When sixteen-year-old Amy returns home, she can’t tell her family what’s happened to her. She can’t tell them where she’s been since she and her best friend, her cousin Dee, were kidnapped six years ago—who stole them from their families or what’s become of Dee. She has to stay silent because she’s afraid of what might happen next, and she’s desperate to protect her secrets at any cost. Amy tries to readjust to life at “home,” but nothing she does feels right. She’s a stranger in her own family, and the guilt that she’s the one who returned is insurmountable. Amy soon realizes that keeping secrets won’t change what’s happened, and they may end up hurting those she loves the most. She has to go back in order to move forward, risking everything along the way. Amy Chelsea Stacie Dee is a riveting, affecting story of loss and hope.

    No one does.The first time Philip Digby shows up on Zoe Webster’s doorstep, he’s rude and he treats her like a book he’s already read and knows the ending to.But before she knows it, Zoe’s allowed Digby—annoying, brilliant, and somehow…attractive? Digby—to drag her into a series of hilarious, dangerous, and only vaguely legal schemes all related to the kidnapping of a local teenage girl. A kidnapping that might be connected to the tragic disappearance of his little sister eight years ago. When it comes to Digby, Zoe just can’t say no.But is Digby a hero? Or is his manic quest an indication of a desperate attempt to repair his broken family and exorcize his own obsessive-compulsive tendencies? And does she really care anyway?This is a contemporary debut with razor-sharp dialogue, ridiculously funny action, and a dynamic duo you won’t soon forget.

    When the clients, a reckless boy Julie's age and his equally foolhardy father, disregard Julie's instructions during the dive, she quickly realizes she's in over her head.And once she surfaces, things only get worse: One of the clients is in serious condition, and their dive boat has vanished--along with Julie's father, the only person who knows their whereabouts. It's only a matter of time before they die of hypothermia, unless they become shark bait first. Though Julie may not like her clients, it's up to her to save them all.

     Once upon a time, my name was not Alice. Once upon a time, I didn't know how lucky I was. When Alice was ten, Ray took her away from her family, her friends -- her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over. Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice's story. It is one you have never heard, and one you will never, ever forget.

    Miranda is younger, a dreamer, and floating her way through life. Lander is older, focused, and determined to succeed. As the girls and their parents begin another summer at their cottage on the Connecticut River, Miranda and Lander’s sibling rivalry is in high gear. Lander plans to start medical school in the fall, and Miranda feels cast in her shadow.When the Allerdons become entangled in an unimaginable tragedy, the playing field is suddenly leveled. As facts are revealed, the significance of what has happened weighs heavily on all. How can the family prepare for what the future may hold?

    As the black sheep of the VanDemere clan--the illegitimate daughter, sent away to boarding school--she'd love to use that prize money to run away from the family who ostracized her . . . and discover the truth about her long-lost mother.Marshall might be Avery's uncle by blood, but there's no love lost between them. He'll do anything to win, even if it means turning on his own children.Riley is the charming son of Grandmother VanDemere's lawyer. As the game progresses, Avery finds herself drawn to him--even though she isn't quite sure she can trust him.The Winner?Treacherous turns in the competition serve as brutal reminders that only one person can win it all. Is Avery willing to risk both her heart and her life to claim the grand prize?

    The judge gave him a year in a group home—said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he actually did Miguel a favor. Ever since it happened, his mom can’t even look at him in the face. Any home besides his would be a better place to live.But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting to the border to where he could start over. Forget his mom. Forget his brother. Forget himself.Life usually doesn’t work out how you think it will, though. And most of the time, running away is the quickest path right back to what you’re running from.From the Hardcover edition.

    Wait. There it is again, at the cornfield. Some movement, some thing. Mom and I have been on the run for years. Every time he catches up with us, we move to a new place and start over.But this place is different.This place is full of secrets. And they won't leave me alone.

    In the aftermath, Caroline can't help but wonder what Ethan knows about everything that happened to her brother, who is not readjusting well to life at home. And although Ethan is desperate for a friend, he can't see Caroline without experiencing a resurgence of traumatic memories. But after the media circus surrounding the kidnappings departs from their small Texas town, both Caroline and Ethan find that they need a friend--and their best option just might be each other

    Her earliest memories are marked by these numbers, but it takes her father’s premature death for Maddie and her family to realize that these mysterious digits are actually death dates, and just like birthdays, everyone has one.Forced by her alcoholic mother to use her ability to make extra money, Maddie identifies the quickly approaching death date of one client's young son, but because her ability only allows her to see the when and not the how, she’s unable to offer any more insight. When the boy goes missing on that exact date, law enforcement turns to Maddie.Soon, Maddie is entangled in a homicide investigation, and more young people disappear and are later found murdered. A suspect for the investigation, a target for the murderer, and attracting the attentions of a mysterious young admirer who may be connected to it all, Maddie's whole existence is about to be turned upside down. Can she right things before it's too late?

    Tessa left when she was nine and has been trying ever since not to think about it after what happened there that last summer. Memories of things so dark will burn themselves into your mind if you let them.Callie never left. She moved to another house, so she doesn’t have to walk those same halls, but then Callie always was the stronger one. She can handle staring into the faces of her demons—and if she parties hard enough, maybe one day they’ll disappear for good.Tessa and Callie have never talked about what they saw that night. After the trial, Callie drifted and Tessa moved, and childhood friends just have a way of losing touch.But ever since she left, Tessa has had questions. Things have never quite added up. And now she has to go back to Fayette—to Wyatt Stokes, sitting on death row; to Lori Cawley, Callie’s dead cousin; and to the one other person who may be hiding the truth.Only the closer Tessa gets to the truth, the closer she gets to a killer—and this time, it won’t be so easy to run away.

    Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    Along with his dog, his best friend, and-surprisingly-the Cambodian boy whose car was involved in the fatal accident, Henry experiences a journey that is both physically daunting and spiritually exhilarating. The writing combines breathtaking nature imagery and hilarious comedy, as only Gary Schmidt can.

    She is about to kill herself. Just before she can swallow a lethal dose of pills, the plane hits turbulence and everything goes black. Jane wakes up amidst piles of wreckage and charred bodies on a snowy mountaintop. There is only one other survivor: a boy named Paul, who inspires Jane to want to fight for her life for the first time.Jane and Paul scale icy slopes and huddle together for warmth at night, forging an intense emotional bond. But the wilderness is a vast and lethal force, and only one of them will survive.

    Train.Car.Plane.Boat.Feet.He'll get there.Won't he?