Emma cares for them through their perilous first days and when the government decides to remove the babies from their francophone parents, making them wards of the British king, Emma signs on as their nurse.Over 6,000 daily visitors come to ogle the identical “Quints” playing in their custom-built playground; at the height of the Great Depression, the tourism and advertising dollars pour in. While the rest of the world delights in their sameness, Emma sees each girl as unique: Yvonne, Annette, Cécile, Marie, and Émilie. With her quirky eye for detail, Emma records every strange twist of events in her private journals.As the fight over custody and revenues turns increasingly explosive, Emma is torn between the fishbowl sanctuary of Quintland and the wider world, now teetering on the brink of war. Steeped in research, Quintland™ is a novel of love, heartache, resilience, and enduring sisterhood—a fictional, coming-of-age story bound up in one of the strangest true tales of the past century.

    Three weeks later, John's cousin Anthony Radziwill died of cancer. In this moving and candid memoir, Carole Radziwill, Anthony's widow, tells her story.

    The narrative of A Story like the Wind continues in A Far-Off Place.

    His apprentice Zachary knows John is reluctant to believe anything that purports to exist outside the realm of logic. But even John cannot explain how or why Mary Toft, the wife of a local farmer, manages to give birth to a dead rabbit. When this singular event becomes a regular occurrence, John realizes that nothing in his experience as a village physician has prepared him to deal with a situation as disturbing as this. He writes to several preeminent surgeons in London, three of whom quickly arrive in the small town of Godalming ready to observe and opine. When Mary's plight reaches the attention of King George, Mary and her doctors are summoned to London, where Zachary experiences for the first time a world apart from his small-town existence, and is exposed to some of the darkest corners of the human soul. All the while, Mary lies in bed, waiting for another birth, as doubts begin to blossom among the surgeons and a growing group of onlookers grow impatient for another miracle...

    And she tells us about herself.There is her love affair with flying ("The sky is flesh") . . . .There are her memories of the past: her childhood desire to become a heroine ("Heroines did what they wanted") . . . her marriage to G.P. Putnam, who promoted her to fame, but was willing to gamble her life so that the book she was writing about her round-the-world flight would sell out before Christmas.There is the flight itself -- day after magnificent or perilous or exhilarating or terrifying day ("Noonan once said any fool could have seen I was risking my life but not living it").And there is, miraculously, an island ("We named it Heaven, as a kind of joke").And, most important, there is Noonan . . .

    Natalie is headstrong, manipulative—and beautiful; Alice is a dreamer who loves books and birds. During their family’s summer holiday at the lake, Alice falls under the thrall of a struggling young painter, Thomas Bayber, in whom she finds a kindred spirit. Natalie, however, remains strangely unmoved, sitting for a family portrait with surprising indifference. But by the end of the summer, three lives are shattered.Decades later, Bayber, now a reclusive, world-renowned artist, unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Natalie, and Alice. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting for him. That task becomes more complicated when the artist requires that they first locate Natalie and Alice, who seem to have vanished. And Finch finds himself wondering why Thomas is suddenly so intent on resurrecting the past.In The Gravity of Birds histories and memories refuse to stay buried; in the end only the excavation of the past will enable its survivors to love again.