Dispatches from the Edge, Cooper's memoir of "war, disasters and survival," is a brief but powerful chronicle of Cooper's ascent to stardom and his struggle with his own tragedies and demons. Cooper was 10 years old when his father, Wyatt Cooper, died during heart bypass surgery. He was 20 when his beloved older brother, Carter, committed suicide by jumping off his mother's penthouse balcony (his mother, by the way, being Gloria Vanderbilt). The losses profoundly affected Cooper, who fled home after college to work as a freelance journalist for Channel One, the classroom news service. Covering tragedies in far-flung places like Burma, Vietnam, and Somalia, Cooper quickly learned that "as a journalist, no matter ... how respectful you are, part of your brain remains focused on how to capture the horror you see, how to package it, present it to others." Cooper's description of these horrors, from war-ravaged Baghdad to famine-wracked Niger, is poignant but surprisingly unsentimental. In Niger, Cooper writes, he is chagrined, then resigned, when he catches himself looking for the "worst cases" to commit to film. "They die, I live. It's the way of the world," he writes. In the final section of Dispatches, Cooper describes covering Hurricane Katrina, the story that made him famous. The transcript of his showdown with Louisiana Sen. Mary Landrieu (in which Cooper tells Landrieu people in New Orleans are "ashamed of what is happening in this country right now") is worth the price of admission on its own. Cooper's memoir leaves some questions unanswered--there's frustratingly little about his personal life, for example--but remains a vivid, modest self-portrait by a man who is proving himself to be an admirable, courageous leader in a medium that could use more like him. --Erica C. Barnett

    There is no school, but their mother teaches them to read and write, and once a month sends the boys on a two-day journey to the bazaar. They are poor, but inside their mud-walled home, the family has stability, love, and routine.When a convoy of armed men arrives in their village one day, their world crumbles. The boys survive and make their way to a small city, where they sleep among other orphans. They learn to beg, and, eventually, they earn work and trust from the local shopkeepers. Ali saves their money and sends Aziz to school at the madrassa, but when US forces invade the country, militants strike back. A bomb explodes in the market, and Ali is brutally injured.In the hospital, Aziz meets an Afghan wearing an American uniform. To save his brother, Aziz must join the Special Lashkar, a US-funded militia. No longer a boy, but not yet a man, he departs for the untamed border. Trapped in a conflict both savage and entirely contrived, Aziz struggles to understand his place. Will he embrace the brutality of war or leave it behind, and risk placing his brother and a young woman he comes to love in jeopardy?Having served five tours of duty in Afghanistan and Iraq, Elliot Ackerman has written a gripping, morally complex debut novel, an astonishing feat of empathy and imagination about boys caught in a deadly conflict.

    She has written other travel books, including In Ethiopia with a Mule.

    The world is changing dramatically and in an age of Brexit and Trump, the themes of isolation and fragmentation permeating the western world stand in sharp contrast to events along the Silk Roads, where ties are being strengthened and mutual cooperation established.This prescient contemporary history provides a timely reminder that we live in a world that is profoundly interconnected. Following the Silk Roads eastwards from Europe through to China, by way of Russia and the Middle East, Peter Frankopan assesses the global reverberations of continual shifts in the centre of power – all too often absent from headlines in the west.The New Silk Roads asks us to re-examine who we are and where we stand in the world, illuminating the themes on which all our lives and livelihoods depend.The Silk Roads, a major reassessment of world history, has sold over 1 million copies worldwide.

    A Vicarage Family is the first part in a fictionalized autobiography in which Noel Streatfeild tells the story of her own childhood, painting a poignant and vivid picture of daily life in an impoverished, genteel family in the years leading up to the First World War.In the story there are three little girls - Isobel, the eldest, is pretty, gentle and artistic; Louise the youngest, is sweet and talented - and then there is Vicky, 'the plain one', the awkward and rebellious child who doesn't fit in at school or at home. Growing up in a big family Vicky feels overlooked but gradually begins to realize that she might not be quite as untalented as she feels.The Vicky of this story is, of course, the much-loved Noel Streatfeild who went on to write so many wonderful family stories, the most famous being Ballet Shoes.

    In his short life eleven-year-old Fawad has known more grief than most: his father and brother have been killed, his sister has been abducted, and Fawad and his mother, Mariya, must rely on the charity of family to eke out a hand-to-mouth existence. Then Mariya finds a position as housekeeper for a charismatic western woman, Georgie, and Fawad dares to hope for an end to their struggle. He soon discovers that his beloved Georgie is caught up in a dangerous love affair with the powerful Afghan warlord Haji Khan, a legendary name on the streets of Kabul. At first resentful of Haji Khan's presence, Fawad learns that love can move a man to act in surprising ways, and an overwhelming act of generosity persuades him of the warlord's good intentions.But even a man as influential as Haji Khan can't protect Fawad from the next tragedy to blight his young life, a tragedy so devastating that it threatens to destroy the one thing Fawad thought he could never lose: his love for his country.

    For Jay, a retired research scientist this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last.