Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy.Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be.But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town.Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.

    In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences. The narrator orchestrates this chorus of voices for the most part as a passive listener, until one of them makes an extraordinary request, drawing her into an intense and transformative experience of her own.In What Are You Going Through, Nunez brings wisdom, humor, and insight to a novel about human connection and the changing nature of relationships in our times. A surprising story about empathy and the unusual ways one person can help another through hardship, her book offers a moving and provocative portrait of the way we live now.

    A city, and a world, on the cusp of change..Maggie Gleason is looking toward the future. Part of a midcentury wave of young women seeking new lives in New York City, Maggie works for legendary Port Authority public relations maven Lee K. Jaffe--affectionately known to her loyal staff as Mrs. J. Having left Cleveland, Maggie has come to believe that she can write any story for herself that she imagines.Pauline Moreau is running from the past--and a shameful secret. She arrives in the city on the brink of despair, saddled with a young daughter who needs more love, attention, and resources than Pauline can ever hope to provide. Seeing that Pauline needs a helping hand, Mrs. J tasks Maggie with befriending, and looking after, Pauline.As the old New York gives way to the new, and Mrs. J's dream of the world's largest skyscraper begins to rise from the streets of lower Manhattan, Pauline--with the aid of Maggie and Mrs. J--also remakes herself. But when she reignites the scandal that drove her to New York, none of their lives will ever be the same. Maggie must question everything she thought she knew about love, work, ambition, and family to discover the truth about the enigmatic, strong woman she thought she had rescued. Careers for Women is a masterful novel about the difficulties of building a career, a dream, or a life--and about the powerful small mercies of friendship and compassion.

    And now she's been kicked out of school—again. Making her way through the world with only a book, a zippo lighter, a pocket full of stolen licorice, a biting wit, and striking intelligence she tries to hide, she spends her days riding the bus to visit her mother and following the only rule that makes any sense to her: Don't do things you aren't proud of. But when she discovers that her new school has a secret Arson Club, she's willing to do anything to be a part of it, and her life is suddenly lit up. And as her fascination with the Arson Club grows, her story becomes one of misguided friendship and, ultimately, destruction.

    She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist.Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own.It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations.On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

    Dorothy, whose ruffian sons are a never-ending source of stress. May entertains the group with her outrageous dating stories, while Mitzi finds something political to rant about in every book—including Loretta’s trashy romances. Even Janet, with her mousy shyness and constant blush, has helped Jean rediscover the joy in life.So when Jean’s family starts unraveling again—her daughter forced into rehab and her troubled teen granddaughter, Bailey, coming to live with her in the interim—she turns to the book club for comfort and support. And, together, they all, even Bailey, discover that family is what you make of it, especially the family you choose…

    When tragedy strikes, she and her mother must seek safety by immigrating to America. There the girl reinvents herself as an American teenager to survive, with the help of her cousin; but even as she assimilates and thrives, the secrets and scars of her past follow her into adulthood. In this new country of freedom, everything she has built begins to crumble around her, and her hold on reality becomes more and more tenuous. When the past and the present collide, she sees only one terrible choice.

    There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.Considering himself "a humble citizen of the greatest nation in the world," Jun Do becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress "so pure, she didn't know what starving people looked like." Part breathless thriller, part story of innocence lost, part story of romantic love, The Orphan Master's Son is also a riveting portrait of a world heretofore hidden from view: a North Korea rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love. A towering literary achievement, The Orphan Master's Son ushers Adam Johnson into the small group of today's greatest writers.An epic novel and a thrilling literary discovery, The Orphan Master's Son follows a young man's journey through the icy waters, dark tunnels, and eerie spy chambers of the world's most mysterious dictatorship, North Korea.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

    But it won't, because Misha's late Beloved Papa whacked an Oklahoma businessman of some prominence. Misha is paying the price of exile from his adopted American homeland. He's stuck in Russia, dreaming of his beloved Rouenna and the Oz of NYC. Salvation may lie in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as Minister of Multicultural Affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. Populated by curvaceous brown-eyed beauties, circumcision-happy Hasidic Jews, a loyal manservant who never stops serving, and scheming oil execs from a certain American company whose name rhymes with Malliburton, Absurdistan is a strange, oddly true-to-life look at how we live now, from a writer who should know.

    A first pregnancy is interrupted by test results at once catastrophic and uncertain. A second pregnancy ends in a fraught birth, a beloved child, the purgatory of further tests—and questions that reverberate down the years.   When does sorrow turn to shame? When does love become labor? When does chance become choice? When does a diagnosis become destiny? And when does fact become fiction?   This spare, graceful narrative chronicles the flux of parenthood, marriage, and the day-to-day practice of loving someone. As challenging as it is vulnerable, as furious as it is tender, as touching as it is darkly comic, Peter Ho Davies's new novel is an unprecedented depiction of fatherhood.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Ludo reads Homer in the original Greek at 4 before moving on to Hebrew, Japanese, Old Norse, and Inuit; studying advanced mathematical techniques (Fourier analysis and Laplace transformations); and, as the title hints, endlessly watching and analyzing Akira Kurosawa's masterpiece, The Seven Samurai. But the one question that eludes an answer is that of the name of his father: Sibylla believes the film obliquely provides the male role models that Ludo's genetic father cannot, and refuses to be drawn on the question of paternal identity. The child thinks differently, however, and eventually sets out on a search, one that leads him beyond the certainties of acquired knowledge into the complex and messy world of adults.The novel draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, divides itself into two halves: the first describes Ludo's education, the second follows him in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition, and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the world of emotion, human ambitions, and their attendant frustrations and failures.The Last Samurai is about the pleasure of ideas, the rich varieties of human thought, the possibilities that life offers us, and, ultimately, the balance between the structures we make of the world and the chaos that it proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, capturing the intrusions of unspoken thought that punctuate conversation while providing tantalizing disquisitions on, for example, Japanese grammar or the physics of aerodynamics. It is remarkable, profound, and often very funny. Arigato DeWitt-sensei. --Burhan Tufail