I am a pink human, caught in a net of ambition and years of hard work. In a few minutes I will dive into artificially turquoise water waiting at my feet. A minute later I'll either be ecstatic or a failure.'Fifteen-year-old swimming champ Alex Archer has her mind set on one goal-competing in the Olympic Games in Rome. Alex has been training hard for six years--but so has her archrival, Maggie Benton.Maggie isn't the only obstacle Alex must overcome. She's spread herself too thin at school, and at home she's worried about her grandmother's failing health. She needs complete concentration for the competition, but it's becoming harder to give her all. Then, her handsome boyfriend, Andy is in a terrible accident. Even if Alex can deal with all these unforeseen problems, can she beat Maggie to make it to the Olympic Games?"Well-developed, realistic, three-dimensional characters flesh out this novel about competitive swimming and adolescence... Duder's fresh writing style hooks readers from the outset."-- "School Library Journal."

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.

    Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced. As the summer shimmers endlessly on, the girls decide to take matters into their own hands. Inspired by the local vicar, they go looking for God—they believe that if they find Him they might also find Mrs. Creasy and bring her home.Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover much more than ever imagined. As they try to make sense of what they’ve seen and heard, a complicated history of deception begins to emerge. Everyone on the Avenue has something to hide, a reason for not fitting in.In the suffocating heat of the summer, the ability to guard these differences becomes impossible. Along with the parched lawns and the melting pavement, the lives of all the neighbors begin to unravel. What the girls don’t realize is that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was beginning to peel back just before she disappeared.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    Caroline has an unusual problem - she realises she is in a novel. Her fellow characters also seem deluded: Laurence, her former lover, finds diamonds in a loaf of bread - has his elderly grandmother hidden them there? And Baron Stock, her bookseller friend, believes he is on the trail of England's leading Satanist.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    Dorval arrives in a small British Columbia town at the confluence of the Fraser and Thompson Rivers. As Frankie Burnaby, the young schoolgirl Mrs. Dorval befriends, pieces together Hetty’s story, she begins to realize that her enigmatic idol is also a treacherous opponent.Hetty Dorval, Wilson’s first novel, is a wise and expertly crafted tale of innocence and experience.

    1, was conceived by Cicely Hamilton as a suffrage novel but then became a book about the First World War. Constance Maud knew Cicely Hamilton because both were members of the 400-strong Women Writers Suffrage League; she published No Surrender in November 1911 when the struggle for the vote was at its height.The narrative is faithful to real facts and incidents, with some of the main characters drawing on leading suffrage figures. One is based on Lady Constance Lytton and another, the heroine Jenny Clegg, is a Lancashire mill girl – thus putting paid to the myth that the suffrage movement was mainly middle-class: the main focus of the novel is on the strong support for women’s suffrage by women workers in the textile mills and on the prejudice against votes for women on the part of many of the men in the labour movement.When Emily Wilding Davison, who was to die in 1913 under the King’s horse at the Epsom Derby, reviewed No Surrender, she wrote: ‘There is scarcely a notable incident of the militant campaign which is left untouched. As we devour its pages, we once more review such unforgettable events as the Pantechnicon incident, the protest of the Grille, the Suffragette Fire-Engine, the sending of women by Express Post to the Prime Minister, and the final word-picture of the procession of 1910. But for vivid realism, the pictures of prison life, of the Hunger Strike and Forcible Feeding, are difficult to beat. It is a book which breathes the very spirit of the Women’s Movement.As Lydia Fellgett writes in her Persephone Preface: ‘A political novel cannot be successful without well-written characters: it is therefore also a love story between Jenny Clegg and the Independent Labour Party member Joe Hopton. And it is about powerful female friendship fostered through a common cause. But like most of the (surprisingly few) novels that emerged from the women’s suffrage movement, No Surrender’s importance comes from its documentation of social history; it is polemical but not without complexity; it accurately portrays the arguments of the anti-Suffragists alongside those of the heroines, and it is a passionate account, full of enthralling detail and political fervour.’

    Once he gets over his shock, Sobran decides that Xas, the male angel, is his guardian sent to counsel him on everything from marriage to wine production. But Xas turns out to be a far more mysterious character. Compelling and erotic, The Vintner's Luck explores a decidedly unorthodox love story as Sobran eventually comes to love and be loved by both Xas and the young Countess de Valday, his friend and employer at the neighboring chateau.

    Includes stunning illustrations by Christoph Niemann. "A novelist who writes in a universal language." --The New York TimesIn The Archer we meet Tetsuya, a man once famous for his prodigious gift with a bow and arrow but who has since retired from public life, and the boy who comes searching for him. The boy has many questions, and in answering them Tetsuya illustrates the way of the bow and the tenets of a meaningful life. Paulo Coelho's story suggests that living without a connection between action and soul cannot fulfill, that a life constricted by fear of rejection or failure is not a life worth living. Instead one must take risks, build courage, and embrace the unexpected journey fate has to offer.With the wisdom, generosity, simplicity, and grace that have made him an international best seller, Paulo Coelho provides the framework for a rewarding life: hard work, passion, purpose, thoughtfulness, the willingness to fail, and the urge to make a difference.

    Her hero is an ungainly young earl with a lowering brow and a taste for intrigue. He calls himself Thorfinn but his Christian name is Macbeth.Dunnett depicts Macbeth's transformation from an angry boy who refuses to accept his meager share of the Orkney Islands to a suavely accomplished warrior who seizes an empire with the help of a wife as shrewd and valiant as himself.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.