The action hinges upon a sudden mischance in which accident and intention tragically coincide. Swept along by the inexorable logic of events, Callaghan’s protagonists are forced to re-examine the nature of individual conscience and responsibility. In their personal struggle is expressed the mood of the age, its cynicism and anger, its desperate idealism, and its agonized longing for redemption.

    Lieutenant David Brent and his crew are waiting on a torpedo boat – fast, agile and terribly vulnerable.They are the sole members of a Commando raiding party, poised to charge ashore on a carefully orchestrated rescue mission. Little do they know that Hell is about to break loose…The near-suicidal mission has been ordered at the very highest level of government. Now, engines idling, alert for the tell-tale sounds of patrolling E-boats, they can only pray to come out of this alive… A nerve-shredding war thriller that crackles with intensity, perfect for fans of Anthony Trew, Douglas Reeman and Philip McCutchan.

    Their experiences with the underbelly of globalization here in our own backyard, and the legal battles they wage against their traffickers with their immigration attorney, Lily, are told in their own voices, and hers, in vivid and compelling detail.

    Respected physician, loving husband, devoted father, and trusted friend. Grant was a straight-laced kid who grew up to be a clean-living adult. No drinking, no smoking, and certainly no drugs. It took everyone by surprise, most of all himself, when he became addicted to narcotics in his 30s. His story hit local press when he was found guilty of professional misconduct related to his addition, including over-prescribing painkillers to patients so he could buy them back--an infraction that caused his physician license to be suspended.Matheson's memoir is a gritty account of his narcotic addiction and all that it cost him: various relationships, his career, and almost his life. The Golden Boy takes the reader from the very first day of Matheson's drug addiction to that moment when he decided to rebuild his life through rehab and recovery.

    And like the tumultuous meeting of the cataract's waters with the rocks below, a chance encounter between Tom and 17-year-old Bess Heath has an explosive effect. When they first meet on a trolley platform, Bess immediately recognizes the chemistry between them, and the feeling is mutual. But the hopes of young love are constrained by the 1915 conventions of Niagara Falls, Ontario. Tom's working-class pedigree doesn't suit Bess's family, despite their recent fall from grace. Sacked from his position at a hydroelectric power company, Bess's father has taken to drink, forcing her mother to take in sewing for the society women who were once her peers. Bess pitches in as she pines for Tom, but at her young age, she's unable to fully realize how drastically her world is about to change. Set against the resounding backdrop of the falls, Cathy Marie Buchanan's carefully researched, capaciously imagined debut novel entwines the romantic trials of a young couple with the historical drama of the exploitation of the river's natural resources. The current of the river, like that of the human heart, is under threat: "Sometimes it seems like the river is being made into this measly thing," says Tom, bemoaning the shortsighted schemes of the power companies. "The river's been bound up with cables and concrete and steel, like a turkey at Christmastime." Skillfully portraying individuals, families, a community, and an environment imperiled by progress and the devastations of the Great War, The Day the Falls Stood Still beautifully evokes the wild wonder of its setting, a wonder that always overcomes any attempt to tame it. But at the same time, Buchanan's tale never loses hold of the gripping emotions of Tom and Bess's intimate drama. The result is a transporting novel that captures both the majesty of nature and the mystery of love.Also, download the free study guide: http://bookclubs.barnesandnoble.com/t....

    "See the Child" is an extraordinary exploration of love and loss: between parent and child, man and woman, grandfather and grandchild. Paul Unger has a comfortable life, but it starts to unravel when his son becomes involved with a provocative young woman, Nicole. Soon his world is overturned, Stephen is gone, and he is left to question his own role in the death. When, several years later, Nicole returns to town with a child who might be Paul's grandson, Paul imagines in both of them a path back to his son.Set in small-town Manitoba and reaching to Montana and back, "See the Child" is a haunting and beautifully rendered observation of sorrow. Acclaimed Canadian novelist David Bergen brings to his landscapes a series of indelible portraits: Paul's wife, Lise, who tries to understand why he must leave her; Harry, who desires Lise but knows he cannot keep her; Sky, the child who seems to bear the imprint of the dead Stephen; Wyatt, the gun-toting lumberjack who wants Nicole and Sky; and Paul, a man who must first forgive himself before he can go forward with his life.Written with tenderness, eloquence, and an exquisite sensuality, "See the Child" explores the healing power of time and the nature of love.

    Two years later, he brought a shipment of supplies to his all-male settlement: 70 goats, 10 heifers, 2 bulls, and 16 women. A Roll of the Bones tells the story of some of these nameless women by tracing the journeys of three young people--Ned Perry, Nancy Ellis, and Kathryn Gale--who leave Bristol, England, for a life in the struggling community. Ned dreams of altering his fate with the promise of a New World. Kathryn only wishes to follow her husband--little dreaming she might find romance outside her marriage. And Nancy, the servant girl, has no desire to leave Bristol, but her fealty will ultimately test her ability to survive. A vivid reimagining of settler life in the early seventeenth century, A Roll of the Bones is the first in a trilogy of novels wrestling with the realities of colonization. Here, Trudy J. Morgan-Cole presents an array of unforgettable characters inhabiting the space where two worlds will collide, where the limits of love and loyalty will be tried in a harsh and unforgiving landscape.

    Liesel, the one girl in the upstanding family of Richter boys, harbors a secret about her body that thwarts all hope for a normal life.Her closest friend is Lester, the “slow” boy in the raffish Sutter family, a gentle, kind soul who spends his days trapping turtles in the lake. Yearning for human touch in the wake of her parents’ deaths, Liesel turns to her only friend—leading her brother, just returned from the war, to an act that will haunt not only both families but the entire town.Helget’s novel is a story of loyalty and betrayal that, like her earlier book, proves her uncommon understanding of the natural world and human frailties. Both moving and heartfelt, The Turtle Catcher confirms this young writer’s exceptional talent.

    Stalingrad falls, and with it, the Soviet war effort. A victorious Third Reich turns its attention west and enters a stalemate with the Western Allies. An uneasy truce begins, but it will not last forever. Starting with an overview of the world leading up to the resumption of all-out war between the Allies and Nazi state, we see the all-too possible results of the Nazi Party in control of Europe for an additional decade and longer. This is followed by a detailed examination of the tactics and politics that might well have resulted in a WWII far more destructive than what was experienced in our time. Written in the style of an actual history of the War done years after its conclusion, Festung Europa approaches one of the great "What Ifs" of alternate history in a unique manner. Reviews "An alternate history masterpiece." "A truly amazing piece of work." "A gripping timeline."

    The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. In the fishing villages of Newfoundland we come across an itinerant Wish Furey. He’s a drifter and a projectionist, traveling from island to island bringing films to isolated communities. A Catholic in a staunchly Protestant community, working with an alcoholic, gambling partner, Wish is immediately labeled an outsider. On Little Fogo Island, he spots a desirable young woman in the audience and embarks on an unwavering mission to possess her. Mercedes Parsons – Sadie – is equally infatuated and yields to Wish's advances as much as her chaste upbringing will allow.Crummey masterfully captures the ferocity of the young romance, the coiled up sexual tension exploding in instances of pure pleasure and ending often in frustration. The pair can steal only scattered moments alone as Sadie’s mother puts up a formidable defense against Wish, whom she believes will bring only trouble. However intent he seems on winning Sadie, Wish's character remains mysteriously closed. He is painfully silent around her family, which only strengthens their mistrust. Crummey seems to purposefully disclose only the barest of Wish's intimate thoughts and motivations. While the romance intensifies, Crummey casts his lovers in a wider shadow. He brings to life the Newfoundland coastline, its unforgiving waters, the religious fervor and prejudice of its inhabitants, their ceaseless work, and the collective anxiety about the burgeoning war.Unable to defeat Sadie’s mother, and unable to quell his conscience after Sadie's breathless pleading, "Don't make a whore of me," Wish flees to St. John’s and enlists in the British army. Sadie embarks on a frantic pursuit only to find him gone. Defying her family she stays in the capital, building a new life, the reality of Wish's disappearance – the acute, constant ache of it – gradually settling in. Wish lands somewhere in southeast Asia and then, finally, in a Japanese POW camp. He suffers agonizing torture under a particularly cruel guard known initially as the Interpreter. We have met the Interpreter already. Crummey has woven this man's narrative through the novel, slowly revealing the origins of his unique hatred toward the Canadian prisoners. Born in British Columbia, Nishino has experienced a harsh brand of discrimination. It is through Nishino that Crummey provides a chilling example of how prejudice can breed exceptionally brutal cycles of violence.Crummey unveils the depths of his characters’ personalities with slow deliberation. The layers of their pain, suffering, and love are peeled back with each recounted memory as the novel makes its transition into contemporary times. With each memory that is unleashed the reader comes closer to understanding the choices the protagonists made, the consequences they endured, and their subsequent feelings of frustration and guilt. Fifty years after Sadie’s flight from St. John’s, she returns to Newfoundland to scatter the ashes of her dead husband and collides with Wish whom she believed dead. Sadie reflects, “It was like being handed a photograph from a stranger’s collection, one more unexpected glimpse of that face when she thought her memories of it were complete.” Memories can be taken out, tampered with, much like the film of the projectionist. It is here that Crummey cracks open Wish's character. There is a flood of revelations; his sexual exploits as a teenager, the bet made that he could conquer Sadie, Nishino's murder, and his own troubling reaction to it. It's a narrative coup. The reader is left, as Sadie is, stunned and grappling with these revelations and how our perceptions of his character have been altered. Wish is angry, sullen, and paralyzed with guilt. Yet he is still capable of love and being loved and Sadie is the only one left to remind him.It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish Wish experienced in the prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy – the dropping of the atom bomb, lynchings in America, murderous revenge – to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love.From the Hardcover edition.

    We follow the lives of all three in turn: Aurora, the eldest and most beautiful, who is sixteen when the book opens; thoughtful Clover, a year younger; and the youngest sister, joyous headstrong sprite Bella, who is thirteen. The girls, overseen by their fond but barely coping Mama, are forced to make their living as a singing act after the untimely death of their father. All they have is their youth, beauty and talent.

    But with the outbreak of World War II, the Flanagan family is torn apart, shaken from their crowded nest in London's East End. While the young ones are evacuated from the war-torn capital - the girls to Devon and the boys to a school in the Midlands - Joe is soon made a sergeant, fighting in France. Billy volunteers for the Army Transport, and young Dan fulfils his dreams and joins the RAF. The war brings tragedy - even the old home is in ruins, bombed and shell-splintered. It's Amy, with her fierce courage and determination, who must pull the family back together. But when a man full of wicked charm and Cockney banter walks into her life and wins her heart, more turbulent years are sure to follow.

    On the home front, in a small Canadian farming community, Walt's young wife Dottie struggles with her own battles: loneliness, worry, and an attraction to an itinerant farm worker. Only one man comes home alive from Labrador, but the lives of their two families remain forever entwined. An ambitious and lyrical debut novel, Icebergs explores how tragedies narrowly averted can alter the course of lives as drastically as those met head-on..

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

     The world had less than seven hours to prepare. When it hit, the coronal mass ejection from the sun rolled back hundreds of years of technological innovation. Airplanes fell from the skies. Power grids crashed. Even electrical cabling was turned to slag. No internet. No cable TV. No electricity. No modern day conveniences of any kind, from fancy European sedans to smart phones to clean, running water. The entire world is plunged back into the Dark Ages in less than a second, courtesy of the most powerful Electromagnetic Pulse (EMP) event in recorded history. Television development exec Tony Vincenzo has always lived a high-society life, first in Los Angeles, now in Manhattan. As New York City tears itself apart in an orgy of violence, Vincenzo has to leave his high-floor luxury condominium on Central Park South's Billionaire's Row in order to return to his wife and young son in the Hollywood Hills overlooking LA. But the only way to get there is to walk, and Vincenzo is no Joe Survivalist—he's the kind of guy used to the trappings of the good life. While society unravels all around him, he has to not only make it out of New York alive, but across the entirety of a nation descending into feral madness. His journey becomes more complex when he commits a truly selfless deed, and winds up with two young charges: seven-year-old Daniel, an autistic boy ill-equipped for a life of hardship, and his sassy four-year-old sister, Gabriella. Together, the trio will need every stroke of luck they can find to persevere in the lawless lands that lie ahead of them…and survive the brutality of the serial killer Roth who pursues them.