One rainy night, the wizard Merlin tells Arthur the story of dueling dragons and a fateful clash between good and evil, which reveals the surprising secret of the boy king's true legacy. Li Ming's arresting oil paintings breathe fire into this magical offering from Jane Yolen."The legend comes alive on a grand scale, the dramatic narrative and well-wrought dialogue heightening the theatrical effect and inviting a fast-paced read-aloud." -- School Library Journal

    Tristan defeats Ireland's greatest warrior and gains the friendship of his uncle, the King of Cornwall, who entrusts him with a very special mission: to sail the seas in search of a queen.

    It is based on the King Arthur legend as adapted from the T. H. White tetralogy novel The Once and Future King.The original 1960 production, directed by Moss Hart, ran on Broadway for 873 performances, winning four Tony Awards and spawning several revivals, foreign productions and a 1967 film version. The original cast album was America's top-selling LP for 60 weeks.

    A retelling of the four books of the Mabinogion, a collection of Welsh medieval tales about the feats and exploits of legendary Welsh kings and princes.

    Miles Bannon works hard and strives to be fair; he enjoys his popularity with students -- a bit too much, sometimes -- but overall he is a good man. When he witnesses a group of students picking on one boy in the shower after football practice, he is suddenly forced to balance his responsibility for the situation with the unexpectedly intimate glimpse he now has of them. And when the victim begins to cling to him in the face of his own father's rejection, Miles finds it perhaps too welcome a feeling. Then comes an accusation of impropriety that will destroy his career -- and transform his life, and who he thought he was, forever.

    At their remote British boarding school, Wellington Jones and Heather McKennahave a lot in common. Both are misfits trying to avoid attention, and both are fascinated by Earl, a tall, calm, older boy with no recollection of his past, but a remarkable knack for showing up when he is needed most.When a blow to the head brings Earl's memory back, he claims that he is actually Merlin . . . a 2000-year-old wizard.Originally published in two volumes in the mid-1980s, Pamela F. Service's creative, futuristic spin on the Camelot legend will appeal to Arthurian purists and fantasy lovers alike.From the Hardcover edition.

    The Green Man’s association with the pantheistic beliefs of Celtic Christianity and with contemporary neo-paganism, with the shamanic traditions of the Anglo-Saxons and as a figurehead for ecological movements sees various paths crossing into a picture that reveals the hidden meanings of twenty-first-century Britain. Against a shifting backdrop of mountains, forests, rivers and stone circles, a cult of the Green Man emerges, manifesting itself in unexpected ways. Priests and philosophers, artists and shamans, morris dancers, folklorists and musicians offer stories about what the Green Man might mean and how he came into being. Meanwhile, in the woods strange things are happening, from an overgrown Welsh railway line to leafy London suburbia. Uprooted is a timely, provocative and beautifully written account of this most enduring and recognisable of Britain’s folk images.

    Trees felled in the wrong season breed termites. If eels are drowned in wine, those who drink it get a loathing for liquor.These and similar flights of fancy were articles of faith in the twelfth century — the era of the fascinating Latin prose bestiary translated in this volume. The translator is T. H. White, author of The Once and Future King and outstanding medievalist. Of The Book of Beasts, White writes: "No Latin prose bestiary has ever before been printed, even in Latin. This is the first and only English translation in print."The bestiary was a bestseller in the Middle Ages, a kind of natural history cum-zoological survey that presumed to describe the animals of the world and to point out the human traits they exemplified. Combining the surprisingly accurate with the endearingly phantasmagorical, the bestiarists came up with a bewildering array of real and exotic creatures. The behavior or attributes of the animals often functioned as a metaphor for teaching religious, moral, and political precepts.In addition to a multitude of real mammals, birds, reptiles, and fish, described here with varying degrees of zoological accuracy, the bestiarist introduces a swarm of fanciful denizens thought to haunt the Dark Ages: manticore, a creature with a man's face, a lion's body, and a ravenous appetite for human flesh; dragon or draco, the biggest serpent and the embodiment of the Devil; amphivia, a fish that could walk on land and swim in the sea; jaculus, a flying serpent; the familiar phoenix; the griffin; and other exotic fauna.Much of the charm of this edition lies in the copious footnotes compiled by T. H. White. With immense erudition, wit, grace, and a singular lack of condescension, the author illuminates literary, scientific, historical, linguistic, and other aspects of the bestiarist's catalog. He further enhances the volume with informative discussions of the history of the bestiary from its origins in remote oral traditions; through Herodotus, Pliny and Aristotle; during the medieval period and the Renaissance; and up to Sir Thomas Browne's Vulgar Errors (1646). Both amusing and amazing, The Book of Beasts is not only a rich survey of the proto-zoology on which much of our later science is based, but also a revealing, illustrated examination of how pre-scientific man perceived the earth's creatures.

    Dr Anna Brocklebank considers it one of the most significant and inspiring books ever written on the subject of narcissism and believes it should become a medical reference book as well as a popular best seller. Departing from her former studies of the Royal Family and the Super Rich, Georgie Campbell turns her intelligence, insight and energy on to her own family's past to reveal the reality beneath serious personality disorders, and the emotional terrorism they engender.The book straddles two conflicting worlds: the white elitism of the British Colonial way of life and the empowerment of the black race post-Independence. It provides an insightful record of why the colonial age had to end, while also giving the reader an insider's view of the political and sociological difficulties that nationhood brought to the inhabitants of the colonies. In doing so, Georgie Campbell paints a vivid picture of the way of life that allowed the narcissistic personality disorder of her mother to flourish. Daughter of Narcissus not only places the disorder of narcissism in its proper sociological context, but it also exposes the shocking behaviour of the disordered personality. It is disarmingly honest and revelatory, a compulsive read - in the words of Dr. Brocklebank, it is "gripping" - a fascinating history of a family who learnt to survive unbelievable misconduct in order to lead purposeful and affirming lives.

    Set in both present-day and ancient Wales, this Newbery Honor title has become a contemporary classic.

    This honest coming of age memoir begins in the late '60s and spans 30 years, showing how others who've experienced childhood trauma can stay true to themselves and use their pain to build a promising future.

    • Revised edition of Arthur and the Sovereignty of Britain (UK) that includes the author's latest research and insights. • A comprehensive reader's companion with synopsis of stories and full commentary. • Written by renowned scholar Caitlín Matthews, author of The Celtic Wisdom Tarot (15,000 sold). The ancient Celtic stories of the Mabinogion have received universal recognition from scholars as both sources of the Arthurian legend and keys to insights into the ancient magic of the Celtic Otherworld. Now renowned Celtic scholar Caitlín Matthews, drawing on a full range of medieval texts and ancient Welsh writings, provides a fully revised and updated reader's guide to these rich and far-reaching tales. In King Arthur and the Goddess of the Land, Matthews sheds particular light on Sovereignty, the Goddess of the sacred land of Britain, and the spiritual principle of the Divine Feminine. Clearly revealed are the many alternate forms taken by the Goddess of the Land--including her incarnation as Morgan of Avalon, who plays a dominant role in the Arthurian cycle. Also established are links between the legendary characters of the Mabinogion and their counterparts in other living myths of the Western world. Through the marriage of the Celtic kings to the Goddess of the Land, the sacred contract between political rulership and responsibility for the land's well-being is dramatically revealed. In King Arthur and the Goddess of the Land, Matthews once again articulates definitively the continuing relevance of ancient Celtic thought and belief as illustrated in the powerful myths and legends of ancient Britain.

    Such is the case right now with our wounded feeling function- our inability to find joy, worth, and meaning in life. Robert A. Johnson, the celebrated author of 'He, She', and 'We', revisits two medieval tales and illuminates how this feeling function has become a casualty of our modern times.Johnson tells the story of the Wounded Fisher King from the Grail Myth to illustrate the anxiety and loneliness that plague men. From the folktale of the Handless Maiden, he explains the very different frustrations of women and describes how these disparities in the way we suffer account for much of the tension and miscommunication between men and women. His insightful analysis shows that these two stories, created centuries ago, are even more relevant today.Robert A. Johnson, a noted lecturer and Jungian analyst, is also the author of 'He, She, We, Inner Work, Ecstasy, Transformation', and 'Owning Your Own Shadow'.

    They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Ford has endeavored to present a scholarly document in readable, modern English. Basing his criteria on the latest scholarship in myth, he includes only those stories that have remained unadulterated by the influence of the French Arthurian romances. These are, in addition to the "Four Branches," the tale of "Kulhwch and Olwen," which is rooted in the mythological origins of Arthur, seen here in his role of divine hunter in pursuit of the swine-god; "Lludd and Lleuelis," which reaches beyond its immediate Celtic sources into ancient Indo-European ideologies; and the long unavailable "Tale of Taliesin," which offers insights into Celtic concepts of the archetypal poet-seer and the acquisition of Divine Wisdom.

    Noble Gareth defeats a dreaded knight and wins the hand of a fair maiden.