Like William Clarke Quantrill and "Bloody Bill" Anderson, Samuel Hildebrand was a proud Missouri bushwhacker. In this long out of print book, Hildebrand describes raids and executions his band of men carried out. He remained at the end of the war and unreconstructed rebel and fervent racist. Like many of his southern brethren who fought, he never owned slaves but kept a captured black man with him after the war. This self-serving but fascinating account is a valuable addition to the canon of Civil War literature. In it, Hildebrand claims that others have tried to tell his story but have gotten it wrong, so he has a notarized statement by prominent men included as verification of authenticity. Every memoir of the American Civil War provides us with another view of the catastrophe that changed the country forever. For the first time ever, this long-out-of-print book is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE or download a sample.

    Aiyi Shao is a young heiress and the owner of a formerly popular and glamorous Shanghai nightclub. Ernest Reismann is a penniless Jewish refugee driven out of Germany, an outsider searching for shelter in a city wary of strangers. He loses nearly all hope until he crosses paths with Aiyi. When she hires Ernest to play piano at her club, her defiance of custom causes a sensation. His instant fame makes Aiyi's club once again the hottest spot in Shanghai. Soon they realize they share more than a passion for jazz—but their differences seem insurmountable, and Aiyi is engaged to another man.As the war escalates, Aiyi and Ernest find themselves torn apart, and their choices between love and survival grow more desperate. In the face of overwhelming odds, a chain of events is set in motion that will change both their lives forever.From the electrifying jazz clubs to the impoverished streets of a city under siege, The Last Rose of Shanghai is a timeless, sweeping story of love and redemption.

    She leaves her San Francisco home to join Behan in Tombstone, Arizona, a magnet for miners (and outlaws) attracted by the silver boom. Though united by the glint of metal, Tombstone is plagued by divided loyalties: between Confederates and Unionists, Lincoln Republicans and Democrats.But when the silver-tongued Behan proves unreliable, it is legendary frontiersman Wyatt Earp who emerges as Josephine’s match. As the couple’s romance sparks, Behan’s jealousy ignites a rivalry destined for the history books…At once an epic account of an improbable romance and a retelling of an iconic American tale, The Last Woman Standing recalls the famed gunfight at the O.K. Corral through the eyes of a spunky heroine who sought her happy ending in a lawless outpost—with a fierce will and an unflagging spirit.

    Ten-year-old Virginia Wrathmell arrives at Salt Winds, a secluded house on the edge of a marsh, to meet her adoptive parents—practical, dependable Clem and glamorous, mercurial Lorna. The marsh, with its deceptive tides, is a beautiful but threatening place. Virginia’s new parents’ marriage is full of secrets and tensions she doesn’t quite understand, and their wealthy neighbor, Max Deering, drops by too often, taking an unwholesome interest in the family’s affairs. Only Clem offers a true sense of home. War feels far away among the birds and shifting sands—until the day a German fighter plane crashes into the marsh, and Clem ventures out to rescue the airman. What happens next sets into motion a crime so devastating it will haunt Virginia for the rest of her life. Seventy-five years later, she finds herself drawn back to the marsh, and to a teenage girl who appears there, nearly frozen and burdened by her own secrets. In her, Virginia might have a chance at retribution and a way to right a grave mistake she made as a child.  Elizabeth Brooks’s gripping debut mirrors its marshy landscape—full of twists and turns and moored in a tangle of family secrets. A gothic, psychological mystery and atmospheric coming-of-age story, The Orphan of Salt Winds is the portrait of a woman haunted by the place she calls home.