Sebastian Rudd, rogue lawyer, defends people other lawyers won't go near. It's controversial and dangerous work, which is why Sebastian needs his bodyguard/assistant/sidekick: Partner. So if Sebastian is just about the most unpopular lawyer in town, why is Partner so loyal to him? How did they meet? And what's the real story of this man of few words who's as good with a gun as he is with the law? The surprising answers are all in PARTNERS, John Grisham's first exclusively digital short story.

    They don't think it was suicide. A short story

    and there is no other option. No one who can help.No one but the Bricklayer. The Bricklayer is the pulse-pounding novel introducing Steve Vail, one of the most charismatic new heroes to come along in thriller fiction in many years. He's an ex–FBI agent who's been fired for insubordination but is lured back to the Bureau to work a case that has become more unsolvable — and more deadly — by the hour.A woman steps out of the shower in her Los Angeles home and is startled by an intruder sitting calmly in her bedroom holding a gun. But she is frozen with fear by what he has to say about the FBI — and what he says he must do...A young agent slips into the night water off a rocky beach. He's been instructed to swim to a nearby island to deposit a million dollars demanded by a blackmailer. But his mission is riddled with hazardous tests, as if someone wanted to destroy him rather than collect the money...Vail has resigned himself to his dismissal and is content with his life as a bricklayer. But the FBI, especially Deputy Assistant Director Kate Bannon, needs help with a shadowy group that has initiated a brilliant extortion plot. The group will keep killing their targets until the agency pays them off, the amount and number of bodies escalating each time the FBI fails. One thing is clear: someone who knows a little too much about the inner workings of the Bureau is very clever — and very angry — and will kill and kill again if it means he can disgrace the FBI. Steve Vail's options — and his time to find answers — are swiftly running out. Noah Boyd's The Bricklayer is written with the bracing authenticity only someone who has been a crack FBI investigator can provide. And in this masterful debut Noah Boyd has created a mind-bending maze of clues and traps inside a nonstop thrill ride that is sure to leave readers exhilarated and enthralled.

    Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It's a horrifying discovery, rendered with bristling intensity, and it definitively ends a good marriage.Listening Length: 3 hours and 33 minutes

    But sometimes things became intensely personal. In his latest eBook original short story, New York Times bestselling author Steve Berry lays out just such a tale—one with shocking historical implications.   Cotton Malone never cared for the shady dealings of his brother-in-law, Scott Brown. But when Scott dies while scuba diving, Cotton’s wife and her grieving sister demand more than just a secondhand police report. So Malone heads to Haiti. There, beneath crystal clear waters, he learns that Scott found the sunken wreckage of the Santa Maria, the fabled flagship of Christopher Columbus, and he paid for the discovery with his life. Setting out to piece together what happened, Malone quickly realizes that he’s not the only man there with questions. An Israeli intelligence agent is in top secret pursuit of what Scott died trying to protect. And a sinister Austrian with a hidden agenda has no qualms about killing for the mysterious prize. On the hunt for something that has been lost for 500 years, Malone is suddenly enmeshed in a deadly cat and mouse game being played across the north shore of Haiti and beneath the Caribbean Sea—and he’ll have to fight just to get out of there alive.  Features an exciting preview of Steve Berry’s much-anticipated new thriller, The Columbus Affair

    But the past doesn't give up on its secrets easily.When her new life on a tranquil island is shattered by a brutal attack, Jet must return to a clandestine existence of savagery and deception to save herself and those she loves. A gritty, unflinching roller-coaster of high-stakes twists and shocking turns, JET features a new breed of protagonist that breaks the mold.Fans of Lizbeth Salander, SALT, and the Bourne trilogy will find themselves carried along at Lamborghini speed to a conclusion as jarring and surprising as the story's heroine is unconventional.

    Ten Bodies. One Empty Grave.In this international bestseller, rookie FBI Agent Brandon Fisher takes on his first case with the Behavioral Analysis Unit, but will he survive long enough to catch the killer? Eleven is a fast-paced, spine-tingling thriller that will have you gasping for breath at every twist... When Brandon Fisher joined the FBI Behavioral Analysis Unit, he knew he'd come up against psychopaths, sociopaths, pathological liars, and more. But when his first case takes him and the team to Salt Lick, Kentucky, to hunt down a ritualistic serial killer, he learns what nightmares are truly made of. Beneath a residential property, local law enforcement discovered an underground bunker with circular graves that house the remains of ten victims. But that's not all: there's an empty eleventh grave, just waiting for a corpse. The killing clearly hasn't come to an end yet, and with the property owner already behind bars, Brandon is certain there's an apprentice who roams free. As the FBI follows the evidence across the United States, Brandon starts to struggle with the deranged nature of his job description. And if the case itself isn't going to be enough to push Brandon over the edge, he's working in the shadow of Supervisory Special Agent Jack Harper, who expects nothing short of perfection from his team. To make matters even worse, it seems Brandon has become the target of a psychotic serial killer who wants to make him--or his wife--victim number eleven.

    Presidency is about to be revealed."There are stories no one knows. Hidden stories. I love those stories. And since I work in the National Archives, I find those stories for a living."Beecher White, a young archivist, spends his days working with the most important documents of the U.S. government. He has always been the keeper of other people's stories, never a part of the story himself . . . Until now.When Clementine Kaye, Beecher's first childhood crush, shows up at the National Archives asking for his help tracking down her long-lost father, Beecher tries to impress her by showing her the secret vault where the President of the United States privately reviews classified documents. After they accidentally happen upon a priceless artifact—a two-hundred-year-old dictionary that once belonged to George Washington—hidden underneath a desk chair, Beecher and Clementine find themselves suddenly entangled in a web of deception, conspiracy, and murder.Soon a man is dead and Beecher is on the run as he races to learn the truth behind this mysterious national treasure. His search will lead him to discover a coded and ingenious puzzle that conceals a disturbing secret from the founding of our nation. It is a secret, Beecher soon discovers, that some believe is worth killing for.

    Not Ray Favor. He killed with the ease of flipping a light switch. ONE SHOT AT REDEMPTION A decade ago, Ray Favor was a remorseless killer for the Black Ops cell Bravo One Nine. He did what he was hired to do out of patriotism and duty. Now, having amassed a fortune but deeply troubled by his past and suspicious of his own nature, Favor is motivated by something more: a chance to right the wrongs he committed and restore balance. He gets that chance deep in the Philippines, where the disappearance of two teenagers leads Favor and his Bravo team to confront an illegal operation by the Russian mob — and an evil so deplorable that it can only be righted by the means Favor once used to wreak destruction. Now, driven by a hungry sense of purpose, Ray Favor will seek retribution by any means necessary. And exact a violent justice without mercy — or regret.First in Phillip Finch's stunning new series, Devil's Keep is a suspense-packed international thriller introducing a powerful, complex, and memorable action hero.

    Now he's out - for revenge.Former CIA officer James 'Wes' Wesley paid the ultimate price for his patriotism when he was locked up in a French jail for an anti-terror operation gone wrong - abandoned by the Agency he served, shunned by his colleagues and friends, cut off from his family.Now he is shattered by the news that his ex-wife, Rachel, a State Department analyst, has been killed in a terrorist attack in Spain. He also discovers that his young son, Ethan, is missing. But Wes didn't know he had a son - until now.Why was Rachel in Spain? And why did she keep his son secret from him?Granted early release, Wes takes flight across Europe to search for the truth and exact his revenge. But can he catch the spies who betrayed him before they track him down? In order to find the answers and save his son, Wes realises he must confront the dark secrets in his own past - before it's too late.

     Kate thought she left the FBI behind after 30 years as their top agent, respected for her brilliant mind, tough street skills and her uncanny ability to hunt down serial killers. Yet Kate, bored with the quiet town, at a crossroads in life, is summoned by a friend she can’t turn down. As Kate hunts the killer, she soon finds herself at the forefront of a manhunt, as more bodies turn up—all suburban moms in perfect marriages—and it becomes apparent there is a serial killer stalking this quiet town. She unearths secrets from her neighbors she wishes she never knew, discovering that all is not what it seems in this picture of model streets and neighbors. Affairs and lying are rampant, and Kate must sift through the town’s underbelly if she will stop the killer from striking again. But this killer is one step ahead of her, and it may end up being Kate who is in danger.

    The next minute she hears a gunshot over the line, and Mia listens in horror as her colleague and friend Colleen bleeds to death.Mia's a natural for heading up the murder investigation, but these days it's all she can do to hold her life together. As a new widow with a pile of debts, a troubled teenaged son, and a four-year-old who wakes up screaming at night, she needs more time with her family, not less--and working Colleen's case will be especially demanding. But Colleen was her friend, and she needs to keep her job. So Mia reluctantly teams up with detective Charlie Carlson to investigate. But the deeper they dig, the more complications unfold--even the unsettling possibility that someone may be coming after "her."Lis Wiehl's signature plot twists and relatable characters shine in this absorbing series debut . . . with an intriguing cameo from her best-selling Triple Threat series.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    He makes a handsome living doing what he enjoys. His wife, Penny, a children's book author and illustrator, is the love of his life. Together they have a brilliant six-year-old, Milo, affectionately dubbed "Spooky," and a non-collie named Lassie, who's all but part of the family.So Cubby knows he shouldn't let one bad review of his otherwise triumphant new book get to him — even if it does appear in the nation's premier newspaper and is penned by the much-feared, seldom-seen critic Shearman Waxx. Cubby knows that the best thing to do is ignore the gratuitously vicious, insulting, and inaccurate comments. Penny knows it; even little Milo knows it. If Lassie could talk, she'd tell Cubby to ignore them, too.Ignore Shearman Waxx and his poison pen is just what Cubby intends to do. Until he happens to learn where the great man is taking his lunch. Cubby just wants to get a good look at the mysterious recluse whose mere opinion can make or break a career — or a life.But Shearman Waxx isn't what Cubby expects, and neither is the escalating terror that follows what seemed to be an innocent encounter. For Waxx gives criticism; he doesn't take it. He has ways of dealing with those who cross him that Cubby is only beginning to fathom. Soon Cubby finds himself in a desperate struggle with a relentless sociopath, facing an inexorable assault on far more than his life.

    Now, in what may be his most suspenseful and heartfelt novel ever, he brings us the story of an ordinary man whose extraordinary commitment to his wife will take him on a harrowing journey of adventure, sacrifice, and redemption to the mystery of love itself--and to a showdown with the darkness that would destroy it forever. What would you do for love? Would you die? Would you kill? We have your wife. You can get her back for two million cash. Landscaper Mitchell Rafferty thinks it must be some kind of joke. He was in the middle of planting impatiens in the yard of one of his clients when his cell phone rang. Now he's standing in a normal suburban neighborhood on a bright summer day, having a phone conversation out of his darkest nightmare. Whoever is on the other end of the line is dead serious. He has Mitch's wife and he's named the price for her safe return. The caller doesn't care that Mitch runs a small two-man landscaping operation and has no way of raising such a vast sum. He's confident that Mitch will find a way. If he loves his wife enough. . . Mitch does love her enough. He loves her more than life itself. He's got seventy-two hours to prove it. He has to find the two million by then. But he'll pay a lot more. He'll pay anything. From its tense opening to its shattering climax, The Husband is a thriller that will hold you in its relentless grip for every twist, every shock, every revelation...until it lets you go, unmistakably changed. This is a Dean Koontz novel, after all. And there's no other experience quite like it.