Mama and Daddy leaving home, coming to the city, with their hopes and their courage, their dreams and their children, to make a better life. In this beautiful collection of poems and collage artwork, award winners Eloise Greenfield and Jan Spivey Gilchrist gracefully depict the experiences of families like their own, who found the courage to leave their homes behind during the Great Migration and make new lives for themselves elsewhere. When Eloise Greenfield was four months old, her family moved from their home in Parmele, North Carolina, to Washington, D.C. Before Jan Spivey Gilchrist was born, her mother moved from Arkansas and her father moved from Mississippi. Both settled in Chicago, Illinois. Though none of them knew it at the time, they had all become part of the Great Migration.The Great Migration concludes with a bibliography.

    Folami Abiade, Dinah Johnson, Carole Boston Weatherford, Dakari Hru, Michael Burgess, E. Ethelbert Miller, Lenard D. Moore, David Anderson, Angela Johnson, Sonia Sanchez, and Davida Adedjouma all contribute. Javaka Steptoe, who also offers a poem, employs an inventive range of media to bring each of the poems to life. In Daddy's Arms I Am Tall testifies to the powerful bond between father and child, recognizing family as our greatest gift, and identifying fathers as being among our most influential heroes.

    From the tired and weary families who risked their lives to escape slavery to the instruments of freedom who helped them. One such amazing instrument was John Parker. As an ex-slave who had bought his own freedom, he knew of the pain and struggles his brethren were feeling. Parker made it his goal to help families escape their life of suffering into a free land. Freedom River tells the story of one such mission. Kentucky was a slave state, but Ohio -- just across the Ohio River -- was free. Time and again, Parker sails across the river in the dark of night and brings slaves to Ohio. One night in November, Parker tries to free a family from the Shrofe plantation. But one man will not leave, fearful for his wife and child. Parker has to go back empty-handed, and the onset of winter prevents him from crossing the river for many weeks; in April, he tries again but is informed that Master Shrofe knows of the family's near escape and now keeps careful eye on all that they do -- even keeping their baby at the foot of his bed at night. Parker promises to help them. The next night he tells them to wait in the woods while he enters the master's house. Risking life and limb, he retrieves the infant, as Shrofe's angry shouts echo in the distance.Told in an exquisite voice, this book highlights the heroes no one seldom hears about. The tone of the book is realistic and at times somber. The watercolor and collage illustrations, especially those evoking the blue of the night sky, adds depth and intensity to an already passionate story. --Amy Barkat

    Using "The Golden Shovel" poetic method, Grimes has written a collection of poetry that is as gorgeous as it is thought-provoking.This special book also includes original artwork in full-color from some of today's most exciting African American illustrators, who have created pieces of art based on Nikki's original poems. Featuring art by: Cozbi Cabrera, R. Gregory Christie, Pat Cummings, Jan Spivey Gilchrist, Ebony Glenn, Nikki Grimes, E. B. Lewis, Frank Morrison, Christopher Myers, Brian Pinkney, Sean Qualls, James Ransome, Javaka Steptoe, Shadra Strickland, and Elizabeth Zunon.A foreword, an introduction to the history of the Harlem Renaissance, author's note, poet biographies, and index makes this not only a book to cherish, but a wonderful resource and reference as well. Awards for Planet Middle School: 2014 Garden State Teen Book Awards listNominated for the 2012 NCAAP Image Award - Outstanding Literary Work for Youth/TeensCCBC Choices 20122012 Best Children's Books of the Year, Bank StreetNominated for the 2012-13Pennsylvania Young Reader's Choice Awards Program

    The Middle Passage focuses attention on the torturous journey which brought slaves from Africa to the Americas, allowing readers to bear witness to the sufferings of an entire people.

    It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing attention to the endurance and spirit of those surviving and thriving in the present.

    "A small child imagines a future when he will be old with his Granddaddy and will sit beside him in a rocking chair and talk about everything...The poignant reality that time will never allow these two to coexist at the same age is softened by the fact that they do not have to be the same age in order to share happy times...The African American child and grandfather are...recognizable to anyone who has ever shared the bond of family love across generations." - School Library Journal, starred review

    Suffering in a family full of females, ten-year-old Justin feels that cleaning and keeping house are women's work until he spends time on his beloved grandfather's ranch.

    The stories are accessible, fully-drawn narratives offering the subjects’ childhood influences, the time and place in which they lived, their accomplishments and motivations, and the legacies they left for future generations as links in the “freedom chain.” This book will be the definitive family volume on the subject, punctuated with dynamic full color portraits and spot illustrations by two-time Caldecott Honor winner and multiple Coretta Scott King Book Award recipient Brian Pinkney. Backmatter includes a civil rights timeline, sources, and further reading.Profiled:Benjamin BannekerFrederick DouglassBooker T. WashingtonW.E.B. DuBoisA. Philip RandolphThurgood MarshallJackie RobinsonMalcolm XMartin Luther King, JrBarack H. Obama II

    Outlaws feared him. As a deputy U.S. Marshal and former slave who escaped to freedom in the Indian Territories, Bass was cunning and fearless. When a lawbreaker heard Bass Reeves had his warrant, he knew it was the end of the trail, because Bass always got his man, dead or alive. He achieved all this in spite of whites who didn't like the notion of a black lawman.For three decades, Bass was the most feared and respected lawman in the territories. He made more than 3,000 arrests, and though he was a crack shot and a quick draw, he only killed fourteen men in the line of duty. Bad News for Outlaws reveals the story of a remarkable African American hero of the Old West.

    The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement. This martyr’s wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to “speak what we see.”

    . . .But to Daveit was clay,the plain and basic stuffupon which he formed a lifeas a slave nearly 200 years ago.Dave was an extraordinary artist, poet, and potter who lived in South Carolina in the 1800s. He combined his superb artistry with deeply observant poetry, carved onto his pots, transcending the limitations he faced as a slave. In this inspiring and lyrical portrayal, National Book Award Finalist Laban Carrick Hill and award-winning artist Bryan Collier tell Dave's remarkable story, one rich in history, hope, and long-lasting beauty.

    Little ballerinas have big dreams. Dreams of pirouettes and grande jetes, dreams of attending the best ballet schools and of dancing starring roles on stage. But in Harlem in the 1950s, dreams don’t always come true—they take a lot of work and a lot of hope. And sometimes hope is hard to come by.   But the first African-American prima ballerina, Janet Collins, did make her dreams come true. And those dreams inspired ballerinas everywhere, showing them that the color of their skin couldn’t stop them from becoming a star.   In a lyrical tale as beautiful as a dance en pointe, Kristy Dempsey and Floyd Cooper tell the story of one little ballerina who was inspired by Janet Collins to make her own dreams come true.

    And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.Leo and Diane Dillon have created powerful new illustrations in full color for every page of this picture book presentation of Virginia Hamilton’s most beloved tale. The author’s original historical note as well as her previously unpublished notes are included.Awards for The People Could Fly collection:A Coretta Scott King AwardA Booklist Children’s Editors’ ChoiceA School Library Journal Best Books of the YearA Horn Book FanfareAn ALA Notable BookAn NCTE Teachers’ ChoiceA New York Times Best Illustrated Children’s Books of the Year

    She is ready to celebrate freedom. She is ready to celebrate a great day in American history — the day her ancestors were no longer slaves. Mazie remembers the struggles and the triumph, as she gets ready to celebrate Juneteenth.This beautiful story by award-winning author and illustrator Floyd Cooper will captivate both children and adults.