citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity.As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.Throughout her journey, Talusan shares poignant and powerful episodes of desirability and love that will remind readers of works such as Call Me By Your Name and Giovanni's Room. Her evocative reflections will shift our own perceptions of love, identity, gender, and the fairness of life.

    Losing his mother when he is twelve, González must then confront his father’s abandonment and an abiding sense of cultural estrangement, both from his adopted home in the United States and from a Mexican birthright. His only sense of connection gets forged in a violent relationship with an older man. By finding his calling as a writer, and by revisiting the relationship with his father during a trip to Mexico, González finally claims his identity at the intersection of race, class, and sexuality. The result is a leap of faith that every reader who ever felt like an outsider will immediately recognize. 2007 Finalist, Randy Shilts Awards for Gay Nonfiction, Publishing Triangle Winner, American Book Awards, Before Columbus Foundation

    East Asia Studies. Women's Studies. Translated from the Korean by Don Mee Choi. "Her poems are not ironic. They are direct, deliberately grotesque, theatrical, unsettling, excessive, visceral and somatic. This is feminist surrealism loaded with shifting, playful linguistics that both defile and defy traditional roles for women"--Pam Brown

    But her romance had ended in heartbreak, and now, back in NYC again, she's determined to rediscover her joy--so of course she runs into the woman who broke her heart.When Likotsi and Fabiola meet again on a stalled subway train months later, Fab asks for just one cup of tea. Likotsi, hoping to know why she was unceremoniously dumped, agrees. Tea and food soon leads to them exploring the city together, and their past, with Fab slowly revealing why she let Likotsi go, and both of them wondering if they can turn this second chance into a happily ever after.

    His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.”

    "STARS OF THE NIGHT COMMUTE haunts in three dimensions, knit by a below-words rumble in the sure rhythm of dreams"—Annie Finch. "Bozicevic's poetry has everything—a mastery of language, a distinct and singular voice and a worldview so visionary and all-encompassing, so as to both terrify and astound"—Noelle Kocot. "How does she do it?"—Eileen Myles. "Absolutely anything can happen next but whatever it is, it will be perfect.... She is able to stretch language to its most ineffable and musical limits while maintaining a masterful grasp of the colloquial.... She is able to perceive with the eyes of language—then render with lyrical immediacy—the experience of our collective sleepwalking soul, who may well soon awaken to discover that its terror was not a dream"—Franz Wright.

    Forewarning, Flux is best read with a warm cup of coffee in hand.

    Winner of the 2017 Cave Canem Poetry Prize Set against the backdrop of the Obama presidency, Julian Randall's Refuse documents a young biracial man's journey through the mythos of Blackness, Latinidad, family, sexuality and a hostile American landscape.  Mapping the relationship between father and son caught in a lineage of grief and inherited Black trauma, Randall conjures reflections from mythical figures such as Icarus, Narcissus and the absent Frank Ocean.  Not merely a story of the wound but the salve, Refuse  is a poetry debut that accepts that every song must end before walking confidently into the next music

    It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city -- but this time a mysterious boy with a troubled past comes with them. As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret -- a secret he thought he'd locked away for good.

    It's the highest honor they could hope for...and the most demeaning. This year, there's a ninth. And instead of paper, she's made of fire.In this richly developed fantasy, Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards for an unknown fate still haunts her. Now, the guards are back and this time it's Lei they're after -- the girl with the golden eyes whose rumored beauty has piqued the king's interest.Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learns the skills and charm that befit a king's consort. There, she does the unthinkable -- she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world's entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she's willing to go for justice and revenge.

    Larissa Lai interweaves three narrative voices and their attendant cultures: an elusive fox growing toward wisdom and her 1000 birthday, the ninth-century Taoist poet/nun Yu Hsuan-Chi (a real person executed in China for murder), and the oddly named Artemis, a young Asian-American woman living in contemporary Vancouver.With beautiful and enchanting prose, and a sure narrative hand, Lai combines Chinese mythology, the sexual politics of medieval China, and modern-day Vancouver to masterfully revise the myth of the Fox (a figure who can inhibit women’s bodies in order to cause mischief).

    Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”

    He loved heroin, ecstasy, the sad musicof the bars. He said he loved you too. You arethinking of the night you met him. Late October night, the breeze as soft as his black eyes. He wasso hungry for trouble. You were so hungryfor anything that resembled love. Your fingertracing the tattoos on his chest, you dreamedof living in the prison of his arms. But you refusedto live in the prison of his deadly nights. Youcan’t survive without the morninglight. You repeat this again and again:He’s a man, not an illness. Tattoos and prison.Novels and poems. A bird can love a fish but they can’tlive in your apartment. He called again last nightand left a message that was meant to wound.He said: I want to know what you meant whenyou said I love you. You said: I love you. I meant I love you.He said: I want to know what you meant whenyou said goodbye. You said: Goodbye. I meant goodbye.You whispered his name in the dark.Benjamin Alire Sáenz in 2013 won the Pen/Faulkner Award and the Lambda Award for his book Everything Begins and Ends at the Kentucky Club. His young adult novel Dante and Aristotle in Paradise was a 2013 Printz Honoree. He lives in El Paso, Texas.

    Her creative writing teacher has always told her she has a special talent. But three months before her graduation, he's suddenly replaced—by Nadiya Nazarenko, a Pulitzer Prize–winning novelist who is sadistically critical and perpetually unimpressed.   At first, Nazarenko’s eccentric assignments seem absurd. But before long, Laila grows obsessed with gaining the woman’s approval. Soon Laila is pushing herself far from her comfort zone, discovering the psychedelic highs and perilous lows of nightlife, temporary flings, and instability. Dr. Nazarenko has led Laila to believe that she must choose between perfection and sanity—but rejecting her all-powerful mentor may be the only way for Laila to thrive.

    Her alienation grows when her mother is swept up in an evangelical church, replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the pastor’s daughter. As her mother’s mental health deteriorates, Francisca falls for Carmen and is saved to grow closer with her, even as their relationship hurtles toward a shattering conclusion.