The two girls are inseparable—until Junan enters into an arranged marriage and finds herself falling in love with her soldier husband. When the Japanese invade China, Junan and her husband are separated. Unable to follow him to the wartime capital, Junan makes the fateful decision to send her sister after him. Inheritance traces the echo of betrayal through generations and explores the elusive nature of trust.

    Chairman Mao has declared a new openness in society: “Let a hundred flowers bloom; let a hundred schools of thought contend.” Many intellectuals fear it is only a trick, and Kai Ying’s husband, Sheng, a teacher, has promised not to jeopardize their safety or that of their young son, Tao. But one July morning, just before his sixth birthday, Tao watches helplessly as Sheng is dragged away for writing a letter criticizing the Communist Party and sent to a labor camp for “reeducation.”A year later, still missing his father desperately, Tao climbs to the top of the hundred-year-old kapok tree in front of their home, wanting to see the mountain peaks in the distance. But Tao slips and tumbles thirty feet to the courtyard below, badly breaking his leg. As Kai Ying struggles to hold her small family together in the face of this shattering reminder of her husband’s absence, other members of the household must face their own guilty secrets and strive to find peace in a world where the old sense of order is falling. Once again, Tsukiyama brings us a powerfully moving story of ordinary people facing extraordinary circumstances with grace and courage.

    There, Charlotte meets Beth Prior, friend of her mother, actress, and member of the demi-monde. Beth sees Charlotte as the perfect cover for her role as a spy, and the two set off for Palermo, Sicily. In Sicily, the two become embroiled in political intrigue, and Beth begins to question her involvement in British politics. Charlotte and Beth find adventure and romance in Palermo amid the glittering stage lights and hidden agendas of the aristocracy.

    But with the Japanese army approaching, Meilin and her four year old son, Renshu, are forced to flee their home. Relying on little but their wits and a beautifully illustrated hand scroll, filled with ancient fables that offer solace and wisdom, they must travel through a ravaged country, seeking refuge.Years later, Renshu has settled in America as Henry Dao. Though his daughter is desperate to understand her heritage, he refuses to talk about his childhood. How can he keep his family safe in this new land when the weight of his history threatens to drag them down? Yet how can Lily learn who she is if she can never know her family’s story?Spanning continents and generations, Peach Blossom Spring is a bold and moving look at the history of modern China, told through the story of one family. It’s about the power of our past, the hope for a better future, and the haunting question: What would it mean to finally be home?

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

    In recognition of his service to the Emperor of Kitai, Shen Tai has been sent a mysterious and dangerous gift: 250 Sardian horses. Wisely the gift comes with the stipulation that the horses must be claimed in person. Otherwise, he would probably be dead already.

    Unexpectedly, her best friend, Lizzie Decker, accompanies her back home--fleeing a wedding and groom she has no interest in. Deborah, the determined matchmaker, puts her sights on uniting her brother and dear friend in a true love match.Deborah soon meets Dr. Christopher Clayton, a much-needed addition to the town. As their lives intersect, Deborah realizes that she has a much greater interest in medicine and science than the bookkeeping she was trained in. But when typhoid begins to spread and Lizzie's jilted fiance returns, Deborah wonders if true love can overcome such obstacles...for those dearest to her, and for herself.

    After the death of her father, Crystal is relieved to be leaving the troubles of her Georgia life behind to visit her aunt's cattle ranch. Despite being raised as a proper Southern belle, Crystal is determined to hold her own in this wild land—even if a certain handsome foreman named Luke doubts her abilities.Just when she thinks she's getting a handle on the constant male attention from the cowhands and the catty barbs from some of the local young women, tragedy strikes. And saving the ranch from a greedy neighboring landowner means Crystal must take charge of a cattle drive, ready or not. Can she rise to the challenge? Or will she head back to Georgia defeated?

    Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden. As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.

    Now, in China: The Novel, Rutherfurd takes readers into the rich and fascinating milieu of the Middle Kingdom..The story begins in 1839, at the dawn of the First Opium War, and follows Chinese history through Mao's Cultural Revolution and up to the present day. Rutherfurd chronicles the rising and falling fortunes of members of Chinese, British, and American families, as they negotiate the tides of history. Along the way, in his signature style, Rutherfurd provides a deeply researched portrait of Chinese history and society, its ancient traditions and great upheavals, and China's emergence as a rising global power. As always, we are treated to romance and adventure, heroines and scoundrels, grinding struggle and incredible fortunes. China: The Novel brings to life the rich terrain of this vast and constantly evolving country. From Shanghai to Nanking to the Great Wall, Rutherfurd chronicles the turbulent rise and fall of empires as the colonial West meets the opulent and complex East in a dramatic struggle between cultures and people.Extraordinarily researched and majestically told, Edward Rutherfurd paints a thrilling portrait of one of the most singular and remarkable countries in the world.

     Seventeen-year-old Ming and twenty-four-year-old Yan have very little in common other than studying at the same college. Ming, idealistic and preoccupied, lives in her own world of books, music, and imagination. Yan, by contrast, is sexy but cynical, beautiful but wild, with no sense of home. When the two meet and become friends, Ming's world is forever changed. But their differences in upbringing and ideology ultimately drive them apart, leaving each to face her dark secret alone. Insightful, sophisticated, and rich with complex characters, February Flowers captures a society torn between tradition and modernity, dogma and freedom. It is a meditation on friendship, family, love, loss, and redemption and how a background shapes a life.

    The only child of the beekeeper, she knows her place and her future - until her father dies unexpectedly and leaves her bereft and alone. Alone, that is, except for the man she loves, whom she knows she can never have.Massachusetts, 1973: Grace's beautiful, impetuous daughter Trixie Valentine is in love. Jasper is wild and romantic, a singer in a band on the brink of stardom. Then tragedy strikes and he must return to his home in England, promising to come back to Trixie one day, if only she will wait for him…Weighed down by memories, unaware of the secrets that bind them, both mother and daughter are searching for lost love. To find what they are longing for they must confront the past, and unravel the lies told long ago…

    A terrible hurricane strikes and the grand ship begins to sink. Just before it goes under, a rescue ship appears on the horizon. But it only has room enough to save the women and children. Laura soon finds herself sailing away toward New York city on a ship filled with orphans and widows, to meet John's family whom she’s never met. Desperate for a miracle, Laura braces herself to face life alone. (Inspired by a True Story)

    What she needs is a husband, and she knows well enough that romance and matrimony aren't always compatible. While providing for her twins and the child she now carries is paramount, wedding a virtual stranger—even a wealthy one, like Gideon St. Goddard, Duke of Stanthorpe—is no light matter.Sabrina knows the friend who arranged the union would not promise her to a true scoundrel, but one look at her future husband convinces her that he is a shameless rogue. A shockingly handsome and desirable one, at that. Why has he agreed to marry her? When Gideon flashes that wicked, seductive smile, the reason hardly matters, but the chance that he'll steal her heart becomes all too real...

    When she overhears a plot to force her into vows—either to the church or a husband—she disguises herself and flees the convent in desperation to discover the truth. Malcolm Castillon of Berkham is determined to win the next tournament and be granted a manor of his own. After years of proving his worth on the jousting field, he yearns for a life of peace. Rescuing a scrawny lad who turns out to be a beautiful woman is not what he bargained for. Still, he cannot deny that she stirs his heart like no other, in spite of her conniving ways. Chaos, deception, and treachery threaten their goals, but both are determined to succeed. Learning to trust each other might be the only way either of them survives. Written for the General Market (G) (I): Contains little or no; sexual dialogue or situations, violence, or strong language. May also contain some content of an inspirational nature.