Now, in China: The Novel, Rutherfurd takes readers into the rich and fascinating milieu of the Middle Kingdom..The story begins in 1839, at the dawn of the First Opium War, and follows Chinese history through Mao's Cultural Revolution and up to the present day. Rutherfurd chronicles the rising and falling fortunes of members of Chinese, British, and American families, as they negotiate the tides of history. Along the way, in his signature style, Rutherfurd provides a deeply researched portrait of Chinese history and society, its ancient traditions and great upheavals, and China's emergence as a rising global power. As always, we are treated to romance and adventure, heroines and scoundrels, grinding struggle and incredible fortunes. China: The Novel brings to life the rich terrain of this vast and constantly evolving country. From Shanghai to Nanking to the Great Wall, Rutherfurd chronicles the turbulent rise and fall of empires as the colonial West meets the opulent and complex East in a dramatic struggle between cultures and people.Extraordinarily researched and majestically told, Edward Rutherfurd paints a thrilling portrait of one of the most singular and remarkable countries in the world.

    In his mind what started as a joke is slowly becoming his �glorious and underrated mantra�. Ayden Kosacov is alive, and that is about all you can say. In the throws of a mundane and jejune life Ayden is slowly coming to the realization that if all his world is a stage than he wouldn�t care if he did or did not miss the final scenes. Through an almost �accidental� suicide attempt and the recovery that soon follows, Ayden learns that there is more to living than just being alive. Finding his way through diverse experiences and people he comes to terms with God, his family, and finally himself. The Orphaned Anything�s style of writing is in the likes of Dennis Johnson (Jesus� Son) and Dave Eggers (A Heartbreaking Work Of Staggering Genius) and yet designed to give life lessons, encouragement, and hope like books by Paulo Coelho (The Alchemist) and Donald Miller (Blue Like Jazz).

    He who sees too much is cursed for a dreamer, a fanatic, or a fool, by the mad mob, who, having eyes, see not, ears and hear not, and refuse to understand."--From The Shepherd of the HillsOriginally published in 1907, The Shepherd of the Hills is Harold Bell Wright's most famous work. Pelican Publishing Company is honored to bring this classic novel back to print as part of the Pelican Pouch series. In The Shepherd of the Hills, Wright spins a tale of universal truths across the years to the modern-day reader. His Eden in the Ozarks has a bountiful share of life's enchantments, but is not without its serpents. While Wright rejoices in the triumphs, grace, and dignity of his characters, he has not naively created a pastoral fantasyland where the pure at heart are spared life's struggles and pains. Refusing to yield to the oft-indulged temptation of painting for the reader the simple life of country innocents, Wright forthrightly shows the passions and the life-and-death struggles that go on even in the fairest of environments that man invades. The shepherd, an elderly, mysterious, learned man, escapes the buzzing restlessness of the city to live in the backwoods neighborhood of Mutton Hollow in the Ozark hills. There he encounters Jim Lane, Grant Matthews, Sammy, Young Matt, and other residents of the village, and gradually learns to find a peace about the losses he has borne and has yet to bear. Through the shepherd and those around him, Wright assembles here a gentle and utterly masterful commentary on strength and weakness, failure and success, tranquility and turmoil, and punishment and absolution. This tale of life in the Ozarks continues to draw thousands of devotees to outdoor performances in Branson, Missouri, where visitors can also see the cabin where the real Old Matt and Aunt Mollie lived.Harold Bell Wright also is the author of That Printer of Udell's (pb) and The Calling of Dan Matthews (pb), both published by Pelican.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    This Vintage Original edition marks its first appearance in the United States.On a rainy night in the 1930s, Anne Louvet appears at the run-down Hotel du Lion d'Or in the village of Janvilliers.  She is seeking a job and a new life, one far removed from the awful injustices of her past. As Anne embarks on a torrential love affair with a married veteran of the Great War, The Girl at the Lion d'Or fashions an unbreakable spell of narrative and atmosphere that evokes French masters from Flaubert to Renoir.

    In an old ruined city, emptied of most of its inhabitants, Ustad Ramzi, a famous wrestler past his prime, and Gohar Jan, a well-known courtesan whose kotha once attracted the wealthy and the eminent, contemplate the former splendour of their lives and the ruthless currents of time and history that have swept them into oblivion.

    Henry Jekyll discovers a monster.This spine-chilling thriller is a terrifying study of the duality of man's nature, and it is the book which established Stevenson's reputation as a writer.Also included in this volume is Stevenson's collection of short stories The Merry Men containing two other sinister tales Markheim and Thrawn Janet.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    There, a young village egg-seller, Silver Frond, is amusing herself with a comic song-and-dance act based on popular gossip—about him. The meeting instantly changes their lives. With characteristic verve and wit, Catherine Lim traces the struggles of an unusual couple through the jungle of human quandaries and predicaments created by the force of tradition, and celebrates the ultimate triumph of an even more extraordinary force—love.

    Abandoned by their family years before, they’ve grown up under the guidance of pious nuns preparing them for simple lives as the wives of tradesmen or shopkeepers. At night, their secret stash of romantic novels and magazine cutouts beneath the floorboards are all they have to keep their dreams of the future alive.The walls of the convent can’t shield them forever, and when they’re finally of age, the Chanel sisters set out together with a fierce determination to prove themselves worthy to a society that has never accepted them. Their journey propels them out of poverty and to the stylish cafés of Moulins, the dazzling performance halls of Vichy—and to a small hat shop on the rue Cambon in Paris, where a business takes hold and expands to the glamorous French resort towns. But when World War I breaks out, their lives are irrevocably changed, and the sisters must gather the courage to fashion their own places in the world, even if apart from each other.

    One is living life apart from God in comfortable corporate America while the other is living for Christ under intense persecution in China. This stunning page-turner will convict the hearts of readers to live in the light of eternity. Royalties from sales of this book will be donated to support the persecuted Church.

    A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.

    With spare, evocative prose, Snow Hunters traces the extraordinary journey of Yohan, who defects from his country at the end of the war, leaving his friends and family behind to seek a new life in a port town on the coast of Brazil.Though he is a stranger in a strange land, throughout the years in this town, four people slip in and out of Yohan’s life: Kiyoshi, the Japanese tailor for whom he works, and who has his own secrets and a past he does not speak of; Peixe, the groundskeeper at the town church; and two vagrant children named Santi and Bia, a boy and a girl, who spend their days in the alleyways and the streets of the town. Yohan longs to connect with these people, but to do so he must sift through his traumatic past so he might let go and move on.In Snow Hunters, Yoon proves that love can dissolve loneliness; that hope can wipe away despair; and that a man who has lost a country can find a new home. This is a heartrending story of second chances, told with unerring elegance and absolute tenderness.

    When orphaned Daiyu leaves her home in the provinces to take shelter with her cousins in the Capital, she is drawn into a world of opulent splendor, presided over by the ruthless, scheming Xifeng and the prim, repressed Baochai. As she learns the secrets behind their glittering façades, she finds herself entangled in a web of intrigue and hidden passions, reaching from the petty gossip of the servants’ quarters all the way to the Imperial Palace. When a political coup overthrows the emperor and plunges the once-mighty family into grinding poverty, each woman must choose between love and duty, friendship and survival. In this dazzling debut, Pauline A. Chen draws the reader deep into the secret, exquisite world of the women’s quarters of an aristocratic household, where the burnish of wealth and refinement mask a harsher truth: marriageable girls are traded like chattel for the family’s advancement, and to choose to love is to risk everything.

    Gavin Menzies makes the argument that in the year 1434, China—then the world's most technologically advanced civilization—provided the spark that set the European Renaissance ablaze. From that date onward, Europeans embraced Chinese intellectual ideas, discoveries, and inventions, all of which form the basis of western civilization today.