No longer relegated to the fringes of literature, this explosive collection of the world’s best apocalyptic writers brings the inventors of alien invasions, devastating meteors, doomsday scenarios, and all-out nuclear war back to the bookstores with a bang.The best writers of the early 1900s were the first to flood New York with tidal waves, destroy Illinois with alien invaders, paralyze Washington with meteors, and lay waste to the Midwest with nuclear fallout. Now collected for the first time ever in one apocalyptic volume are those early doomsday writers and their contemporaries, including Neil Gaiman, Orson Scott Card, Lucius Shepard, Robert Sheckley, Norman Spinrad, Arthur C. Clarke, William F. Nolan, Poul Anderson, Fredric Brown, Lester del Rey, and more. Relive these childhood classics or discover them here for the first time. Each story details the eerie political, social, and environmental destruction of our world.

    Qiouyi Lu, reprinted fiction by Kameron Hurley, essays by Sam J. Miller, Elsa Sjunneson-Henry, Shveta Thakrar, Dawn Xiana Moon, and Paul Booth, poetry by Cassandra Khaw, Brandon O’Brien, Bogi Takács, and Lisa M. Bradley, interviews with Stephen Graham Jones and Sarah Pinsker by Julia Rios, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

    It's something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille's erotic uses of eggs, and she plans to read an excerpt for an album.Warning: Story of the Eye is graphically sexual, and is only suited for adults who are not easily offended.

    POST is a story about a group of friends, two of whom experience a collision two years apart.

    You can become a piece of performance art. You might even become a library of sorrows...Table Of Contents: The Reflections Of Ghosts Pink Pills The Flaying Season Union Dick Wakizashi Dissecting The Soul Precious Metal Sisters Of No Mercy Heart for Heart’s Sake The Ballad Of Moosecock Lip Face The Pressman The Palace Of Nothingness The Rusted Gates Of Heaven Immolation Unlimited Daylight The Library Of Sorrows Nom de Guerre The Color Shrain

    Welcome to a world where humans live side-by-side with monsters, from vampires both nostalgic and bumbling, to an eight-legged alien who makes tea. Here you'll find mercurial forms that burrow into warm fat, spectral boy toys, a Maori force of nature, a landform that claims lives, and an architect of hell on earth. Through these, and a few monsters that defy categorization, some of today's top young-adult authors explore ambition and sacrifice, loneliness and rage, love requited and avenged, and the boundless potential for connection, even across extreme borders.Moriabe's Children / Paolo Bacigalupi --Old souls / Cassandra Clare --Ten rules for being an intergalactic smuggler (the successful kind) / Holly Black --Quick hill / M.T. Anderson --The diabolist / Nathan Ballingrud --This whole demoning thing / Patrick Ness --Wings in the morning / Sarah Rees Brennan --Left foot, right / Nalo Hopkinson --The Mercurials / G. Carl Purcell --Kitty Capulet and the invention of underwater photography / Dylan Horrocks --Son of abyss / Nik Houser --A small wild magic / Kathleen Jennings --The new boyfriend / Kelly Link --The woods hide in plain sight / Joshua Lewis --Mothers, lock up your daughters because they are terrifying / Alice Sola Kim

    writer Priya Sharma, All the Fabulous Beasts collects 16 stunning and monstrous tales of love, rebirth, nature, and sexuality. A heady mix of myth and ontology, horror and the modern macabre.

    Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. This is an anthology collecting more of the stories from that nomination list to get them to more readers The Long List Anthology Volume 3 collects 20 science fiction, fantasy, and horror stories from that nomination list, totaling over 500 pages of fiction by writers from all corners of the world. From intelligent appliances gone feral to Lovecraftian detective noir, from tech-enhanced wilderness races to Egyptian science fantasy steampunk, from hard science fiction to fairy tale to humor and more. There is a wide variety of styles and types of stories here, and something for everyone. The stories included are: "Red in Tooth and Cog" by Cat Rambo "A Salvaging of Ghosts" by Aliette de Bodard "Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0" by Caroline M. Yoachim "Razorback" by Ursula Vernon "We Have a Cultural Difference, Can I Taste You?" by Rebecca Ann Jordan "Lullaby for a Lost World" by Aliette de Bodard "Terminal" by Lavie Tidhar "Ye Highlands and Ye Lowlands" by Seanan McGuire "Things With Beards" by Sam J. Miller "The Venus Effect" by Joseph Allen Hill "The Visitor From Taured" by Ian R. MacLeod "Blood Grains Speak Through Memories" by Jason Sanford "Sooner or Later Everything Falls Into the Sea" by Sarah Pinsker "A Dead Djinn in Cairo" by P. Djèlí Clark "Red as Blood and White as Bone" by Theodora Goss "Foxfire, Foxfire" by Yoon Ha Lee "Forest of Memory" by Mary Robinette Kowal "Chimera" by Gu Shi, translated by S. Qiouyi Lu and Ken Liu "Hammers on Bone" by Cassandra Khaw "Runtime" by S.B. Divya

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    Sometimes sad, often humorous and always creative, these tales touch on a wide range of life experiences from romance and family to death and sex. Nana rocked in her old wooden rocking chair. “Timmy, you have always been my favorite,” she said. He looked at her. “Nana, I’m Bobby.” Read your diary, discovered your secret. I thought I loved you, but now I’m not sure. Don’t know what to do, you look so human. Clowning was Daryl’s profession, cooking was his passion. Stella thought he was perfect. She liked to laugh and never learned to cook. Alex bought Sharon a ring for Valentine’s Day, which she sold to buy the gun that stopped him from loving her. In 2009, Sean Hill combined his love of writing and technology by creating @VeryShortStory, a Twitter feed where he interacts with his readers and shares his 140-character stories.

    Zits cover his entire body; his skin is aflame with bright red, pus-filled sores. He has become an outcast in his school and the other kids call him Toad.But what they don't know is the pus leaking from Kip's acne is actually a powerful narcotic that produces strong psychedelic effects. Soon, everyone in school will want a taste of his hallucinogenic cream and this former-loser will become the most popular kid in school. But once you lick the Toad, there's no going back to normal drugs. His classmates just can't get enough. And as their addiction grows, they will stop at nothing to get it...In the spirit of Street Trash and Class of Nukem' High comes a novel about growing up, finding yourself, and tripping on bodily fluids. Shane McKenzie and Eraserhead Press present a bizarro high school drama drenched in Technicolor-splatter!

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    But one fateful day, his past catches up to him...A Japanese assassin, with a cue-ball for an eye, invades the town with an army of two-foot eyeless minions who thirst for human blood. This man has two things on his mind: Where is his purple television? And who is the dead man that stole it from him?The DOOM MAGNETIC Trilogy is a fast-paced sci-fi western, packed plum-full of sex, violence, cosmic voids, coliseum-style combat, genetically-engineered mutants, breathy brain whispers, cigar smoke torture chambers, and a sea of electric television zombies.This is the weirdest book you will ever read.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    Now, there's a reason to be. Lux and his younger brother Lunam enjoy the full freedom of the simple life and all the childhood adventures offered by growing up in a small village in a picturesque glen. Life is tranquil, peaceful, and just about perfect—except for one formidable fact... Every day is followed by night. And, with the night, comes the DARKNESS. Slowly shrouding the valley and relentlessly seeping into every nook and cranny on its nightly rampage, the darkness returns to feast on its victims. No man, woman, child, animal—or even, insect—is safe. The darkness consumes all; the darkness's hunger is never satisfied. When the sun falls from the sky, the villagers, young and old, must take to arms, guarding their homes, loved ones, and livestock with every ray of light they can muster. Even young Lux and Lunam are well-soldiered in their responsibilities to safeguard themselves and their parents during the nightly vigil, the nightly fight to live to see another day. It's always been this way—the truths and ritual passed down from generation to generation since ancient times. No one dares question why. Nothing can change the frightening fact of the lives of the villagers or emancipate them from their singular foe—nothing, except a child's imagination and a curiosity as immutable as the darkness's own appetite. There's just one truth guiding every man, woman, and child to strive to see another day: "Darkness Comes but Once a Night."