,000-year relationship with Castor canadensis, and the beaver’s even older relationship with North American landscapes and ecosystems. From the waterlogged environs of the Beaver Capital of Canada to the wilderness cabin that controversial conservationist Grey Owl shared with pet beavers, Backhouse goes on a journey of discovery to find out what happened after we nearly wiped this essential animal off the map, and how we can learn to live with beavers now that they’re returning.

    She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard.Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight—the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, Weaving the Dream initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian.Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world.

    In Dancing on Our Turtle's Back: Stories of Nishnaabeg Re-Creation, Resurgence, and a New Emergence activist, editor, and educator Leanne Simpson asserts reconciliation must be grounded in political resurgence and must support the regeneration of Indigenous languages, oral cultures, and traditions of governance.Simpson explores philosophies and pathways of regeneration, resurgence, and a new emergence through the Nishnaabeg language, Creation Stories, walks with Elders and children, celebrations and protests, and meditations on these experiences. She stresses the importance of illuminating Indigenous intellectual traditions to transform their relationship to the Canadian state.Challenging and original, Dancing on Our Turtle's Back provides a valuable new perspective on the struggles of Indigenous Peoples.

    She leaves the cold shack she shares with her father for the warmth of her kneading table at Cameron's store and gets caught in a snow storm, sparking events that expose the raw humanity of those around her. Loyalty and betrayal, guilt and shame, and faith and doubt collide as the dirty secrets of the bleak coal mining community throw lives into turmoil. A series of brutal attacks, a murder, and an ambitious sergeant intent on seeing someone hang, reveal a town, oppressed as much by its dreary prospects, as it is by its institutionalized corruption, sexism and racism.Mabel just wants to bake bread, but she has her own secrets to protect.The Bread Maker is a rich, beautifully told narrative that seamlessly weaves humour and tragedy into a touching story about life, love and the potential of the human spirit to overcome great odds....

    

    "Nanook of the North" featured a mythical Eskimo hunter who lived in an igloo with his family in a frozen Eden. Nanook's story captured the world's imagination. Thirty years later, the Canadian government forcibly relocated three dozen Inuit from the east coast of Hudson Bay to a region of the high artic that was 1,200 miles farther north. Hailing from a land rich in caribou and arctic foxes, whales and seals, pink saxifrage and heather, the Inuit's destination was Ellesmere Island, an arid and desolate landscape of shale and ice virtually devoid of life. The most northerly landmass on the planet, Ellesmere is blanketed in darkness for four months of the year. There the exiles were left to live on their own with little government support and few provisions. Among this group was Josephie Flaherty, the unrecognized, half-Inuit son of Robert Flaherty, who never met his father. In a narrative rich with human drama and heartbreak, Melanie McGrath uses the story of three generations of the Flaherty family--the filmmaker; his illegitimate son, Josephie; and Josephie's daughters, Mary and Martha--to bring this extraordinary tale of mistreatment and deprivation to life.

    In return, the foreigners introduce to the villagers the spirit of competitiveness that rules the white man's world. Map and drawings by the Author.

    Native peoples and environments discussed range from the Inuit Arctic and the Native Americans of the Northwest coast, the Sioux of the Plains, and the Pueblo, Hopi, and Navajo of the Southwest to the Australian Outback, to the rich, fecund tropics of Africa, Malaysia, and the Amazon."Our technological civilization is speeding toward a violent collision with nature, and we are threatening the ability of the Earth--our home--to support life as we know it. Suzuki and Knudtson's extraordinary work powerfully reminds us that we are indeed one with the Earth. We are truly indebted to them for charting for us the course toward a healthy and sustaining relationship with our planet."--Vice President Al Gore

    But in the days after hisfather has a startling accident, Toby makes a series of terrible, wincing choices. As a result, he is fired from his job as an etiquette commentator and loses his superb condo, his beautiful girlfriend and his beloved BMW. Worse still, he must move back to the grey Montreal suburb of Dollard-des-Ormeaux and live in his parents’ basement.With his silent BlackBerry and a sudden absence of friends or saviours, Toby feels he has reached the limits of misery and humiliation. But his father’s increasingly frightening behaviour is where the real trouble—and risk—lies. Who is this man? What can Toby do? Then, in a moment of misplaced gallantry, Toby encounters an unstable francophone mother who disappears and abandons her two-year-old son, Hugo, to his care. Trapped with a toddler and forced to deal with his father’s tragedies, Toby emerges from the basement bungalow of his life—muddy, broke, bruised, heartbroken—but, finally, a man.

    Ranging from the Netsilik hunters who straddle the Arctic Circle to the Natchez farmers of the lower Mississippi River area, the tribes represent each culture area and various levels of socioeconomic complexity among Native Americans. Each chapter focuses on a specific group and culture area, providing students with a detailed portrait of the geographical and cultural adaptations of that region.As he has done for previous editions, author Wendell H. Oswalt has visited virtually all of the extant groups discussed in the text to ensure an accurate and complete picture of the contemporary situation. Updates and major changes featured in this edition include:* A new chapter on the Western Shoshone--a Great Basin tribe centered in Nevada--including a discussion of the 2004 partial resolution of their long-standing major land claim against the federal government * A description of how in recent years some Pentecostal church congregations among the Crow and Tlingit have rejected their Indian backgrounds * A discussion of how the discovery of vast diamond deposits in northern Canada may dramatically change the lifeway of some Chipewyan and the Netsilik * Coverage of timely issues for Native Americans, including the management of individual trust accounts by the Bureau of Indian Affairs; the disposition of Kennewick Man; and the U.S. Supreme Court ruling on the Lara case in 2004, which centered on an aspect of Indian sovereignty * A more detailed examination of Indian casinos, including typical non-Indian reactions to themThis Land Was Theirs, Eighth Edition, incorporates more than 150 photographs and illustrations, and each chapter-opening offers pertinent text about the subject matter covered in that chapter. Abundant pedagogical aids include maps of each region discussed, a glossary, a pronunciation guide, and two appendixes: a guide to the various artifact types discussed in the text and an extensive list of additional resources for learning about Native Americans.