As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

    The second edition reproduces the original London printing, supervised by Equiano in 1789. Robert J. Allison's introduction, which places Equiano's narrative in the context of the Atlantic slave trade, has been revised and updated to reflect the heated controversy surrounding Equiano's birthplace, as well as the latest scholarship on Atlantic history and the history of slavery. Improved pedagogical features include contemporary illustrations with expanded captions and a map showing Equiano's travels in greater detail. Helpful footnotes provide guidance throughout the eighteenth-century text, and a chronology and an up-to-date bibliography aid students in their study of this thought-provoking narrative.

    Janie's quest for identity takes her through three marriages and into a journey back to her roots.

    Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    One will become our world. And Connie herself may strike the decisive blow...

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Wyatt had himself survived two imprisonments in the Tower as well as a love affair with Anne Boleyn, and his poetry - that of an extraordinarily sophisticated, passionate and vulnerable man - reflects these experiences, making disguised reference to current political events. Above all, though, Wyatt is known for his love poetry, which often dramatizes incidents and remembered conversations with his beloved, with an ear acutely sensitive to patterns of rhythm and colloquial speech. Conveying the actuality of betrayal or absence, and the intense pressure of his longing for a love that could be trusted, these are some of the most haunting poems in the English language.

    Hesiod's straightforward account of family conflict among the gods is the best and earliest evidence of what the ancient Greeks believed about the beginning of the world. Includes Hesiod's "Works and Days", lines 1-201, and material from the Library of Apollodorus.

    Set in Norway and Iceland at the beginning of the eleventh century, Gunnar's Daughter is the story of the beautiful, spoiled Vigdis Gunnarsdatter, who is raped by the man she had wanted to love. A woman of courage and intelligence, Vigdis is toughened by adversity. Alone she raises the child conceived in violence, repeatedly defending her autonomy in a world governed by men. Alone she rebuilds her life and restores her family's honor--until an unremitting social code propels her to take the action that again destroys her happiness.First published in 1909, Gunnar's Daughter was in part a response to the rise of nationalism and Norway's search for a national identity in its Viking past. But unlike most of the Viking-inspired art of its period, Gunnar's Daughter is not a historical romance. It is a skillful conversation between two historical moments about questions as troublesome in Undset's own time--and in ours--as they were in the Saga Age: rape and revenge, civil and domestic violence, troubled marriages, and children made victims of their parents' problems.

    Many have said it is the most famous sermon ever preached. The sermon was first delivered in Enfield, MA on July 8, 1741. The sermon had an amazing impact on the audience.

    John Herington, one of the world's foremost Aeschylean scholars, will come as a revelation. Scully and Herington accentuate the play's true power, drama, and relevance to modern times. Aeschylus originally wrote Prometheus Bound as part of a tragic trilogy, and this translation is unique in including the extant fragments of the companion plays.

    Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

    In this selection of letters and autobiographical fragments we hear the authentic voices of the three novelist sisters, Charlotte, Emily and Anne, their brother, Branwell, and their father, the Reverend Patrick Brontë. We share in their progress over the years: the exuberant childhood, absorbed in wild, imaginative games; the years of struggling to earn a living in uncongenial occupations before Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall took the literary world by storm; the terrible marring of that success as, one by one, Branwell, Emily and Anne died tragically young; the final years as Charlotte, battling against grief, loneliness and ill health, emerged from anonymity to take her place in London literary society and, finally, found an all too brief happiness in marriage to her father's curate.Juliet Barker, author of the highly acclaimed biography The Brontës has used her unrivalled knowledge of the family to select extracts from letters and manuscripts, many of which are appearing here in print for the first time. Charlotte was a letter-writer of supreme ability, ranging from facetious notes and homely gossip to carefully composed pages of literary criticism and, most movingly of all, elegiac tributes to her beloved brother and sisters. Emily and Anne remain tantalizingly evasive. Very few of their letters are extant. Emily's are mere businesslike notes, though these have been supplemented by her more revealing diary papers; Anne's letters are equally frustrating, but only because their quality makes us regret their paucity.Branwell emerges as distinctly as Charlotte from his letters. Whether trying to impress William Wordsworth with his literary abilities, showing off to his artistic friends or finally coming to terms with a life of failed ambition, his character is laid bare on every page. The Reverend Patrick Brontë's devotion to his children and passionate advocacy of liberal causes are equally well illustrated in what can only be a small selection from his voluminous correspondence.The Brontë letters are supplemented by extracts from other contemporary sources, which allow us to see the family as their friends and acquaintances saw them. A brief narrative text guides the reader through the letters and sets them in context. By allowing the Brontës to tell their own story, Juliet Barker has not only produced an innovative form of biography but also given us the unique privilege of participating intimately in the lives of one of the most famous and best-loved families of English literature.

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.