First in the Anthony Bathurst series.

    It is quite impossible that he should have killed himself. He has been murdered. About half an hour ago. By a long knife passed under the left shoulder-blade into the heart."On a fog-bound London night, a soirée is taking place in the studio of artist Laurence Newtree. The guests include an eminent psychiatrist, a wealthy philanthropist and an observant young friend of Newtree's, John Christmas. Before the evening is over, Newtree's neighbour is found stabbed to death in what appears to be an impossible crime. But a mysterious man in a fez has been spotted in the fog asking for highly unlikely directions...The resourceful John Christmas takes on the case, unofficially, leading to an ingenious solution no one could have expected, least of all Inspector Hembrow of Scotland Yard.The Studio Crime is the first of Ianthe Jerrold's classic whodunit novels, originally published in 1929. Its impact led to her membership of the elite Detection Club, and its influence can be felt on later works by John Dickson Carr, Ngaio Marsh and Dorothy L. Sayers among others.This edition, the first in over eighty years, features a new introduction by crime fiction historian Curtis Evans.

    When Helen’s father dies, she moves in with Adela and her husband, the dashing Captain Richard Morton. Adela’s flirtatious behavior and imperious attitude set tongues wagging in the expatriate community, but when the spirit of rebellion spreads like wildfire amongst the sepoys of the East India Company, the time for gossip is over.   Fleeing the massacre at Cawnpore, Helen, Adela, and Captain Morton discover that the sins of yesterday are never forgotten, and that true love can blossom in even the most tragic of circumstances.   This ebook has been professionally proofread to ensure accuracy and readability on all devices.

    But the following morning he had seemingly vanished into thin air. Now Scotland Yard are struggling to find evidence of foul play in the absence of tangible clues. A national newspaper is offering a reward for information about the Minister’s disappearance - whether Bygrave be dead or alive. Anthony “Algernon” Vereker, Lord Bygrave’s friend and executor, joins Scotland Yard in their investigation of the mystery. So begins the first of five ingenious and effervescent detective novels featuring Vereker, an amiable and eccentric artist with a razor-sharp mind. Missing or Murdered (1929), is republished here for the first time in over 70 years. It includes a new introduction by crime fiction historian Curtis Evans.‘This is not only a detective story of considerable ingenuity, but it is also a well-written tale with good characterisation."Times Literary Supplement

    Crofts. This, his greatest case, opens with the discovery beside the open safe of a diamond merchant in Hatton Garden of the dead body of his head clerk, and valuable diamonds are missing. There are many people to suspect, and before Inspector French solves it, he has to unravel many mysteries and follow up many false clues.

    But then a second letter appears, followed by a poisoned box of the judge's favourite chocolates, and he begins to fear for his life.

    recognized him and smiled. “That was a great case you brought us. You’ll be interested to hear that it is a case of mur-r-der!”For eight years Basil Thomson headed the famous C.I.D., New Scotland Yard. He knew the Yard inside out. Now in this tale of mystery and detection we are taken behind the scenes. We are shown the greatest detection machine in the world in motion, and see how the Yard tracked down its man.Stand, then, with young P.C. Richardson on the misty corner of Baker Street, while the traffic of the city swings by, and fate lays at his feet the beginning of his career. Out of the fog brakes shriek, a big car jolts to a stop, and from beneath the wheels the crowd disentangles a bundle of old clothes, within which is a man quite dead; a man who had said to someone, “Very well, then; I’ll call a policeman”—and was killed. Work with him to the ingenious solution, when he takes from his pocket the clue holding the fate of a human life.Richardson’s First Case was originally published in 1933. This new edition, the first in over seventy years, features an introduction by crime novelist Martin Edwards, author of acclaimed genre history The Golden Age of Murder.

    The police, of course, investigate - and so do Miles Bredon and his wife, in the interests of the Indescribable Insurance Company, with which the deceased man, Mr Mottram, had been heavily insured.The culprit is the three gas taps in Mr Mottram's room, and Miles hopes to prove that his death is suicide. Miles' old wartime colleague, Police Inspector Leyland, is convinced it's murder. And the conclusion is as ingenious as it is surprising.

    He invented the inverted detective story and used some of his early experiences as a colonial surgeon in his novels. A large proportion of the Dr Thorndyke stories involve genuine, but often quite arcane, points of scientific knowledge, from areas such as tropical medicine, metallurgy and toxicology. His first stories were written in collaboration with Dr John James Pitcairn (1860-1936), medical officer at Holloway Prison and published under the nom de plume "Clifford Ashdown." His first Thorndyke story, The Red Thumb Mark, was published in 1907 and shortly afterwards he pioneered the inverted detective story, in which the identity of the criminal is shown from the beginning: some short stories with this feature were collected in The Singing Bone in 1912. His other works include John Thorndyke's Cases (1909), The Eye of Osiris (1911), The Vanishing Man (1911), The Mystery of 31 New Inn (1912), The Uttermost Farthing: A Savant's Vendetta (1913) and The Cat's Eye (1923).

    Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

    As they playfully recreate the ritual of the Black Dudley Dagger, someone dies. Pathologist George Abbershaw suspects foul play, and when a vital item is mislaid, a gang of crooks hold the guests hostage. Will they escape the house – what did happen to the Colonel – and just who is the mysterious Mr Campion? Neither the story nor Albert Campion is quite as vapid and slow as you might expect....apa in US as THE BLACK DUDLEY MURDER, 1929

    Miss Penkridge, a model housekeeper and an essentially worthy woman, whose whole day was given to supervising somebody or something, had an insatiable appetite for fiction, and loved nothing so much as that her nephew should read a novel to her after the two glasses of port which she allowed herself every night had been thoughtfully consumed and he and she had adjourned from the dining-room to the hearthrug in the library. Her tastes, however, in Viner's opinion were some-what, if not decidedly, limited. Brought up in her youth on Miss Braddon, Wilkie Collins and Mrs. Henry Wood, Miss Penkridge had become a confirmed slave to the sensational. She had no taste for the psychological, and nothing but scorn for the erotic. What she loved was a story which began with crime and ended with a detection - a story which kept you wondering who did it, how it was done, and when the doing was going to be laid bare to the light of day. Nothing pleased her better than to go to bed with a brain titivated with the mysteries of the last three chapters; nothing gave her such infinite delight as to find, when the final pages were turned, that all her own theories were wrong, and that the real criminal was somebody quite other than the person she had fancied.

    No one however expects to see gossip turn to murder as their juniors die one by one - no one, that is, except the killer. The crusty cast of characters make solving the case all the harder for Inspector Palk - until the enigmatic sleuth Mr. Winkley arrives to lend a hand.

    By the time lunch was over, the rumour began to spread that Mr. Smith’s death had not been due to natural causes. The bibulous Mr Smith was no pillar of virtue. Crossing the Atlantic Ocean on the Enriqueta, he met someone he knew on board at midnight – and was strangled. Chief Inspector Shand of the Yard, a fellow traveller on the luxury liner, takes on the case, ably assisted by his friend Jasper Mellish. At first the only clue is what the steward saw: a bandaged face above a set of green pyjamas. But surely the crime can be connected to Mr Smith’s former – and decidedly shady – compatriots in Buenos Aires?The Murder on the Enriqueta (1929: originally called The Strangler in the US) is a thrilling whodunit, including an heiress in peril and a jazz age nightclub among its other puzzle pieces. This new edition, the first in many decades, includes an introduction by crime fiction historian Curtis Evans.Unless I’m much mistaken, you will find yourself unwillingTo lay aside a yarn so crammed with situations thrilling.(To say nothing of a villain with a gruesome taste in killing.) — Punch

    Lomas visits the Chief Constable of Burnham and describes his symptoms, Sir Wilfred Burrows believes that his visitor suffers from nothing more serious than nerves. Later that day Mr. Lomas's body is recovered from the water at Willow Lock; yet death is not by drowning.Sir Wilfred recounts the interview to Inspector Knollis, who, realizing the significance of the symptoms, is satisfied that Mr. Lomas is a victim of cocaine poisoning. With characteristic energy he sets about the task of unmasking the murderer.In this gripping story of a cunning murderer brought to justice by brilliant, logical reasoning, the solution is skilfully yet legitimately concealed to the last.The Death of Mr. Lomas was first published in 1941. This new edition features an introduction by crime fiction historian Curtis Evans.