Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    Then one day Sam wakes to find the tooth fairy sitting on the edge of his bed—but this is not the benign figure of childhood myth. This is an enigmatic presence that both torments and seduces him, changing his life forever.

    John Harrison, "His books are fictions of elegant delirium, dark and transcendent by turns." Ramsey Campbell calls him "the master of enigma, whether human or supernatural." Like Jonathan Carroll, Harrison is a British writer who transgresses conventional genre boundaries. Signs of Life is about Mick "China" Rose, an unassuming fellow who runs a shady and lucrative medical-transport-cum-waste-disposal business. Along with his partner, Choe, and his lover, Isobel, China drives souped-up vehicles at ferocious speeds through a dreamlike world where dystopian fantasies of biomedical wrongdoings blend with the subtly shifted reality of Harrison's Britain. Choe is a self-destructive child-man who thrashes from an unattainable idyllic past to an unstructured future full of gangsters and rancid waste dumps. Isobel values beauty and longs for physical transformation. As their destinies unfold, the story is not quite horrific, but it's superbly written and chilling, the kind of novel that will haunt you for days.

    Laidlaw knew him in his laboratory, was one man; but Mark Ebor, as he sometimes saw him after work was over, with rapt eyes and ecstatic face, discussing the possibilities of "union with God" and the future of the human race, was quite another. "I have always held, as you know," he was saying one evening as he sat in the little study beyond the laboratory with his assistant and intimate, "that Vision should play a large part in the life of the awakened man-not to be regarded as infallible, of course, but to be observed and made use of as a guide-post to possibilities-" "I am aware of your peculiar views, sir," the young doctor put in deferentially, yet with a certain impatience.

    In The Road Show we meet Zachary Edge, a Confederate soldier, on his way home at the war's close. He stumbles upon a traveling troupe, a chance encounter that is the start of an unforgettable odyssey. Edge hits the road with bawdy showgirls, roguish tricksters, and a host of colorful characters. He soon finds himself in the arms of Autumn Auburn, the lithesome artiste known for her breathtaking sensuality.

    

    He regularly gives lifts to Valerie—beautiful, haunting, but terminally ill—from 13 Wish Road to her "positive thinking classes" at the community center. When he is no longer asked to drive her, he fears that she is dead, and questions Sal, one of the night operators. Her response turns Stephen’s world upside down. "But Stephen," she tells him, "there is no such address. Wish Road doesn’t have a number 13." As time passes, the world gets weirder. People appear (and disappear) who know far too much about Stephen and his past, and who lure him further and further into the twilight world of Thirteen. But if he asks any questions, he gets hurt. Ultimately, he decides, for the sake of both his safety and his sanity, he must walk away—but Thirteen has no intention of letting him go

    The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted.(With full-color illustrations throughout.)

    In “Girl on Girl,” a high school freshman goes to disturbing lengths to help an old friend. An insatiable temptress pursues the one man she can’t have in “Meteorologist Dave Santana.” And in the title story, a long fraught friendship comes undone when three buddies get impossibly lost on a lake it is impossible to get lost on. In Diane Cook’s perilous worlds, the quotidian surface conceals an unexpected surreality that illuminates different facets of our curious, troubling, and bewildering behavior.Other stories explore situations pulled directly from the wild, imposing on human lives the danger, tension, and precariousness of the natural world: a pack of not-needed boys take refuge in a murky forest and compete against each other for their next meal; an alpha male is pursued through city streets by murderous rivals and desirous women; helpless newborns are snatched by a man who stalks them from their suburban yards. Through these characters Cook asks: What is at the root of our most heartless, selfish impulses? Why are people drawn together in such messy, complicated, needful ways? When the unexpected intrudes upon the routine, what do we discover about ourselves? As entertaining as it is dangerous, this accomplished collection explores the boundary between the wild and the civilized, where nature acts as a catalyst for human drama and lays bare our vulnerabilities, fears, and desires.

    But with every step toward freedom, Alex finds there will be no escaping the secret horrors and nightmarish creatures haunting his endless nights until he confronts and destroys the prison’s mastermind.This ebook bundle includes all five books in the series from author Alexander Gordon Smith: Lockdown, Solitary, Death Sentence, Fugitives, and Execution. Also included is the companion short story, The Night Children.“Fresh and ferocious . . . will hook boys with its gritty, unrelenting surprises.” —James Patterson, author of the Maximum Ride series “Furnace is hotter than hell and twice as much fun.” —Darren Shan, author of the Demonata series

    A fading magician encounters his former mentor performing a terrifying new act. A party-goer ducks out early and is pursued by a creature of bent on cruel malevolence. Winged creatures of unknown origin terrorize a small town. A disgruntled employee works his dark magic on a new breed of middle managers. A radio stunt shatters the sanity of a DJ. And a father talks his young daughter through a cataclysmic apocalypse. The Stay Awake Men and Other Unstable Entities. Seven new tales of terror by Matthew M. Bartlett.

    David Glum decides to quit everything, move back home, and grow a beard before embarking on a surreal cross-country trip that might have something to do with saving the world.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    As evocative of an era as it is psychologically penetrating, "The Paper Wife" is the story of a friendship, a triangle, and a trial by fire as three young friends struggle to find their moral footing during the turbulent years of the Vietnam War.

    From childhood with her parents on the family meat farm, to a desk job in the city, to finally experiencing love, she grapples with her body, men, and society, all the while imagining a softer world than the one she is in.