When Josie Messina's wunderkind 12-year-old son earns a full scholarship to one of New Jersey's toniest private schools, this hardworking, cash-strapped single mom is intimidated. Will she ever fit in with the wealthy and fashionable mothers of Little Fawn Country Day? But when Josie runs into Country Day's most famous parent, rock legend Billy Stand - known to her as the boy she used to babysit - their embrace in the school parking lot, viewed by three of the school's most influential social butterflies, rockets her to "A list" status. What happens next will bring truth to the warning, "Be careful what you wish for." This timely, irreverent send-up of contemporary academia -- and the wicked ways of the one percent -- will delight any parent who has ever been dragged to a PTA fundraiser, has sweated out their children's grades and college prospects, or who has wondered what, exactly, their kids are learning at school all day.Editorial Review"A smart, poignant fiction debut...What makes this work stand out is Matthews' handling of social issues such as class boundaries and the state of education in the country...The cause-and-effect relationship intertwined in each plot element creates moments of laughter and societal insight, making the novel an entertaining, shrewd read."- Kirkus Reviews

    Her marriage badly frayed by years of stress, she comes to the island in a trial separation to try and make sense of the tragedy of her Anthony’s short life.Beth, a stay-at-home mother of three, is also recently separated after discovering her husband’s long-term infidelity. In an attempt to recapture a sense of her pre-married life, she rekindles her passion for writing, determined to find her own voice again. But surprisingly, as she does so, Beth also find herself channeling the voice of an unknown boy, exuberant in his perceptions of the world around him if autistic in his expression—a voice she can share with Olivia—(is it Anthony?)—that brings comfort and meaning to them both.

    If Elizabeth Ferguson had her way, she'd spend her days savoring good books, cooking great meals, and waiting for the love of her life to walk in the door. But it's not a man she's waiting for, it's her daughter, Rosie--her wild-haired, smart-mouthed, and wise-beyond-her-years alter ego. With Rosie around, the days aren't quite so long, but Elizabeth can't keep the realities of the world at bay, and try as she might, she can't shield Rosie from its dangers or mysteries. As Rosie grows older and more curious, Elizabeth must find a way to nurture her extraordinary daughter—even if it means growing up herself.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    

    He's having a hard time getting started because his career is floundering, his girlfriend Roz has recently left him, and he is thinking about the great poets throughout history who have suffered far worse and deserve to feel sorry for themselves. He has also promised to reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry: from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the staff of The New Yorker, what Paul reveals is astonishing and makes one realize how incredibly important poetry is to our lives. At the same time, Paul barely manages to realize all of this himself, and the result is a tenderly romantic, hilarious, and inspired novel.

    Inside is a pair of red sneakers filled with ashes and a note that will forever change their lives. Katherine’s oldest and dearest friend, the irrepressible Annie Freeman, left one final request–a traveling funeral–and she wants the most important women in her life as “pallbearers.”From Sonoma to Manhattan, Katherine, Laura, Rebecca, Jill, and Marie will carry Annie’s ashes to the special places in her life. At every stop there’s a surprise encounter and a small miracle waiting, and as they whoop it up across the country, attracting interest wherever they go, they share their deepest secrets–tales of broken hearts and second chances, missed opportunities and new beginnings. And as they grieve over what they’ve lost, they discover how much is still possible if only they can unravel the secret Annie left them....

      Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Charming ladies’ man Rory Randall dies with one last trick up his sleeve: His will includes a calculating clause mandating a summer-long reunion for his daughters, all from different marriages—that is, if they hope to inherit his posh Nantucket house. Relations among the three sisters are sour thanks to long-festering jealousies, resentments, and misunderstandings. Arden, a successful television host in Boston, hasn’t been back to the island since her teenage years, when accusations of serious misbehavior led to her banishment. College professor Meg hopes to use her summer to finish a literary biography and avoid an amorous colleague. And secretive Jenny, an IT specialist, faces troubling questions about her identity while longing for her sisters’ acceptance.   To their surprise, the three young women find their newfound sisterhood easier to trust than the men who show up to complicate their lives. And if that weren’t problematic enough, their mothers descend on the island. When yet another visitor drops by the house with shocking news, the past comes screaming back with a vengeance. Having all the women from his life under his seaside roof—and overseeing the subsequent drama of that perfect storm—Rory Randall might just be enjoying a hearty laugh from above.   Nancy Thayer’s novel insightfully illustrates how the push and pull of family altercations make us whole. It’s how the Randall sisters come to forgive, and learn to open their hearts to love.Praise for Island Girls“Nancy Thayer is one of my favorite writers, and Island Girls is one of her best. The Randall sisters are like your own family members or your best friends: funny, smart and emotional, infuriating and good-hearted. Here is a book to be savored and passed on to the good women in your life.”—New York Times bestselling author Susan Wiggs  “Full of emotion and just plain fun, this novel is delightful.” —Romance Reviews Today “In this touching summer read, forgiveness benefits both the person bestowing it and the recipient.”—Kirkus Reviews

    But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff. All the while, he's wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend, and where to find the present that will make everything better. Stewart O'Nan has been called "the bard of the working class," and Last Night at the Lobster is one of his most acclaimed works to date.

    Henrys, and shared the Young Lions Award. Now he has written one of the most beautiful, wise, and compelling first novels of recent times. David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen—a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream. On a Caribbean island, destitute, alone, and unsure if his child has survived or his wife can forgive him, David is sheltered by a couple with a daughter of their own. Ultimately it is she who will pull him back into the world, to search for the people he left behind. Doerr's characters are full of grief and longing, but also replete with grace. His compassion for human frailty is extraordinarily moving. In luminous prose, he writes about the power and beauty of nature and about the tiny miracles that transform our lives. About Grace is heartbreaking, radiant, and astonishingly accomplished.

    Since that day, a new Stevie has emerged, one who walks without wheezing, plants a garden for self-therapy, and builds and paints fantastical wooden chairs. At thirty-five, Stevie is the one thing she never thought she'd be: thin.But for everything that's changed, some things remain the same. Stevie's shyness refuses to melt away. She still can't look her neighbors' gorgeous great-nephew in the eye. The Portland law office where she works remains utterly dysfunctional, as does her family—the aunt, uncle, and cousins who took her in when she was a child. To top it off, her once supportive best friend clearly resents her weight loss.By far the biggest challenge in Stevie's new life lies in figuring out how to define her new self. Collaborating with her cousins to plan her aunt and uncle's problematic fortieth anniversary party, Stevie starts to find some surprising answers—about who she is, who she wants to be, and how the old Stevie evolved in the first place. And with each revelation, she realizes the most important part of her transformation may not be what she's lost, but the courage and confidence she's gathering, day by day.As achingly honest as it is witty, Such A Pretty Face is a richly insightful novel of one woman's search for love, family, and acceptance, of the pain we all carry—and the wonders that can happen when we let it go at last.

    By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

    But instead of feeling hopeful, she is wracked with ambivalence. The long demanding hours at the lab have created an exquisite pressure cooker, and she doesn't know how to answer the marriage question. When it all becomes too much and her life plan veers off course, she finds herself on a new path of discoveries about everything she thought she knew.

    Teresa's Preparatory School for Girls, where barbed wire keeps the boys out and the ancient nuns keep the girls in.Jane and Allison have always been too quirky and different to be popular, but at least they've had each other. Then, after a hideous, embarrassing disaster, Allison comes to school transformed. Suddenly she has cute hair and clothes. She's fluent in Latin, she won't even speak to Jane, and within days she's stolen Jane's ex-boyfriend, Elton.A strangely wise freshman boy, Owen, helps Jane discover the outrageous truth--that Allison has sold her soul to the devil. At first Jane doesn't quite buy it. She plays along with the weirdness--and even gambles her own soul in order to rescue Allison. But events take a turn for the real, and Jane will have to save Allison before the bizarrely exclusive Poodle Prom, a party of biblical proportions that just might blow apart the world as Jane knows it.

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.