She was a mother of nine and grandmother of forty-two and the matriarch of royal Europe through her children’s marriages. To many, Queen Victoria is a ruler shrouded in myth and mystique, an aging, stiff widow paraded as the figurehead to an all-male imperial enterprise. But in truth, Britain's longest-reigning monarch was one of the most passionate, expressive, humorous and unconventional women who ever lived, and the story of her life continues to fascinate.A. N. Wilson's exhaustively researched and definitive biography includes a wealth of new material from previously unseen sources to show us Queen Victoria as she’s never been seen before. Wilson explores the curious set of circumstances that led to Victoria's coronation, her strange and isolated childhood, her passionate marriage to Prince Albert and his pivotal influence even after death and her widowhood and subsequent intimate friendship with her Highland servant John Brown, all set against the backdrop of this momentous epoch in Britain’s history — and the world’s.Born at the very moment of the expansion of British political and commercial power across the globe, Victoria went on to chart a unique course for her country even as she became the matriarch of nearly every great dynasty of Europe. Her destiny was thus interwoven with those of millions of people — not just in Europe but in the ever-expanding empire that Britain was becoming throughout the nineteenth century. The famed queen had a face that adorned postage stamps, banners, statues and busts all over the known world.Wilson's Victoria is a towering achievement, a masterpiece of biography by a writer at the height of his powers.

    Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be a docile queen, housewife, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages. Anglo-Saxon queen Aethelflaed personally led armies into direct combat with Vikings in the 900s and saved England from foreign invasion. Byzantine Empress Theodora kept the empire from falling apart during the Nika Revolts and stopped her husband Justinian from fleeing Constantinople. Catherine of Siena almost single-handedly restored the papacy to Rome in the 1300s and navigated the brutal and male-dominated world of Italian politics. Joan of Arc completely reversed the fortunes of France in the Hundred Years War and commanded assaults on English fortresses despite being an illiterate 17-year-old peasant. This book will look at the lives of the ten most powerful women in the Middle Ages. Whether it is the famed scholar Anna Komnene, who wrote the first narrative history, or Ottoman Queen Mother Kösem Sultan, who ruled the Islamic empire through three of her sons – all these women held extraordinary levels of power at a time when women were thought to not have any. It will explore how they managed to ascend the throne, what made their accomplishments so notable, and the impact they had on their respective societies after their deaths. It will also describe the historical background of these women, their cultures, and what about it helped or hindered their rise. Their stories still echo down to today. They are a testimony to the resiliency of individuals to accomplish extraordinary things, even if society puts on them enormous constraints.

    A woman of intellect and presence, Elizabeth was the object of extravagant adoration by her contemporaries. She firmly believed in the divine providence of her sovereignty and exercised supreme authority over the intrigue-laden Tudor court and Elizabethan England at large. Brilliant, mercurial, seductive, and maddening, an inspiration to artists and adventurers and the subject of vicious speculation over her choice not to marry, Elizabeth became the most powerful ruler of her time. Anne Somerset has immortalized her in this splendidly illuminating account.

    Robert Ferguson's new interpretation of the Viking Age, whilst rejecting the cliches aims to return some of the violence to the mix. He argues that the Viking raids were qualitatively different than anything that had gone before precisely because of this violence, and his largely narrative account gives plentiful details of battles and conquest alongside evidence for their more peaceful activities. The thread which runs through the account though is the confrontation between a Heathen Scandinavia and the Christian kingdoms to its south and west, and the processes whereby the Viking kingdoms came to be Christianised.

    Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

    Among the surviving records, the poetry of Geoffrey Chaucer is the most vivid. Chaucer wrote about workaday lives outside the walls of the court—days spent at the pedal of a loom, or maintaining the ledgers of an estate, or on the high seas.In Chaucer’s People, Liza Picard puts these lives into historical context and sheds light on their mysteries. What was the Prioress, a well-mannered young nun, doing on the road to Canterbury with a band of men? How did the “gentle Knight” end up on military service in distant lands like Lithuania and Spain? Drawing on a vast range of subjects, including trade, religion, and medicine, Picard offers new insight into Chaucer’s characters and re-creates the medieval world in glorious detail.

    Was the Battle of Hastings a French victory?Non! William the Conqueror was Norman and hated the French.Were the Brits really responsible for the death of Joan of Arc?Non! The French sentenced her to death for wearing trousers.Was the guillotine a French invention?Non! It was invented in Yorkshire.Ten centuries' worth of French historical 'facts' bite the dust as Stephen Clarke looks at what has really been going on since 1066 ...

    Topics include Roger "the Raker" who drowned in his own sewage, a "merman" imprisoned in Orford Castle, the sufferings of the Jews of Bristol, and more. Each reveals the extraordinary diversity of medieval society. Through these characters and events--and using the latest discoveries and research--the dynamic and engaging panorama of medieval England is revealed.

    The book looks at colourful characters and brings to life the civil war and the ensuing battle for the English Crown. The war is examined in detail through the various campaigns, battles and sieges of the period, including the two major battles at the Standard and Lincoln, showing that Stephen always held more ground than his opponents and was mostly on the offensive. The nature of the warfare and the reasons for its outcome are examined, along with comment on the strategy, tactics, technology in arms and armour, and the improvements in fortifications.

    A compassionate and discerning exploration of the complex relationship between the server, the served, and the world they lived in, Servants opens a window onto British society from the Edwardian period to the present.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    The extraordinarily wealthy 5th Duke of Portland had a mania for it, hiding in his carriage and building tunnels between buildings to avoid being seen. In 1897, an elderly widow asked the court to exhume the grave of her late father-in-law, T. C. Druce, under the suspicion that he’d led a double life as the 5th Duke. The eccentric duke, Anna Maria contended, had faked his death as Druce, and her son should inherit the Portland millions. Revealing a dark underbelly of Victorian society, Piu Marie Eatwell evokes an era when the rise of sensationalist media blurred every fact into fiction and when family secrets and fluid identities pushed class anxieties to new heights.

    From Queen Elizabeth to Joan of Arc, from Artemisia Gentileschi to Damia al-Kahina, this collection of medieval women who took history into their own hands will mesmerize, amuse, and inspire you.

    This changeful place became a medieval maze of alleys and courtyards, later to be chequered with grand estates of Georgian splendour. It swelled with industry and became the centre of the largest empire in history. And having risen from the rubble of the Blitz, it is now one of the greatest cities in the world.From the prehistoric occupants of the Thames Valley to the preoccupied commuters of today, Simon Jenkins brings together the key events, individuals and trends in London's history to create a matchless portrait of the capital. He masterfully explains the battles that determined how London was conceived and built - and especially the perennial conflict between money and power.Based in part on his experiences of and involvement in the events that shaped the post-war city, and with his trademark colour and authority, Jenkins shows above all how London has taken shape over more than two thousand years. Fascinating for locals and visitors alike, this is narrative history at its finest, from the most ardent protector of our heritage.

    Taking them from their heavenly status to the human level, Oxford art historian and BBC presenter Dr Janina Ramirez explores the real lives of over a dozen seminal saints.This landmark book provides a unique and captivating lens through which to explore the rich history of the Dark Ages.