In modern-day Calcutta.A beautiful model. He cuts her open. His DRAUPADIHe hammers surgical needles into his SAHADEVA. The head of NAKULA he severs.Will Detectives Ruksana Ahmed and Siddhanth Singh be able to keep him from his ARJUN, BHEEMA and YUDHISTHIRA?Or will Duryodhana finally win?

    When the body of a radical protestor is found floating in one of Bologna's underground canals, it seems that most of the city is ready to blame the usual suspects: the police. But when private investigator Daniel Leicester, son-in-law to the former chief of police, receives a call from the dead man's lover, he follows a trail that begins in the 1970s and leads all the way to the rotten heart of the present-day political establishment. Beneath the beauty of the city, Bologna has a dark underside, and English detective Daniel must unravel a web of secrets, deceit and corruption - before he is caught in it himself. Tom Benjamin's gripping debut transports you to the ancient and mysterious Italian city less travelled: Bologna.

    She has devoted herself completely to her successful husband, Walter, on his climb to the top of the banking world, kept his home, raised his children, and entertained his clients. Now he is about to dump her for the younger, more beautiful Angela Hilliard, the perfect trophy for his life of conspicuous achievement.But suddenly Emily vanishes from her home amidst clear evidence of violence. The kidnapper - demanding an enormous ransom - is known only by his mysterious computerized voice. Is this Walter's sick plan to get rid of his wife without the scandal that might ruin his career? Is it his mistress's way of moving Emily aside? Or is it one of Walter's business rivals, determined to beat him in the race to the chairman's office? From her basement prison, Emily pleads with her husband to save her. But as her captors panic, she realizes that she will have to save herself. In a thriller that spans the financial towers of the world's money centers and the underworld markets of the Caribbean, Detective Andrew Hogan races against the ransom deadline to discover the identity of Emily's kidnapper. The ending to this novel of marriages, mistresses, and money is a shocker that serves as a warning to men who are reaching for that one final trophy.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    There're plenty of gangs in Los Angeles: north of downtown it's the

    Instead of adultery and divorce, he uncovers a conspiracy reaching to the economic foundations of Los Angeles. Set in the 1930s, the film was directed by Roman Polanski and stars Jack Nicholson, Faye Dunaway, and John Huston.

    Only one man has a will powerful enough to stop this psychopath: Johnny Timothy. But can Johnny mete out his vengeance before more innocent victims have to die? Night Business is Marra’s longest graphic novel to date: a nasty brew of power, passion, vigilantes, and dangerous men raining street justice down upon their enemies.

    A young man with no direction of his own, Ripley has been commissioned by Dickie's father, a wealthy industrialist, to journey to Italy and persuade the prodigal playboy home to America.However, on arrival, Ripley is instantly captivated with Dickie's charmed existence: the Amalfi coast, the jaunts to Rome, the first-class hotels, and the beautiful expatriate who completes the triangle. Dickie is amused by his new acquaintance -- never suspecting the dangerous extremes to which Ripley will go to make this lifestyle his own.

    Successful business woman Emily White with girl next door looks, is certain someone is stalking her and wants Jarvis to track down the elusive shadow. Even with three suspects, an ex-husband who lives to play softball, a sexist pig ex-employee and a mystery man who he encounters with painful results, Jarvis believes it's all in Emily's head until a killing in her home convinces him otherwise. Further complicating matters a powerful business man and crime boss becomes involved muddying up the case, leaving Jarvis the prime suspect in the brutal beating of one of the possible stalkers, threatening to put his PI career on ice. Navigating through each twist and turn in the case, and the affections of two desirable women both with an agenda, Jarvis uses dogged determination and razor sharp wit in Tracking a Shadow that moves across the Denver landscape with each shift in the sun.

    Jim Tomlinson’s characters each face the desire to reclaim dreams left behind, along with something of the dreamer that was also lost. Starkly rendered, these spiraling characters inhabit a specific place and class---small-town Kentucky, working-class America---but the stories, told in all their humor and tragedy, are universal.In each story the characters face conflict, sometimes within themselves, sometimes with each other. Each carries a past and with it an urge to return and repair. In “First Husband, First Wife,” ex-spouses are repeatedly drawn together by a shared history they cannot seem to escape, and they are finally forced to choose between leaving the past or leaving each other. LeAnn and Cass are grown sisters who conspire to help their prideful mother in “Things Kept.” “Prologue” is a voyeuristic journey through the surprisingly different lives of two star-crossed friends, each with its successes and pitfalls, told through their letters over thirty-five years. In “Stainless,” Annie and Warren divide their possessions on the final night of their marriage. Their realtor has advised them to “declutter” the house they are leaving, but they discover that most of the clutter cannot be so easily removed. The choices are never simple, and for every thing kept, something must be abandoned. Tomlinson’s characters struggle but eventually find their way, often unknowingly, to points of departure, to places where things just might change.

    When the oldest son of an attractive family kills a security guard and takes flight, the mother and brother he leaves behind are turned into media darlings, but after he kills again, members of his family becomes full-fledged stars.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    Understanding that history is nothing but a fable purged of grit and grime, Ruland transforms historical fiction into something slick, brutal and weird. Whether he's spinning a lurid yarn about the previous adventures of Popeye, imagining Dick Tracy as a San Fernando Valley police detective, or retelling the story of Little Red Riding Hood in Nazi Germany, Ruland's tales are full of crime and punishment. He isn't afraid to set a teenage mob story in St. Petersburg, Florida, or tell the story of an unlucky pair of pants in the style of a catechism--and every line resonates with the truth of lessons learned the hard way.

    In this cultural examination of American film noir, poet and novelist Nicholas Christopher contrasts the nightmare world of the genre with the sunny unreality of American popular culture, presenting a fresh view of its meaning for our time.

    Unwillingly charged with investigating mysterious deaths among the city's fleet of seemingly perfect, ageless messenger boys, Stravrogin encounters the city's strange, charismatic characters and its even stranger secret—a program of genetic engineering.