York Notes author John Scicluna discusses all aspect of An Inspector Calls --a thorough run-down very helpful to anyone studying the famous Priestley play.

    Out of this rare collaboration has come a dramatic work that is eminently readable and at the same time suitable for staging.

    Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    Written as a play in story form, this novel traces the story of a man ignorant of his own sterility, a wife who commits adultery to give her husband a child, the father of that child, and the outsider whose actions affect them all.

    But as Moses Hadas writes in his introduction to this volume, 'His true claim upon our attention is as the most brilliant and artistic and thoughtful wit our world has known.' Includes The Acharnians, The Birds, The Clouds, Ecclesiazusae, The Frogs, The Knights, Lysistrata, Peace, Plutus, Thesmophoriazusae, and The Wasps.

    As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” –Academy Award® Nominee Ruby Dee“Ms. Cleage writes with amazing grace and killer instinct.” –Alvin Klein, New York Times “Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” –Woodie King, Jr., Producing Director, New Federal TheatrePearl Cleage’s body of work for the stage provides us with a remarkable and penetrating look at the African-American experience over the last 100 years. This volume collects her major full-length plays and one-acts, including Flyin’ West, Blues for an Alabama Sky, Bourbon at the Border, Chain and Late Bus to Mecca.PEARL CLEAGE is an Atlanta-based writer whose recent plays have premiered at The Alliance Theatre Company with subsequent productions throughout the country. Her first novel What Looks Like Crazy on an Ordinary Day was a recent Oprah’s Book Club Selection and a national bestseller. She is a former columnist of the Atlanta Tribune and a contributor to Essence Magazine.

    

    A retelling of Shakespeare's light-hearted comedy of mistaken identity, tangled lovers, meddling fairies, and bumbling amateur actors, set in a wood on a midsummer night.

    Beam Piper with active table of contents.Works include:The AnswerThe Cosmic ComputerCrossroads of DestinyDay of the MoronDearestThe Edge of the KnifeFlight From TomorrowFour-Day PlanetGenesisGraveyard of DreamsHe Walked Around the HorsesThe KeeperLast EnemyLittle FuzzyThe MercenariesMinistry of DisturbanceMurder in the GunroomNaudsonceNull-ABCOomphel in the SkyOmnilingualOperation R.S.V.P.PatrolPolice OperationRebel RaiderThe ReturnA Slave is a SlaveSpace VikingTemple TroubleTime and Time AgainTime CrimeUllr Uprising

    In this book, Grizzard turns his attention to his mother, and to all mothers, casting a loving, comic eye toward the most important and defining relationship of all.

    17, 1972, during some of the darkest days of the Vietnam War, an American soldier walked out of the jungle and onto an isolated US Army firebase in the Central Highlands. The stranger had no identification, was in good health and otherwise seemed normal. But there was a problem. While the stranger said his name was Daniel Carson, he could remember almost nothing else. Quiet and reserved, he could not explain where he came from or why he had mysteriously shown up on Firebase Martha. Attempts by the base commander to confirm Daniel’s identity turned up even more odd details. Battalion reported that a soldier named Daniel Carson and fitting the description provided by the commander had been Killed In Action the week before. Who was Daniel? Was he a deserter? A faker? A lunatic? Or was he something altogether different? Was he a lucky charm or a savior sent to rescue the unfortunate soldiers on Firebase Martha? The answers to these questions are not revealed until 1976 when three survivors from the firebase meet after the war in a bar in Washington, D.C. and agree spontaneously to visit Daniel’s parents in nearby suburban Virginia. What they find shakes them to the core.

    

    These stories are told with the freshness and directness one has come to expect of Michael Anthony.

    His action-packed stories dealt with eternal themes: honor, deceit, passion, betrayal, loyalty, courage, love. His settings were historically accurate, his prose riveting, and his characters colorful: good guys, bad guys, tough, roughs, sidekicks, and saints. TRAIL MIX II gathers four popular Louis L'Amour stories, performed by Willie Nelson: "Mistakes Can Kill You," "The Nester and the Piute," "Trail to Pie Town," and "Big Medicine."