Mays signed 100 copies for his Charity, The Say Hey Foundation. The signing took place at a local sporting goods store. You will receive the retail store receipt, copies of 2 newspaper articles announcing the signing and The Letter of Evaluation.

    In the tradition of Moneyball, The Last Hero, and Wicked Good Year, Barry’s Bottom of the 33rdis a reaffirming story of the American Dream finding its greatest expression in timeless contests of the Great American Pastime.

    He was the clutch second baseman for the dominant New York Yankees of the 1950s. He then spent sixteen seasons managing in the big leagues, and is considered by anyone who knows baseball to have been a true baseball genius, a field manager without peer. Yet he’s remembered more for his habit of kicking dirt on umpires, for being hired and fired by George Steinbrenner five times, and for his rabble rousing and public brawls. He was combative, fiery, intimidating, and controversial, yet beloved by the everyday fan. He was hard on his players and even harder on himself. He knew how to turn around a losing team like no one else—and how to entertain us every step of the way.   Now, with his definitive biography Billy Martin, Pennington finally erases the caricature of Martin. Drawing on exhaustive interviews with friends, family, teammates, and countless adversaries, Pennington paints an indelible portrait of a man who never backed down for the game he loved. From his shantytown upbringing in a broken home; to his days playing for the Yankees when he almost always helped his team find a way to win; through sixteen years of managing, including his tenure in New York in the crosshairs of Steinbrenner and Reggie Jackson, Billy Martin made sure no one ever ignored him. And indeed no one could. He was the hero, the antihero, and the alter ego—or some combination of all three—for his short sixty-one years among us.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.

    Here, Dawidoff provides "a careful and sympathetic biography" (Chicago Sun-Times) of this enigmatic man. Photos.

    Lincoln’s Dressmaker, novelist Jennifer Chiaverini presents a stunning account of the friendship that blossomed between Mary Todd Lincoln and her seamstress, Elizabeth “Lizzie” Keckley, a former slave who gained her professional reputation in Washington, D.C. by outfitting the city’s elite. Keckley made history by sewing for First Lady Mary Todd Lincoln within the White House, a trusted witness to many private moments between the President and his wife, two of the most compelling figures in American history. In March 1861, Mrs. Lincoln chose Keckley from among a number of applicants to be her personal “modiste,” responsible not only for creating the First Lady’s gowns, but also for dressing Mrs. Lincoln in the beautiful attire Keckley had fashioned. The relationship between the two women quickly evolved, as Keckley was drawn into the intimate life of the Lincoln family, supporting Mary Todd Lincoln in the loss of first her son, and then her husband to the assassination that stunned the nation and the world. Keckley saved scraps from the dozens of gowns she made for Mrs. Lincoln, eventually piecing together a tribute known as the Mary Todd Lincoln Quilt. She also saved memories, which she fashioned into a book, Behind the Scenes: Thirty Years a Slave and Four Years in the White House. Upon its publication, Keckley’s memoir created a scandal that compelled Mary Todd Lincoln to sever all ties with her, but in the decades since, Keckley’s story has languished in the archives. In this impeccably researched, engrossing novel, Chiaverini brings history to life in rich, moving style.

    Bums narrates the colorful history of this beloved team with recollections from the players, the writers who covered them, and fans.

    

    They shared their memories with him and the result is a book packed with nostalgia, statistics, action, revelations—an extraordinary oral history of baseball in the halcyon days beween the two world wars. Babe Ruth, Lefty Grove, Ted Williams, Bob Feller, Dizzy Dean, Jackie Robinson, Lou Gehrig, and many others are brought to life through the recollections of Wes Ferrell, Charlie Gehringer, Elbie Fletcher, Bucky Waters, Billy Herman, Cool Papa Bell, Spud Chandler, Pete Reiser, and a host of others. Those were the days when the grass was real, salaries were modest, Bob Feller was America's most famous seventeen-year-old, and idealism was in full swing. "Baseball builds your pride," said pitcher Wes Ferrell, who played it in order "to be a better guy."

    Scott Fitzgerald, Thomas Wolfe, Teddy Roosevelt, John Singer Sargent, James Whistler, Henry James, and Edith Wharton.Orphaned at a young age, Edith Stuyvesant Dresser claimed lineage from one of New York’s best-known families. She grew up in Newport and Paris, and her engagement and marriage to George Vanderbilt was one of the most watched events of Gilded Age society. But none of this prepared her to be mistress of Biltmore House.Before their marriage, the wealthy and bookish Vanderbilt had dedicated his life to creating a spectacular European-style estate on 125,000 acres of North Carolina wilderness. He summoned the famous landscape architect Frederick Law Olmsted to tame the grounds, collaborated with celebrated architect Richard Morris Hunt to build a 175,000-square-foot chateau, filled it with priceless art and antiques, and erected a charming village beyond the gates. Newlywed Edith was now mistress of an estate nearly three times the size of Washington, DC and benefactress of the village and surrounding rural area. When fortunes shifted and changing times threatened her family, her home, and her community, it was up to Edith to save Biltmore—and secure the future of the region and her husband’s legacy.The Last Castle is the uniquely American story of how the largest house in America flourished, faltered, and ultimately endured to this day.

    Facing down batter after batter, he breaks down his though process and recounts in vivid and candid detail his analysis of the players who stepped into the batter's box against him, his control of both the ball and the elements of the day, and his moments of synchronicity with teammate Tim McCarver, all the while capturing the fascinating relationship and unspoken dialogue that carries on between pitcher and catcher over the course of nine critical innings.From the dugout to the locker room, Gibson offers a behind-the-scenes look at the lives of the players, the team's chemistry, and clubhouse culture. He recounts the story of Curt Flood, Gibson's best friend and the Cardinal center fielder, who would go on to become one of the pioneers of free agency; shares colorful anecdotes of his interactions with some of baseball's most unforgettable names, from Denny McLain and Roger Maris to Sandy Koufax and Harry Caray; and relives the confluence of events, both on and off the field, that led to one of his---and baseball's---most memorable games ever.This deep, unfiltered insider look at one particular afternoon of baseball allows for a better understanding of how pros play the game and all the variables that a pitcher contends with as he navigates his way through a formidable lineup. Gibson's extraordinary and engrossing tale is retold from the unique viewpoint of an extremely perceptive pitcher who happens to be one of baseball's all-time greats.

    On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio — a hard-luck cop, a cub reporter, and an eccentric professor — all raced to solve the crime.What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale — a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

    Buried beneath these parallel conflicts--one for the soul of baseball, the other for the soul of the city--was the subtext of race. Deftly intertwined by journalist Jonathan Mahler, these braided Big Apple narratives reverberate to reveal a year that also saw the opening of Studio 54, the acquisition of the New York Post by Rupert Murdoch, a murderer dubbed the "Son of Sam," the infamous blackout, and the evolution of punk rock. As Koch defeated Cuomo, and as Reggie Jackson rescued a team racked with dissension, 1977 became a year of survival--and also of hope.

    Thomas, the grandson of Walter Johnson, lives in Arlington, Virginia. He is currently editing, for audio release, the interviews taped by Lawrence Ritter for his classic The Glory of Their Times. Shirley Povich died in 1998 at the age of 92 after seventy-five years as an award-winning sportswriter for the Washington Post.

    Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history--and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul's client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country? The case affords Paul entry to the heady world of high society--the glittering parties in Gramercy Park mansions, and the more insidious dealings done behind closed doors. The task facing him is beyond daunting. Edison is a wily, dangerous opponent with vast resources at his disposal--private spies, newspapers in his pocket, and the backing of J. P. Morgan himself. Yet this unknown lawyer shares with his famous adversary a compulsion to win at all costs. How will he do it?In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater risks, he'll find that everyone in his path is playing their own game, and no one is quite who they seem.