"If a woman knows nothing else, she should know how to be silent. . . . Do not question. Do not fight. Do not resist." Such is eight-year-old Noriko "Nori" Kamiza's first lesson. She will not question why her mother abandoned her with only these final words. She will not fight her confinement to the attic of her grandparents' imperial estate. And she will not resist the scalding chemical baths she receives daily to lighten her shameful skin.The illegitimate child of a Japanese aristocrat and her African American GI lover, Nori is an outsider from birth. Though her grandparents take her in, they do so only to conceal her, fearful of a stain on the royal pedigree that they are desperate to uphold in a changing Japan. Obedient to a fault, Nori accepts her solitary life for what it is, despite her natural intellect and nagging curiosity about what lies outside the attic's walls. But when chance brings her legitimate older half-brother, Akira, to the estate that is his inheritance and destiny, Nori finds in him the first person who will allow her to question, and the siblings form an unlikely but powerful bond—a bond their formidable grandparents cannot allow and that will irrevocably change the lives they were always meant to lead. Because now that Nori has glimpsed a world in which perhaps there is a place for her after all, she is ready to fight to be a part of it—a battle that just might cost her everything.Spanning decades and continents, Fifty Words for Rain is a dazzling epic about the ties that bind, the ties that give you strength, and what it means to try to break free.

    She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats—from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness—begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?"Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

    . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    An English nurse, Lib Wright, is summoned to a tiny village to observe what some are claiming as a medical anomaly or a miracle - a girl said to have survived without food for months. Tourists have flocked to the cabin of eleven-year-old Anna O'Donnell, and a journalist has come down to cover the sensation. The Wonder is a tale of two strangers who transform each other's lives, a psychological thriller, and a story of love pitted against evil.

    Since she left home, Sonya has lived on the run, free of any ties, while her soft-spoken sister, Trisha, has created a perfect suburban life, and her ambitious sister, Marin, has built her own successful career. But as these women come together, their various methods of coping with a terrifying history can no longer hold their memories at bay.Buried secrets rise to the surface as their father—the victim of humiliating racism and perpetrator of horrible violence—remains unconscious. As his condition worsens, the daughters and their mother wrestle with private hopes for his survival or death, as well as their own demons and buried secrets. Told with forceful honesty, Trail of Broken Wings reveals the burden of shame and secrets, the toxicity of cruelty and aggression, and the exquisite, liberating power of speaking and owning truth.

    Weeks later she arrives on her cousin's doorstep in Berkeley, CA, dazed by first love found then lost, and pregnant. This was not the plan. But amid the uncertainty of new motherhood and her American identity, Soli learns that when you have just one precious possession, you guard it with your life. For Soli, motherhood becomes her dwelling and the boy at her breast her hearth. Kavya Reddy has always followed her heart, much to her parents' chagrin. A mostly contented chef at a UC Berkeley sorority house, the unexpected desire to have a child descends like a cyclone in Kavya's mid-thirties. When she can't get pregnant, this desire will test her marriage, it will test her sanity, and it will set Kavya and her husband, Rishi, on a collision course with Soli, when she is detained and her infant son comes under Kavya's care. As Kavya learns to be a mother - the singing, story-telling, inventor-of-the-universe kind of mother she fantasized about being - she builds her love on a fault line, her heart wrapped around someone else's child. Lucky Boy is an emotional journey that will leave you certain of the redemptive beauty of this world. There are no bad guys in this story, no obvious hero. From rural Oaxaca to Berkeley's Gourmet Ghetto to the dreamscapes of Silicon valley, author Shanthi Sekaran has taken real life and applied it to fiction; the results are moving and revelatory.

    She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.

    Fiona was always destined to leave, her effortless beauty burnished by fierce ambition--qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father's sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other's lives, their friendship both a beacon of home and a reminder of all they've lost.In stories told in alternating voices, Jean Chen Ho's debut collection peels back the layers of female friendship--the intensity, resentment, and boundless love--to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.

    1987. There's only one person who has ever truly understood fourteen-year-old June Elbus, and that's her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn's company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June's world is turned upside down. But Finn's death brings a surprise acquaintance into June's life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart. At Finn's funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn's apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she's not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most. An emotionally charged coming-of-age novel, Tell the Wolves I'm Home is a tender story of love lost and found, an unforgettable portrait of the way compassion can make us whole again.

    There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and disease.What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

    And then she meets Bill Clinton. A handsome, charismatic southerner and fellow law student, Bill is already planning his political career. In each other, the two find a profound intellectual, emotional, and physical connection that neither has previously experienced. In the real world, Hillary followed Bill back to Arkansas, and he proposed several times; although she said no more than once, as we all know, she eventually accepted and became Hillary Clinton. But in Curtis Sittenfeld’s powerfully imagined tour-de-force of fiction, Hillary takes a different road. Feeling doubt about the prospective marriage, she endures their devastating breakup and leaves Arkansas. Over the next four decades, she blazes her own trail—one that unfolds in public as well as in private, that involves crossing paths again (and again) with Bill Clinton, that raises questions about the tradeoffs all of us must make in building a life. Brilliantly weaving a riveting fictional tale into actual historical events, Curtis Sittenfeld delivers an uncannily astute and witty story for our times. In exploring the loneliness, moral ambivalence, and iron determination that characterize the quest for political power, as well as both the exhilaration and painful compromises demanded of female ambition in a world still run mostly by men, Rodham is a singular and unforgettable novel.

    Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.A Mercy reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter - a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

    A wedding invitation arrives in the mail: your boyfriend of the past nine years now engaged to someone else. You can’t say yes--it would all be too awkward--and you can’t say no--it would look like defeat. On your desk are a series of half-baked literary invitations you’ve received from around the world. QUESTION: How do you arrange to skip town?ANSWER: You accept them all. If you are Arthur Less.Thus begins an around-the-world-in-eighty-days fantasia that will take Arthur Less to Mexico, Italy, Germany, Morocco, India and Japan and put thousands of miles between him and the problems he refuses to face. What could possibly go wrong?Well: Arthur will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Sahara sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and arrive in Japan too late for the cherry blossoms. In between: science fiction fans, crazed academics, emergency rooms, starlets, doctors, exes and, on a desert island in the Arabian Sea, the last person on Earth he wants to see. Somewhere in there: he will turn fifty. The second phase of life, as he thinks of it, falling behind him like the second phase of a rocket. There will be his first love. And there will be his last.A love story, a satire of the American abroad, a rumination on time and the human heart, by an author The New York Times has hailed as “inspired, lyrical,” “elegiac,” “ingenious,” as well as “too sappy by half,” Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

    Her parents have crumbled under the weight of her father’s infidelity; he has left the family, and mental illness has rendered her mother nearly catatonic. So Joon, at the age of thirteen, decides she would be better off on her own, a choice that commences a harrowing and often tragic journey that exposes the painful difficulties of a life lived on the margins. Joon’s adolescent years take her from a homeless shelter to an escort club, through struggles with addiction, to jobs selling newspapers and cosmetics, committing petty crimes, and, finally, toward something resembling hope.

    Though she doesn’t want to get married, her grandparents give her no choice. History is repeating itself: Deya’s mother, Isra, also had no choice when she left Palestine as a teenager to marry Adam. Though Deya was raised to believe her parents died in a car accident, a secret note from a mysterious, yet familiar-looking woman makes Deya question everything she was told about her past. As the narrative alternates between the lives of Deya and Isra, she begins to understand the dark, complex secrets behind her community.