Try something new. Buy a pair of heels. Get a promotion. Fall in love. Seems simple, especially when Christine meets Patrick, the man who could be Mr. Right. He's got the right credentials: a job, a sense of humor, a love of all things Indiana Jones, and best of all, he's actually taller than Christine. But busy schedules take over and gets in the way of Patrick and Christine's budding romance. Life interferes, as it has a way of doing, and Christine wants to throw in the towel. Is the magic of the Christmas season enough to renew Christine's faith in love?

    But when the Katas’ idyllic lifestyle takes a turn for the worse, Abeo’s father, following his mother’s advice, places her in a religious shrine, hoping that the sacrifice of his daughter will serve as religious atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is enslaved within the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again.In the tradition of Chris Cleave’s Little Bee, Praise Song for the Butterflies is a contemporary story that offers an educational, eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies will break and heal your heart.

    Shan Hai Gaaru". This 2011 U.S. edition features an excerpt of the author’s WNYC Leonard Lopate Essay Contest-winning new novel "Memoirs of a Eurasian". In the post-Cultural Revolution Shanghai of 1984, university senior Sha-fei Hong longs to study in the U.S. for graduate school, ostensibly to pursue the American Dream, but partly to escape her sexually-harassing Communist cadre stepfather. She meets the visiting Chinese-American businessman Gordon Lou, who has political ambitions and ties to the Chinatown underworld in the U.S. He takes Sha-fei to the American Consulate in Shanghai to look into studying in America. There, Sha-fei meets the intern Edward Cook, a young, Caucasian American lawyer who has a strong preference for all things Asian. Within a year, these three people of entirely different cultural and socio-economic backgrounds cross paths in New York. Value systems and self-interests clash. The curtain falls on a dramatic stage of ambition, sex, intrigue, and murder.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.

    Drug dealers from Nigeria, Zimbabwean wire-workers, immigrants from Rwanda and Sudan, a Mozambican refugee - all escaping the ruins of war in the peace of the new South Africa - bear down on her fragile world, then scoop her into theirs. "Skyline" is an unflinching look at one girl's coming of age in the colourful and violent streets of a city waking up to the rest of Africa.

    At the beginning of the trip, a Mack truck wipes them off the road, nearly killing them. This near-death experience is a wake-up call for Cosmo, and he begins to question the life he’s been leading. He realizes that he’s not happy with his current life and wants to make a change. A number of encounters along the way reinforce this desire, but he’s afraid to leave the familiarity of his humdrum existence for the unknown. This book is the sequel to Olive Branches Don't Grow On Trees and the second book featuring the Greco family, although it can be read as a stand-alone. Reviewers such as Kirkus Reviews and Midwest Book Review have called this a poignant and well-drawn soaring story that opens readers eyes to new perspectives. Readers will feel that they are along on the ride in this soulful road story as the highly lovable Cosmo explores a vividly painted American landscape, encounters a cast of colorful characters and discovers what it takes to be truly happy.

    Marubini is a young woman who has an enviable life in Cape Town, working at a wine farm and spending idyllic days with her friends ... until her past starts spilling into her present. Something dark has been lurking in the shadows of Marubini’s life from as far back as she can remember. It’s only a matter of time before it reaches out and grabs at her. The Yearning is a memorable exploration of the ripple effects of the past, of personal strength and courage, and of the shadowy intersections of traditional and modern worlds.‘A bewitching addition to the current South African literary boom. MohaleMashigo tells her story with charming lucidity, disarmingcharacterisation, subversive wisdom and subtle humour.’ – ZAKES MDA

    Nicky's sudden impulse to inspect the blocked up entrance to the cave near his tree house leads to the unexpected discovery of a creature living in the cave.

    When a political refugee from South Africa joins forces with an English agricultural expert, the time-honoured subsistence-farming method and old ways of life are challenged.

    Where men stood tall and lived rough. But that West is no more. In its place Shann Ray finds washedup basketball players, businessmen hiding addictions, and women fighting the inexplicable violence that wells up in these men. A son struggles to accept his father’s apologies after surviving a childhood of beatings. Two men seek empty basketball hoops on a snowy night, hoping to relive past glory. A bull rider skips town and rides herd on an unruly mob of passengers as he searches for a thief on a train threading through Montana’s Rocky Mountains. In these stories, Ray grapples with the terrible hurt we inflict on those we love, and finds that reconciliation, if far off, is at least possible. The debut of a writer who is out to redefine the contours of the American West, American Masculine is a deeply felt and fiercely written ode to the country we left behind.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    But just six months after arriving, the family was bankrupt and evicted from their home. Funny, witty and affecting, this is a very different African memoir about how the worst of times can become the most valuable period of a person’s life. (Warning - may contain strong language)

    Even at the age of six, lively, inquisitive Elizabeth Grace senses she’s a child of privilege, “a lucky fish.” Soothing her worries by raiding the sugar box, she scampers up into the sheltering arms of the lilac-blooming syringa tree growing behind the family’ s suburban Johannesburg home.Lizzie’s closest ally and greatest love is her Xhosa nanny, Salamina. Deeper and more elemental than any traditional friendship, their fierce devotion to each other is charged and complicated by Lizzie’s mother, who suffers from creeping melancholy, by the stresses of her father’s medical practice, which is segregated by law, and by the violence, injustice, and intoxicating beauty of their country. In the social and racial upheavals of the 1960s, Lizzie’s eyes open to the terror and inhumanity that paralyze all the nation’s cultures–Xhosa, Zulu, Jew, English, Boer. Pass laws requiring blacks to carry permission papers for white areas and stringent curfews have briefly created an orderly state–but an anxious one. Yet Lizzie’s home harbors its own set of rules, with hushed midnight gatherings, clandestine transactions, and the girl’s special task of protecting Salamina’s newborn child–a secret that, because of the new rules, must never be mentioned outside the walls of the house.As the months pass, the contagious spirit of change sends those once underground into the streets to challenge the ruling authority. And when this unrest reaches a social and personal climax, the unthinkable will happen and forever change Lizzie’s view of the world. When The Syringa Tree opened off-Broadway in 2001, theater critics and audiences alike embraced the play, and it won many awards. Pamela Gien has superbly deepened the story in this new novel, giving a personal voice to the horrors and hopes of her homeland. Written with lyricism, passion, and life-affirming redemption, this compelling story shows the healing of the heart of a young woman and the soul of a sundered nation.

    It was lust at first sight, and Rhapsody isn't going to let young Malcolm leave her presence without a promise to fulfill her fantasy.Malcolm had no idea when he accepted Rhapsody's invitation to her bedroom that he was selling his soul to the devil. Malcolm thinks he can bed Rhapsody and simply walk away, but she is not one to settle for a one night stand. Rhapsody goes to desperate measures to keep her cub extremely close to her. Gifting Malcolm a very expensive SUV, filling his belly with home cooked meals and funding a trip to Cancun are just a few of the tactics that Rhapsody uses to ensure that Malcolm spends his nights in her bed and no one else's. However, when Rhapsody finds a mysterious package on her doorstep containing proof of Malcolm's betrayal and deception, she seeks revenge and seals her own fate.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.