P. Lovecraft has yet to be surpassed as the 20th century’s greatest practitioner of the classic horror tale.”—Stephen KingThe most important tales of the godfather of the modern horror genre—a master who influenced the works of a generation of writers including Stephen King and Anne Rice—are gathered in one volume by National Book Award-winning author Joyce Carol Oates.Combining the 19th-century gothic sensibility of Edgar Allan Poe with a daring internal vision, Lovecraft’s tales foretold a psychically troubled world to come. Set in a meticulously wrought, historically grounded New England landscape, his harrowing stories explore the collapse of sanity beneath the weight of chaotic events. Lovecraft’s universe is a frightening shadow world were reality and nightmare intertwine, and redemption can come only from below. For aficionados and a new generation of 21st-century readers , Tales of H. P. Lovecraft is a classic not to be missed.

    The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick's works has continued to mount, and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.Dick won the prestigious Hugo Award for the best novel of 1963 for The Man in the High Castle. In the last year of his life, the film Blade Runner was made from his novel Do Androids Dream of Electric Sheep ?This collection includes some of Dick's earliest short and medium-length fiction, including "We Can Remember it for You Wholesale" (the story that inspired the motion picture Total Recall), "Second Variety" (which inspired the motion picture Screamers), "Paychecks", "The Minority Report", and 21 more.Content: "Fair Game" (1959) "The Hanging Stranger" (1953) ""The Eyes Have It"" (1953) "The Golden Man" (1954) "The Turning Wheel" (1954) "The Last of the Masters" (1954) "The Father-Thing" (1954) "Strange Eden" (1954) "Tony and the Beetles" (1954) "Null-O" (1958) "To Serve the Master" (1956) "Exhibit Piece" (1954) "The Crawlers" (1954) "Sales Pitch" (1954) "Shell Game" (1954) "Upon the Dull Earth" (1954) "Foster, You're Dead!" (1955) "Pay for the Printer" (1956) "War Veteran" (1955) "The Chromium Fence" (1955) "We Can Remember It for You Wholesale" (1966) "The Minority Report" (1956) "Paycheck" (1953) "Second Variety" (1953)

    Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.

    Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.

    Ballard has been one of Britain's most celebrated novelists. From the beginning he has been equally admired for his distinctive and highly influential short stories, the first of which - "Prima Belladonna" and "Escapement" - appeared in Science Fantasy and New Worlds in 1956. Now, all of his published stories - including four not previously featured in a collection - have been arranged in the order of original publication, providing an unprecedented opportunity to review the career of one of Britain's greatest writers.A Washington Post Best Book of 2009, Boston Globe Best Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.Contents:- Prima Belladonna [Vermilion Sands] (1956)- Escapement (1956)- The Concentration City (1957, variant of Build-Up)- Venus Smiles [Vermilion Sands] (1957)- Manhole 69 (1957)- Track 12 (1958)- The Waiting Grounds (1959)- Now: Zero (1959)- The Sound-Sweep (1960)- Zone of Terror (1960)- Chronopolis (1960)- The Voices of Time (1960)- The Last World of Mr. Goddard (1960)- Studio 5, The Stars [Vermilion Sands] (1961)- Deep End (1961)- The Overloaded Man (1961)- Mr F. is Mr F. (1961)- Billennium (1961)- The Gentle Assassin (1961)- The Insane Ones (1962)- The Garden of Time (1962)- The Thousand Dreams of Stellavista [Vermilion Sands] (1962)- Thirteen to Centaurus (1962)- Passport to Eternity (1962)- The Cage of Sand (1962)- The Watch-Towers (1962)- The Singing Statues [Vermilion Sands] (1962)- The Man on the 99th Floor (1962)- The Subliminal Man (1963)- The Reptile Enclosure (1963)- A Question of Re-Entry (1963)- The Time-Tombs (1963)- Now Wakes the Sea (1963)- The Venus Hunters (1963)- End-Game (1963)- Minus One (1963)- The Sudden Afternoon (1963)- The Screen Game [Vermilion Sands] (1963)- Time of Passage (1964)- Prisoner of the Coral Deep (1964)- The Lost Leonardo (1964)- The Terminal Beach (1964)- The Illuminated Man (1964)- The Delta at Sunset (1964)- The Drowned Giant (1964)- The Gioconda of the Twilight Noon (1964)- The Volcano Dances (1964)- The Beach Murders (1966)- The Day of Forever (1966)- The Impossible Man (1966)- Storm-Bird, Storm-Dreamer (1966)- Tomorrow Is a Million Years (1966)- The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race (1966)- Cry Hope, Cry Fury! [Vermilion Sands] (1967)- The Recognition (1967)- The Cloud-Sculptors of Coral D [Vermilion Sands] (1967)- Why I Want to Fuck Ronald Reagan (1968)- The Dead Astronaut (1968)- The Comsat Angels (1968)- The Killing Ground (1969)- A Place and a Time to Die (1969)- Say Goodbye to the Wind [Vermilion Sands] (1970)- The Greatest Television Show on Earth (1972)- My Dream of Flying to Wake Island (1974)- The Air Disaster (1975)- Low-Flying Aircraft (1975)- The Life and Death of God (1976)- Notes Towards a Mental Breakdown (1976)- The 60 Minute Zoom (1976)- The Smile (1976)- The Ultimate City (1976)- The Dead Time (1977)- The Index (1977)- The Intensive Care Unit (1977)- Theatre of War (1977)- Having a Wonderful Time (1978)- One Afternoon at Utah Beach (1978)- Zodiac 2000 (1978)- Motel Architecture (1978)- A Host of Furious Fancies (1980)- News from the Sun (1981)- Memories of the Space Age (1982)- Myths of the Near Future (1982)- Report on an Unidentified Space Station (1982)- The Object of the Attack (1984)- Answers to a Questionnaire (1985)- The Man Who Walked on the Moon (1985)- The Secret History of World War 3 (1988)- Love in a Colder Climate (1989)- The Enormous Space (1989)- The Largest Theme Park in the World (1989)- War Fever (1989)- Dream Cargoes (1990)- A Guide to Virtual Death (1992)- The Message from Mars (1992)- Report from an Obscure Planet (1992)

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    Throughout these stories, Tagore's main interest is people and the kaleidoscope of human emotions, as men and women struggle with the restrictions and prohibitions of contemporary Hindu society.

    . . nobody knows quite what, but the rumors are flying. Leather or suede? Jackets, jeans? Turkish, Swedish, maybe even American? It doesn't matter - if anything is on sale, you better line up to buy it. Sorokin's tour de force of ventriloquism and formal daring tells the whole story in snatches of unattributed dialogue, adding up to nothing less than the real voice of the people, overheard on the street as they joke and curse, fall in and out of love, slurp down ice cream or vodka, fill out crossword puzzles, and even go to sleep and line up again in the morning as the queue drags on.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Short Stories 2012 includesThe last speaker of the language / Carol Anshaw --Pilgrim life / Taylor Antrim --What we talk about when we talk about Anne Frank / Nathan Englander --The other place / Mary Gaitskill --North Country / Roxane Gay --Paramour / Jennifer Haigh --Navigators / Mike Meginnis --Miracle polish / Steven Millhauser --Axis / Alice Munro --Volcano / Lawrence Osborne --Diem Perdidi / Julie Otsuka --Honeydew / Edith Pearlman --Occupational hazard / Angela Pneuman --Beautiful monsters / Eric Puchner --Tenth of December / George Saunders --The sex lives of African girls / Taiye Selasi --Alive / Sharon Solwitz --M&M world / Kate Walbert --Anything helps / Jess Walter --What's important is feeling / Adam Wilson

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven

    Now, for the first time in English, are all the stories that made her a Brazilian legend: from teenagers coming into awareness of their sexual and artistic powers to humdrum housewives whose lives are shattered by unexpected epiphanies to old people who don’t know what to do with themselves. Lispector’s stories take us through their lives—and ours.From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    In this brilliant new collection she takes mainly the lives of women - unruly, ungovernable, unpredictable, unexpected, funny, sexy and completely recognisable - and brings their hidden desires bubbling to the surface. The love of a good woman is not as pure and virtuous as it seems: as in her title story it can be needy and murderous. Here are women behaving badly, leaving husbands and children, running off with unsuitable lovers, pushing everyday life to the limits, and if they don't behave badly, they think surprising and disturbing thoughts.