It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    She’s the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all.What's a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent's help scoring a book deal, Reshma knows she’ll finally have the key to Stanford.But she’s convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she's already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success—a character arc librarians and critics alike will enjoy.Of course, even with a mastermind like Reshma in charge, things can’t always go as planned. And when the valedictorian spot begins to slip from her grasp, she’ll have to decide just how far she’ll go for that satisfying ending. (Note: It’s pretty far.)

    Her "boyfriend" isn't much of a boyfriend. And her mother refuses to discuss the fight that divided their family eight years ago. Falling apart, it seems, is a Hannaford tradition.Over a summer of new friendships, unexpected romance, and moments that test the complex bonds between mothers and daughters, Delilah must face her family's painful past. Can even her most shattered relationships be pieced together again?Rich with emotion, Sarah Ockler delivers a powerful story of family, love, and self-discovery.

    YESJamie Goldberg is cool with volunteering for his local state senate candidate—as long as he’s behind the scenes. When it comes to speaking to strangers (or, let’s face it, speaking at all to almost anyone), Jamie’s a choke artist. There’s no way he’d ever knock on doors to ask people for their votes…until he meets Maya.NOMaya Rehman’s having the worst Ramadan ever. Her best friend is too busy to hang out, her summer trip is canceled, and now her parents are separating. Why her mother thinks the solution to her problems is political canvassing—with some awkward dude she hardly knows—is beyond her.MAYBE SOGoing door to door isn’t exactly glamorous, but maybe it’s not the worst thing in the world. After all, the polls are getting closer—and so are Maya and Jamie. Mastering local activism is one thing. Navigating the cross-cultural romance of the century is another thing entirely.

    A pregnancy. A familiar story. NOTWhen sixteen-year-old Sydney Biggs’s pregnancy test shows the tell tale plus sign, she confides in only her best friend Natalia, and Natalia promptly “borrows” her mother’s car so Sydney can confront the baby’s father. But after the car is reported stolen and police bring the girls home, their parents send them away to wilderness camp as punishment. With six weeks to spend in the wilds of Canada, time is ticking for Sydney, who isn’t sure what she wants to do about the pregnancy. As she befriends her fellow adventuremates and contends with Natalia’s adamant opinions on the choices available, Sydney realizes that making the right choice can mean very different things.

    . . . In the summer before Cullen's senior year, a nominally-depressed birdwatcher named John Barling thinks he spots a species of woodpecker thought to be extinct since the 1940s in Lily, Arkansas. His rediscovery of the so-called Lazarus Woodpecker sparks a flurry of press and woodpecker-mania. Soon all the kids are getting woodpecker haircuts and everyone's eating "Lazarus burgers." But as absurd as the town's carnival atmosphere has become, nothing is more startling than the realization that Cullen’s sensitive, gifted fifteen-year-old brother Gabriel has suddenly and inexplicably disappeared. While Cullen navigates his way through a summer of finding and losing love, holding his fragile family together, and muddling his way into adulthood, a young missionary in Africa, who has lost his faith, is searching for any semblance of meaning wherever he can find it. As distant as the two stories seem at the start, they are thoughtfully woven ever closer together and through masterful plotting, brought face to face in a surprising and harrowing climax. Complex but truly extraordinary, tinged with melancholy and regret, comedy and absurdity, this novel finds wonder in the ordinary and emerges as ultimately hopeful. It's about a lot more than what Cullen calls, “that damn bird.” It’s about the dream of second chances.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    Everyone in town knows the Dickinsons are a bad lot, but Bo doesn’t care what anyone thinks.Agnes Atwood has never gone on a date, never even stayed out past ten, and never broken any of her parents’ overbearing rules. Rules that are meant to protect their legally blind daughter—protect her from what, Agnes isn’t quite sure.Despite everything, Bo and Agnes become best friends. And it’s the sort of friendship that runs truer and deeper than anything else.So when Bo shows up in the middle of the night, with police sirens wailing in the distance, desperate to get out of town, Agnes doesn’t hesitate to take off with her. But running away and not getting caught will require stealing a car, tracking down Bo’s dad, staying ahead of the authorities, and—worst of all—confronting some ugly secrets.

    Sure, she and her best (okay, only) friend, Sanger, will never be prom queens, but that’s just because the Central Austin Homeschool Cooperative doesn’t believe in proms. Or dancing. Still, Stevie and Sanger know how to create their own brand of fun.Enter Max Garza, the new boy next door. After a near-fatal accident, Max is determined to defy mortality with a checklist: 23 Ways to Fake My Death Without Dying. Dead set on carrying out fabricated demises ranging from impalement to spontaneous combustion, Max charms Stevie and Sanger into helping him with this two-month macabre mission. But as Stevie finds herself falling for Max, it becomes increasingly difficult to draw a line between his make-believe deaths and her real life.

    After being falsely accused of a crime, she’s stuck under stepmother-imposed house arrest and her BFF’s gone ghost. Tatum fills her newfound free time with community service by day and working at her covert graphic design business at night (which includes trading emails with a cute cello-playing client). When Tatum discovers she’s not the only one in the house keeping secrets, she finds she has the chance to make amends with her family and friends. Equipped with a new perspective, and assisted by her feisty step-abuela-slash-fairy-godmother, Tatum is ready to start fresh and maybe even get her happy ending along the way.

    Dating her is bad news, especially if you're a boy with a boat.But Rosa feels more caught than cursed. Caught between cultures and choices. Between her abuela, a beloved healer and pillar of their community, and her mother, an artist who crashes in and out of her life like a hurricane. Between Port Coral, the quirky South Florida town they call home, and Cuba, the island her abuela refuses to talk about.As her college decision looms, Rosa collides - literally - with Alex Aquino, the mysterious boy with tattoos of the ocean whose family owns the marina. With her heart, her family, and her future on the line, can Rosa break a curse and find her place beyond the horizon?

    It's good timing since the gypsum mine that is the lifeblood of the area is closing, shutting the whole town down with it. Ben is lucky: he's headed to San Diego, where he's got a track scholarship at the University of California. But his best friends, Pete and Hog Boy, don't have college to look forward to, so to make them happy, Ben goes with them to check out the hot chick parked on the side of Highway 447.  Lala: She and her Gypsy family earn money by telling fortunes. Some customers choose Tarot cards; others have their palms read. The thousands of people attending the nearby Burning Man festival spend lots of cash--especially as Lala gives uncanny readings. But lately Lala's been questioning whether there might be more to life than her upcoming arranged marriage. And the day she reads Ben's cards is the day that everything changes for her. . . and for him.

    She casts off her old reputation, grows close with her four rowdy cast-mates, and kisses the extremely handsome Charlie Lamb onstage. Even Mr. McFadden, the play’s critical director, can find no fault with Rebecca. Though “The Essential Five” vow never to date each other, Rebecca can’t help her feelings for Charlie, leaving her both conflicted and lovestruck. But the on and off-stage drama of the cast is eclipsed by a life-altering accusation that threatens to destroy everything…even if some of it is just make believe.

    Haunted by the memory of her boyfriend’s death, she lives her life by one dangerous rule: Nothing matters. At least, that’s what Frankie tells herself after a reckless mistake forces her to leave her privileged life in the Heights to move in with her dad—an undercover cop. She transfers to a public high school in the Downs, where fistfights don’t faze anyone and illegal street racing is more popular than football.Marco Leone is the fastest street racer in the Downs. Tough, sexy, and hypnotic, he makes it impossible for Frankie to ignore him—and how he makes her feel. But the risks Marco takes for his family could have devastating consequences for them both. When Frankie discovers his secret, she has to make a choice. Will she let the pain of the past determine her future? Or will she risk what little she has left to follow her heart?

    Now, two years later, Noelle has escaped her captivity and is coming home, in one piece but not exactly intact, and definitely different. Tessa's life is about to change again as she tries to revive the best-friendship the two girls had shared before Noelle--now Elle--was kidnapped; puts up a futile resistance to the charming new guy at school; pursues her passion for photography while trying to build the bravado to show her photos to the public; and tries to balance her desire to protect and shelter Elle with the necessity to live her own life and put herself first.