Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

    Vincent Millay. The most famous poet of the Jazz Age, Millay captivated the nation: She smoked in public, took many lovers (men and women, single and married), flouted convention sensationally, and became the embodiment of the New Woman.Thirty years after her landmark biography of Zelda Fitzgerald, Nancy Milford returns with an iconic portrait of this passionate, fearless woman who obsessed America even as she tormented herself. Chosen by USA Today as one of the top ten books of the year, Savage Beauty is a triumph in the art of biography. Millay was an American original--one of those rare characters, like Sylvia Plath and Ernest Hemingway, whose lives were even more dramatic than their art.

    

    Yesterday I came here to live.” That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to “live deliberately” in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854.   But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity.   Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated?   Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him.   “The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.

    Using Wilder’s stories, personal correspondence, an unpublished autobiography, and experiences in South Dakota, Hill has produced a historical-literary biography of the famous and much-loved author. Following the course of Wilder’s life, and her real family’s journey west, Hill provides a context, both familial and literary, for Wilder’s writing career.Laura Ingalls Wilder examines Wilder’s inspirations as a writer, particularly her tumultuous, but ultimately successful, professional and personal relationship with her daughter—the hidden editor—Rose Wilder Lane. Wilder produced her timeless classics with the help of, but not reliance upon, her daughter’s editorial insights. Over the course of more than thirty years, Lane and Wilder engaged in a dynamic working relationship, shifting between trust, distrust, and respect. Hill argues that they differed in their visions of the path Wilder’s career should follow, but eventually Lane’s editing brought out the best of her mother’s writing, and allowed her creativity, expression, and experiences to shine through.

    Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon. Wrapped in Rainbows, the first biography of Zora Neale Hurston in more than twenty-five years, illuminates the adventures, complexities, and sorrows of an extraordinary life. Acclaimed journalist Valerie Boyd delves into Hurston’s history—her youth in the country’s first incorporated all-black town, her friendships with luminaries such as Langston Hughes, her sexuality and short-lived marriages, and her mysterious relationship with vodou. With the Harlem Renaissance, the Great Depression, and World War II as historical backdrops, Wrapped in Rainbows not only positions Hurston’s work in her time but also offers riveting implications for our own.

    His marriage to the poet Sylvia Plath marked his whole life, and he never entirely recovered from her suicide in 1963. Many people have held his adultery responsible for Plath's death; in this insightful book, Elaine Feinstein explores an altogether more complex situation, and throws a sad new light on his relationship with his lover Assia Wevill, who also killed herself along with their young daughter.Drawing on extensive archival material and interviews with childhood friends, fellow undergraduates, poets, and critics, Feinstein gives a portrait of a large-spirited, magnetic personality intrigued by the forms of magical experience that preoccupied Shakespeare and Yeats, but who was nevertheless a down-to-earth Yorkshire man, whose poetic vision encompassed not only his love of the natural world but also all the evidence of human brutality in the past century.

    M. Forster came out as a homosexual— though that revelation made barely a ripple in his literary reputation. As Wendy Moffat persuasively argues in A Great Unrecorded History, Forster’s homosexuality was the central fact of his life. Between Wilde’s imprisonment and the Stonewall riots, Forster led a long, strange, and imaginative life as a gay man. He preserved a vast archive of his private life—a history of gay experience he believed would find its audience in a happier time. A Great Unrecorded History is a biography of the heart. Moffat’s decade of detective work—including first-time interviews with Forster’s friends—has resulted in the first book to integrate Forster’s public and private lives. Seeing his life through the lens of his sexuality offers us a radically new view—revealing his astuteness as a social critic, his political bravery, and his prophetic vision of gay intimacy. A Great Unrecorded History invites us to see Forster— and modern gay history—from a completely new angle.

    For nearly three years, Whitman immersed himself in the devastation of the Civil War, tending to thousands of wounded soldiers and recording his experience with an immediacy and compassion unequaled in wartime literature anywhere in the world. In The Better Angel, acclaimed biographer Roy Morris, Jr. gives us the fullest accounting of Whitman's profoundly transformative Civil War Years and an historically invaluable examination of the Union's treatment of its sick and wounded. Whitman was mired in depression as the war began, subsisting on journalistic hackwork, wasting his nights in New York's seedy bohemian underground, his great career as a poet apparently stalled. But when news came that his brother George had been wounded at Fredericksburg, Whitman rushed south to find him. Though his brother's injury was slight, Whitman was deeply affected by his first view of the war's casualties. He began visiting the camp's wounded and, almost by accident, found his calling for the duration of the war. Three years later, he emerged as the war's most unlikely hero, a living symbol of American democratic ideals of sharing and brotherhood. Instead of returning to Brooklyn as planned, Whitman continued to visit the wounded soldiers in the hospitals in and around the capital. He brought them ice cream, tobacco, brandy, books, magazines, pens and paper, wrote letters for those who were not able and offered to all the enormous healing influence of his sympathy and affection. Indeed, several soldiers claimed that Whitman had saved their lives. One noted that Whitman seemed to have what everybody wanted and added When this old heathen came and gave me a pipe and tobacco, it was about the most joyful moment of my life. Another wrote that There is many a soldier that never thinks of you but with emotions of the greatest gratitude. But if Whitman gave much to the soldiers, they in turn gave much to him. In witnessing their stoic suffering, in listening to their understated speech, and in being always in the presence of death, Whitman evolved the new and more direct poetic style that was to culminate in his masterpiece, When Lilacs Last in the Dooryard Bloom'd. Brilliantly researched and beautifully written, The Better Angel explores a side of Whitman not fully examined before, one that greatly enriches our understanding of his later poetry. More than that, it gives us a vivid and unforgettable portrait of the other army--the legions of sick and wounded soldiers who are usually left in the shadowy background of Civil War history--seen here through the unflinching eyes of America's greatest poet.

    Failing to take a degree, he struggled for more than a decade to establish himself as a writer, always putting his work first. Eventually he enjoyed an extraordinary period of creativity during which he summoned a powerful vision of the Depression. Books such as Of Mice and Men, The Long Valley, and the Pulitzer Prize-winning The Grapes of Wrath became battle cries that aroused international indignation and brought Steinbeck a world audience.Jay Parini explores Steinbeck's love-hate relationship with Hollywood and Broadway, his career as a war correspondent, his difficult first and second marriages, and his often tempestuous associations with numerous celebrities, among them Joseph Campbell, Charlie Chaplin, Lyndon Johnson, Ernest Hemingway, and William Faulkner. Drawing on interviews with dozens of people who knew Steinbeck intimately - including his beloved third wife, Elaine - and on published and unpublished letters, diaries, and manuscripts, John Steinbeck is both an important reassessment and a masterful portrait of one of the greatest American novelists.Includes bibliographical references (p. [489-506]) and index

    alluring cultural world and someone whose life assumed an unbearably dramatic shape.

    His life mirrored his country's, as he grew from a Mississippi River boyhood in the days of the frontier, to a Wild-West journalist during the Gold Rush, to become the king of the eastern establishment and a global celebrity as America became an international power. Along the way, Mark Twain keenly observed the characters and voices that filled the growing country, and left us our first authentically American literature. Ron Powers's magnificent biography offers the definitive life of the founding father of our culture.

    Using cultural and gender studies as contexts, Wagner-Martin brings new information to the story of the Alabama judge's daughter who, at seventeen, met her husband-to-be, Scott Fitzgerald. Swept away from her stable home life into Jazz Age New York and Paris, Zelda eventually learned to be a writer and a painter; and she came close to being a ballerina. An evocative portrayal of a talented woman's professional and emotional conflicts, this study contains extensive notes and new photographs.

    In this biography, Laura Thompson describes the Edwardian world in which she grew up, explores the relationships she had, including those with her two husbands and daughter, and investigates the mysteries still surrounding Christie's life - including her disappearance in 1926. Agatha Christie is a mystery and writing about her is a detection job in itself. But, with access to all of Christie's letters, papers and writing notebooks, as well as interviews with her grandson, daughter, son-in-law, and their living relations, Thompson is able to unravel not only the detailed workings of Christie's detective fiction but the truth behind her private life as well.

    He reveals the fraught foundations of Hemingway's persona: his father's self-destructive battle with depression and his mother's fierce independence and spiritualism. He brings Hemingway through World War I, where he was frustrated by being too far away from the action and glory, despite his being wounded and nursed to health by Agnes Von Kurowsky—the older woman with whom he fell terribly in love.