Cheryl is excited her sister Julie has asked for her help in organising her wedding but things aren't turning out the way Cheryl had hoped. There's going to be no little village church and no bridesmaids dress; the wedding is taking place on the Greek island of Holkamos. Vangelis has the perfect beach location for a wedding but his little beach cafe has never catered for weddings before. Will he be able to cope with all of Julie's demands? Andréas has moved back to Holkamos to help run the family gift shop after the death of his father. The business has to move with the times but will his mum allow things to change? Johnny is Cheryl's best friend. He doesn't like the way Julie treats her and has a plan to put things right but is it the right thing for Cheryl and what happens when they both arrive on the Greek island. Could it become more than just a weekend wedding for Cheryl and Johnny?

    But the discovery of an unidentified dead girl on the side of a dirt road sends the town--and Becca--into a tailspin. Unable to make sense of the violence of the outside world creeping into her backyard, Becca finds herself retreating inward, paralyzed from moving forward for the first time in her life. Short chapters detailing the last days of Amelia Anne Richardson's life are intercut with Becca's own summer as the parallel stories of two young women struggling with self-identity and relationships on the edge twist the reader closer and closer to the truth about Amelia's death.

    Getting in is just the beginning. Phoebe can't wait to get to college. On her own, discovering new things, no curfew . . . she'll be free. And she'll be totally different: cooler, prettier, smarter . . . the perfect potential girlfriend. Convenient: the only person from her high school also going to York is her longtime crush, Luke. Luke didn't set out to redefine himself, but as soon as he arrives on campus, he finds himself dumping his long-term long-distance girlfriend. And the changes don't stop there. In fact, being on a soccer team is the only thing that stays the same. Just when things start looking up (and Phoebe and Luke start hooking up), drama looms on the horizon. Rumors swirl about the Wall of Shame, a secret text chain run by Luke's soccer team, filled with compromising photos of girls. As the women on campus determine to expose the team and shut down the account, Luke and Phoebe find themselves grappling with confusing feelings and wondering how they'll ever make it through freshman year. Praise for Tom and Lucy's A Totally Awkward Love Story : "Broad City meets Judy Blume." --YABooksCentral.com"Tom Ellen and Lucy Ivison are embracing the awkward." --RT Book Reviews"Filled with madcap, hilarious moments and deep romance." --Hypable.com"A fun, edgy read." --Children's Book Council"Funny and genuine, this one deserves a thumbs-up." --Hazel, StayBookish.com"Raunchy, irreverent slapstick." --Booklist"You do not want to miss it . . . such a cute summer kickoff story." --Tales of the Ravenous Reader

    She had never thought that in a sea of ferocious monsters, a lesser evil existed - one who tried to save her from her demons while slaying his own. But is a love forbidden and scorned by many worth fighting for?

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    So when a family of travellers sets up camp illegally in front of their farm, its the catalyst for a stand-off that can only end in disaster. But to Iris it's an adventure. She secretly strikes up a friendship with the gypsy boy, Trick, and discovers home can be something as simple as a carved out circle in a field of corn...

    Or maybe they were destined to meet, for they all share emotions that unite them—loneliness, frustration, and anger. Apart they are ordinary enough, unremarkable and not much noticed. Together, in the dark of night, they are drawn to violence like moths to a flame. Gem is a girl whose path crosses theirs when she falls in love with Gabriel. Will the whirlpool of destruction swallow her, too?

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    This forced people into a situation in which they would have to compromise. Imagine the horror.These days, we're living through The Breakdown. It's a time of enormous political engagement, but many of us feel ill equipped to truly understand and debate all the issues currently rocking our world.With sections including How Other People Think; A Tour of the Battlegrounds; and Making Change Happen, this superbly clear-sighted, light-hearted and judgement-free book will give you all the tools you need to understand the different arguments, to work out what is happening and why - and then to do something about it.In a shifting political landscape that can at times be frustrating, emotional or confusing, The Breakdown is an oasis of calm in a turbulent world.

    

    Trouble at home, trouble at school… pretty much trouble in general. On top of everything else wrong in his life, he’s sent away to the small town of Concord where he knows no one and is set to have a nonexistent social life. Just when he thought his life couldn’t get any worse, he met her. The girl next door is about to teach Parker that sometimes a summer can change your life.

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

     Louna, daughter of famed wedding planner Natalie Barrett, has seen every sort of wedding: on the beach, at historic mansions, in fancy hotels and clubs. Perhaps that's why she's cynical about happily-ever-after endings, especially since her own first love ended tragically. When Louna meets charming, happy-go-lucky serial dater Ambrose, she holds him at arm's length. But Ambrose isn't about to be discouraged, now that he's met the one girl he really wants. Sarah Dessen’s many, many fans will adore her latest, a richly satisfying, enormously entertaining story that has everything—humor, romance, and an ending both happy and imperfect, just like life itself.

    One of them says FLORA BE BRAVE.Flora has anterograde amnesia. She can't remember anything day-to-day: the joke her friend made, the instructions her parents gave her, how old she is.Then she kisses someone she shouldn't, and the next day she remembers it. It's the first time she's remembered anything since she was ten. But the boy is gone. She thinks he's moved to the Arctic. Will following him be the key to unlocking her memory? Who can she trust?

    While visiting a poverty-stricken country far from home, the unnamed narrator of The Fever is forced to witness the political persecution occurring just beyond a hotel window. In examining a life of comfort and relative privilege, the narrator reveals, “I always say to my friends, We should be glad to be alive. We should celebrate life. We should understand that life is wonderful.” But how does one celebrate life—take pleasure in beauty, for instance—while slowly becoming aware that the poverty and oppression of other human beings are a direct consequence of one’s own pleasurable life? In a coruscating monologue, The Fever is most of all an eloquent meditation on whether it is possible to live in an ethical relationship with others in the world.