Luke had been dead for just three days.Rose Wilks' life is shattered when her newborn baby Joel is admitted to intensive care. Emma Hatcher has all that Rose lacks. Beauty. A loving husband. A healthy son. Until tragedy strikes and Rose is the only suspect.Now, having spent nearly five years in prison in Ipswich, Rose is just weeks away from freedom. Her probation officer Cate must decide whether Rose is remorseful for her crime, or whether she remains a threat to society. As Cate is drawn in, she begins to doubt her own judgement.Where is the line between love and obsession, can justice be served and, if so... by what means?

    He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark, is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

    The savagery of the killer is something the small community of Kodiak Basin, Alaska has never seen before. With nowhere else to turn, the Sheriff is forced to enlist the help of the FBI.A special agent with a mysterious past...Special Agent Mickey Parsons of the FBI's Behavioral Science Unit receives the Sheriff's request and flies to Alaska to help in the investigation. Parsons has the most closed cases of any special agent in Behavioral Science's history, but the mental and physical scars of the last case he handled in the field nearly six years ago has left him tired and contemplating retirement.Uncertain if he has the strength to follow a killer into the darkness again, Parsons may need the Sheriff as much as she needs him.A monster in the making...Parsons believes the Hennleys to be the killer's first victims. But the sheer brutality has him convinced he's dealing with someone more monster than man. Someone that is escalating in their sadism, and if left free, will bring terror on the community unlike any they have ever experienced.

    She is hurt and frightened. The man and woman who live there take her in. But their decency is utterly unequipped to deal with the Woman in the Dark, or with the designs of the men who want her.First published in installments in Liberty magazine [in 1933] and now rediscovered after many years, Woman in the Dark shows Dashiell Hammett at the peak of his narrative powers. With an introduction by Robert B. Parker, the author of the celebrated Spenser novels.A one-time detective and a maser of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel.

    They are in there...Black smoke stains a summer blue sky. A school is on fire. And one mother, Grace, sees the smoke and rush. She knows her teenage daughter Jenny is inside. She runs into the burning building to rescue her.Afterwards Grace must find the identity of the arsonist and protect her children from the person who's still intent on destroying them. Afterwards, she must fight the limits of her physical strength and discover the limitlessness of love.

    A spare and chilling account of the day-to-day experience of Sloper, a janitor in a big-city office building, WASTE explores the import of the discarded--for those who generate it, those who dispose of it, and those who are themselves discarded. From the humble prospect of his station, Sloper uncovers ominous possibility in lives he barely brushes. Brian Evenson says, "Only Eugene Marten can keep a reader enthralled with the minutiae of a janitorial existence.... Precisely and exquisitely detailed, WASTE is a stark little masterpiece." And Dawn Raffel writes, "[P]itch-perfect. WASTE wastes nothing--not a syllable, a beat, a ragged breath." And Sam Lipsyte writes, "There is nothing quite like the controlled burn of Eugene Marten's prose."

    It unfurls on a sweltering August evening in 1909 as Freud disembarks from the steamship George Washington, accompanied by Carl Jung, his rival and protégé. Across town, in an opulent apartment high above the city, a stunning young woman is found dangling from a chandelier—whipped, mutilated, and strangled. The next day, a second beauty—a rebellious heiress who scorns both high society and her less adventurous parents—barely escapes the killer. Yet Nora Acton, suffering from hysteria, can recall nothing of her attack. Asked to help her, Dr. Stratham Younger, America’s most committed Freudian analyst, calls in his idol, the Master himself, to guide him through the challenges of analyzing this high-spirited young woman whose family past has been as complicated as his own. The Interpretation of Murder leads readers from the salons of Gramercy Park, through secret passages, to Chinatown—even far below the currents of the East River where laborers are building the Manhattan Bridge. As Freud fends off a mysterious conspiracy to destroy him, Younger is drawn into an equally thrilling adventure that takes him deep into the subterfuges of the human mind. Richly satisfying, elegantly crafted, The Interpretation of Murder marks the debut of a brilliant, spectacularly entertaining new storyteller. In 2007 The Interpretation of Murder won the prestigious Best Read of the Year award from Richard and Judy's Bookclub in the UK (comparable to Oprah Winfrey in the USA).

    Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future.When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.Silvia Moreno-Garcia is one of the most exciting voices in fiction, and with her first crime novel, UNTAMED SHORE, she crafts a blazing novel of suspense with an eerie seaside setting and a literary edge that proves her a master of the genre.

    When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

    In the man's last breath, he whispers his confession: Samedi. What follows is a spellbinding game of cat and mouse as James is abducted, brought to an asylum, and seduced by a woman in yellow. Who is lying? What is Samedi? And what will happen on the seventh day?

    As a rookie, he is given a simple suicide investigation to cut his teeth on. But when he arrives at the scene, he swiftly begins to suspect that something is not quite right.Despite the fact that the door was locked from the inside, and there is no other way out of the apartment, Hunter has a hunch that the victim did not commit suicide. But with a new Captain to impress and the evidence stacked against him, Hunter has a lot to prove if he is to solve the case and keep his place on the team.

    But Simon never makes it to the office. His running shoes are by the front door. Nothing is missing - except him.Catherine knows Simon must be in trouble. He wouldn't just leave her. He wouldn't leave the children.But Simon knows the truth - about why he left and what he's done. He knows things about his marriage that it would kill Catherine to find out. The memories she holds onto are lies.While Catherine faces a dark new reality at home, Simon's halfway around the world, alive and thriving. He's doing whatever it takes to stay one step ahead of the truth.But he can't hide forever, and when he reappears twenty-five years later, Catherine will finally learn who he is.And wish she'd stayed in the dark.Revised edition: Previously published as The Wronged Sons, this edition of When You Disappeared includes editorial revisions.

    The killing--on Park Avenue, in broad daylight, on Friday the thirteenth--shook the city. Green was born to a poor farmer, yet without him there would be no Central Park, no Metropolitan Museum of Art, no Museum of Natural History, no New York Public Library. And Green had a secret, a life locked within him that now, in the hour of his death--alone, misunderstood--is set to break free. As the detective assigned to Green's case chases his ghost across the city, we meet a wealthy courtesan, a brokenhearted man in a bowler hat, and a lawyer turned politician whose decades-long friendship with Green is the source of both his troubles and his joys. A work of tremendous depth and piercing emotion, The Great Mistake is the story of a city transformed, a murder that made a private man infamous, and a portrait of a singular individual who found the world closed off to him--yet enlarged it.

    A local redneck was tried, sentenced, and set to fry.Then Ward James, hotshot investigative reporter for the Miami Times, returns to his rural hometown with a death row femme fatale who promises him the story of the decade.  She's armed with explosive evidence, aiming to free--and meet--her convicted "fiancÚ."With Ward's disillusioned younger brother Jack as their driver, they barrel down Florida's back roads and seamy places in search of The Story, racing flat out into a shocking head-on collision between character and fate as truth takes a back seat to headline news...

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.