Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.

    And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard's Western oeuvre.In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ...His first dozen stories sold for 2 cents a word, for $100 each. The rest is history.This first-ever complete collection of Leonard's thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career.From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

    Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.

    The Corn Maiden is the gut-wrenching story of Marissa, a beautiful and sweet eleven-year-old girl with hair the color of corn silk. Taken by an older girl from her school who has told two friends in her thrall of the Indian legend of the Corn Maiden, in which a girl is sacrificed to ensure a good crop, Marissa is kept in a secluded basement and convinced that the world has ended. Marissa s seemingly inevitable fate becomes ever more terrifying as the older girl relishes her power, giving the tale unbearable tension with a shocking conclusion. In Helping Hands, published here for the first time, a lonely woman meets a man in the unlikely clutter of a dingy charity shop and extends friendship. She has no idea what kinds of doors she may be opening. The powerful stories in this extraordinary collection further enhance Joyce Carol Oates s standing as one of the world s greatest writers of suspense."

    Louis to give a sparsely attended reading--nothing out of the ordinary. Except among the yawning attendees is someone he did not expect: Lola Faye Gilroy, the "other woman" he has long blamed for his father's murder decades earlier. Reluctantly, Luke joins Lola Faye for a drink. As one drink turns into several, these two battered souls relive, from their different perspectives, the most searing experience of their lives. Slowly but surely, the hotel bar dissolves around them and they are transported back to the tiny southern town where this defining moment--a violent crime of passion--is turned in the light once more to reveal flaws in the old answers. As it turns out, there is much Luke doesn't know. And what he doesn't know can hurt him. Trapped in an increasingly intense emotional exchange, and with no place to go save back into his own dark past, Luke struggles to gain control of an ever more threatening conversation, to discover why Lola Faye has come and what she is after--before it is too late. A taut literary thriller in the gothic tradition of "Master of the Delta."

    Dick has written some of the most intriguing, original and thought-provoking fiction of our time. This collection includes stories that will make you laugh, cringe...and stop and think.The Minority Report: a special unit that employs those with the power of precognition to prevent crimes proves itself less than reliable...We Can Remember It For You Wholesale: an everyguy's yearning for more exciting "memories" places him in a danger he never could have imagined (basis of the feature film Total Recall)...Paycheck: a mechanic who has no memory of the previous two years of his life finds that a bag of seemingly worthless and unrelated objects can actually unlock the secret of his recent past — and insure that he has a future...Second Variety: the UN's technological advances to win a global war veer out of control, threatening to destroy all of humankind (basis of the movie Screamers)...The Eyes Have It: a whimsical, laugh-out-loud play on the words of the title.

    Peter Hamilton takes us on a journey from a murder mystery in an alternative Oxford in the 1800s to a story featuring Paula Myo, Deputy Director of the Intersolar Commonwealth's Serious Crimes Directorate.

    Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    In "Cielo Azul," Bosch is haunted by a long-ago closed case -- the murder of a teenage girl who was never identified. As her killer sits on death row, Bosch tries one last time to get the answers he has sought for years. In "One Dollar Jackpot," Bosch works the murder of a professional poker player whose skills have made her more than one enemy. Whether investigating a cold case or fresh blood, Bosch relentlessly pursues his quarry, always on the lookout for the "tell." In this first collection of Harry Bosch stories, Michael Connelly once again demonstrates that he is the master of "fast-paced, brilliantly plotted crime fiction.... Harry Bosch is back on the case, and not a moment too soon" (Chicago Sun Times).

    In Like A Charm, the cream of British and American crime writers combine for a must-have collection. From nineteenth-century Georgia, where the bracelet is forged in fire, to wartime Leeds, a steam train across Europe, the violent backstreets of 1980s Scotland, present-day London, a Manhattan taxi, the Mojave desert and back to Georgia, each writer weaves a gripping story of murder, betrayal and intrigue.

    A lonely woman reflects on her failed marriage and the single act of violence, years buried, that brought about its destruction. In these eight beautifully written, achingly poignant, and occasionally heartbreaking stories, the fine line between right and wrong, good and bad, love and violence is walked over and over again.In "Good Girl," a depressed widower is forced to decide between the love of a good woman and the love of his own deeply flawed son. In another part of town and another time, thirteen-year-old Ellen, the central figure of "Theory of Realty," is discovering the menaces of being "at that age": too old for the dolls of her girlhood, too young to understand the weaknesses of the adults who surround her. The linked stories "Parts" and "Proof of God" offer distinct but equally correct versions of a brutal crime--one from the perspective of the victim's mother, one from the killer's.

    In the novella, "The Martini Shot," Pelecanos takes readers behind the scenes of a cable TV cop show, where a writer gets caught up in drama more real than anything in a script. Crackling with energy, these stories bring readers to a new understanding of humanity, modern life, and circumstances that stack the deck against people who are just trying to make a decent life for themselves. Gritty, sexy, fast-paced, humane, THE MARTINI SHOT is Pelecanos at his very best.Whether they're cops or conmen, savage killers or creative types, gangsters or God-fearing citizens, George Pelecanos' characters are always engaged in a fight for their lives. They fight to advance or simply to survive; they fight against odds, against enemies, even against themselves. In this, his first collection of stories, the acclaimed novelist introduces readers to a vivid and eclectic cast of combatants.A seasoned claims investigator tracks a supposedly dead man from Miami to Brazil, only to be thrown off his game by a kid from the local slum. An aging loser takes a last stab at respectability by becoming a police informant. A Greek-American couple adopts an interracial trio of sons and then struggles to keep their family together, giving us a stirring bit of background on one of Pelecanos' most beloved protagonists, Spero Lucas. In the title novella - which takes its name from Hollywood slang for the last shot of the day, the one that comes before the liquor shots begin - we go behind the scenes of a television cop show, where a writer gets caught up in a drama more real than anything he could have conjured for a script.

    Winner of the Frank O'Connor International Short Story Award, two O. Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and the new south, tenderness and violence, man and nature. Though his focus is regional, the themes of Rash's work are universal, striking an emotional chord that resonates deep within each of our lives.Something Rich and Strange showcases this acclaimed master's artistry and craftsmanship in thirty-two stories culled from previously published collections and two available for the first time in book form: "Outlaws" and "Shiloh." Each work of short fiction demonstrates Rash's dazzling ability to evoke the heart and soul of this land and its people—men and women inexorably tethered to the geography that defines and shapes them. Filled with suspense and myth, hope and heartbreak, and told in language that flows like "shimmering, liquid poetry" (Atlanta Journal-Constitution), Something Rich and Strange is an iconic work from an American literary virtuoso.

    It is an act he cannot excuse--a mistake that will change his life forever. Now Dan is on the run, heading south toward the Louisiana bayous. On his trail are police officers and bounty hunters, including the most memorable and bizarre team ever paired in modern fiction: Pelvis Eisley, an Elvis impersonator of the worst kind, and Flint Murtaugh, a fastidious, ruthluss loner and freak-show refugee who carries the body of his unformed twin brother on his side.As Dan heads down into the swampland in search of his own salvation, he meets a young woman who is on a similar journey. Like Dan, Arden Halliday bears a great burden--a disfiguring purple birthmark that blankets half her face. Wounded by the stares, by the pity and revulsion, she is making her way into the bayous to search of the Bright Girl--a legendary faith healer who will rid her of her birthmark and her suffering. Though on separate missions, Arden and Dan come to respect each other's quest for freedom, for a touch of simple kindness in a world grown cruel. Thrown together by circumstance, bound by a loyalty stranger than love, they set off on a journey of relentless suspense and impassioned discovery...an odyssey over dark, twisting road and waterways into the beautiful and mysterious depths of the human heart.

    In the years since, he’s written a third collection, The Night in Question, as well as a pair of genre-defining memoirs (This Boy’s Life and In Pharaoh’s Army), the novella The Barracks Thief, and, most recently, a novel, Old School.Now he returns with fresh revelations—about biding one’s time, or experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired Marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In these stories, as with his earlier, much-anthologized work, he once again proves himself, according to the Los Angeles Times, “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve.”