Though she lived through the accident that killed her boyfriend Patrick, the girl she used to be didn’t survive. Instead of heading off to college as planned, Wren retreats to her father’s studio in the far-north woods of Maine. Somewhere she can be alone.Then she meets Cal Owen. Dealing with his own troubles, Cal’s hiding out too. When the chemistry between them threatens to pull Wren from her hard-won isolation, Wren has to choose: risk opening her broken heart to the world again, or join the ghosts who haunt her.

    A killer is obsessed with Eva Tilling. Can she stop him, or will he claim her?When Eva Tilling wakes up in the hospital, she’s confused—who in her sleepy little North Carolina town could have hit her with their car? And why? But before she can consider the question, she finds that she’s awoken with a strange new skill: the ability to foresee people’s deaths when they touch her. While she is recovering from the hit-and-run, Nate, an old flame, reappears, and the two must traverse their rocky past as they figure out how to use Eva’s power to keep her friends—and themselves—alive. But while Eva and Nate grow closer, the killer grows increasingly frantic in his attempt to get to Eva.For the first time, New York Times bestselling author Melissa Marr has applied her extraordinary talent to contemporary realism. Chilling twists, unrequited obsession, and high-stakes romance drive this Gothic, racy thriller—a story of small-town oppression and salvation. Melissa’s fans, and every YA reader, will find its wild ride enthralling.

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    Best friends Meg and Minnie are looking forward to two days of boys, booze, and fun-filled luxury. But what starts out as fun turns twisted after the discovery of a DVD with a sinister message: Vengeance is mine. And things only get worse from there.With a storm raging outside, the teens are cut off from the outside world . . . so when a mysterious killer begins picking them off one by one, there’s no escape. As the deaths become more violent and the teens turn on one another, can Meg find the killer before more people die? Or is the killer closer to her than she could ever imagine?

    Her mysterious death. Fandom that won't let her go.From the moment she stepped foot in NYC, Addison Stone’s subversive street art made her someone to watch, and her violent drowning left her fans and critics craving to know more. I conducted interviews with those who knew her best—including close friends, family, teachers, mentors, art dealers, boyfriends, and critics—and retraced the tumultuous path of Addison's life. I hope I can shed new light on what really happened the night of July 28. Fully illustrated.—Adele Griffin

    The pretty girl. The popular girl.But not the rape girl.That’s who she is now. Rape Girl. Because everyone seems to think they know the truth about what happened with Adam that day, and they don’t think Valerie’s telling it.Before, she had a best friend, a crush, and a close-knit family. After, she has a court case, a support group, and a house full of strangers.The real truth is, nothing will ever be the same.

    Since they were children, they’ve shared almost everything—reading the same books, running down the same sandy footpaths to the beach, eating peaches from the same market, laughing around the same sun-soaked dining table. Even sleeping in the same bed, on the very same worn cotton sheets. But they’ve never met.Sasha’s dad was once married to Ray’s mom, and together they had three daughters: Emma, the perfectionist; Mattie, the beauty; and Quinn, the favorite. But the marriage crumbled and the bitterness lingered. Now there are two new families—and neither one will give up the beach house that holds the memories, happy and sad, of summers past.The choices we make come back to haunt us; the effect on our destinies ripples out of our control…or does it? This summer, the lives of Sasha, Ray, and their siblings intersect in ways none of them ever dreamed, in a novel about family relationships, keeping secrets, and most of all, love.

    At least, that’s what the police and the district attorney are saying. And although Cecelia is now locked up and forced into treatment, she knows the real story is much more complicated.Cyrus wasn’t always the drug-addled monster he’d become. He was a successful athlete, but when an injury forced him off the soccer field and onto pain medication, his life became a blur of anger, addiction, and violence. All CeCe could do was stand by and watch, until she realized one effective way to take away her brother’s drugs while earning the money she needed for college: selling the pills.Soon, CeCe becomes part drug dealer, part honor student. But even when all she wants is to make things right, she learns that sometimes the best intentions lead to the worst possible outcome.

    As she languishes in juvenile detention, she struggles to un-learn everything she has been taught to believe, adjusting to a life behind bars and recounting the events that led up to her incarceration. But when an FBI detective approaches her about making a deal, Minnow sees she can have the freedom she always dreamed of—if she’s willing to part with the terrible secrets of her past.The Sacred Lies of Minnow Bly is a hard-hitting and hopeful story about the dangers of blind faith—and the power of having faith in oneself.

    Still, Zoe is determined to put on a brave face and be positive for her friend.Even when she isn't sure what to say.Even when Olivia misses months of school.Even when Zoe starts falling for Calvin, Olivia's crush.The one thing that keeps Zoe moving forward is knowing that Olivia will beat this, and everything will go back to the way it was before. It has to. Because the alternative is too terrifying for her to even imagine.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    That first note to San Franciscan Lauren sparks a series of e-mails that alters the landscape of each girl's summer—and raises questions about how two girls who are so different will ever share a dorm room.As the countdown to college begins, life at home becomes increasingly complex. With family relationships and childhood friendships strained by change, it suddenly seems that the only people Elizabeth and Lauren can rely on are the complicated new boys in their lives . . . and each other. Even though they've never met.

    But then one day she hears of a criminal, Stuart Harris, locked up on death row in Texas. Like Zoe, Stuart is no stranger to secrets. Or lies. Or murder.Full of heartache yet humour, Zoe tells her story in the only way she can—in letters to the man in prison in America. Armed with a pen, Zoe takes a deep breath, eats a jam sandwich, and begins her tale of love and betrayal.

    It’s impossible to see anything, really. Not without bars . . . Andrew Winston Winters is at war with himself. He’s part Win, the lonely teenager exiled to a remote Vermont boarding school in the wake of a family tragedy. The guy who shuts all his classmates out, no matter the cost.He’s part Drew, the angry young boy with violent impulses that control him. The boy who spent a fateful, long-ago summer with his brother and teenage cousins, only to endure a secret so monstrous it led three children to do the unthinkable. Over the course of one night, while stuck at a party deep in the New England woods, Andrew battles both the pain of his past and the isolation of his present. Before the sun rises, he’ll either surrender his sanity to the wild darkness inside his mind or make peace with the most elemental of truths—that choosing to live can mean so much more than not dying.