He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everybody and listening carefully. It’s about finding different ways to look at things.Most of all it’s about Indigenous thinking, and how it can save the world.

    The two young men are taking the long way home after working on an archeological dig in Iraq. It is 1937. The modern world, they say, is waiting to erupt. Among the tales they tell is the story of Gilgamesh, the legendary king of Uruk in ancient Mesopotamia. Gilamesh's great journey of mourning after the death of his friend Enkidu, and his search for the secret of eternal life, is to resonate through all of their lives. In 1939 Edith and her young child set off on an impossible journey of their own, to find themselves trapped by the outbreak of war. The story of this journey is the story of encounters and escapes, of friendship and love, of loss aqnd acceptance. Moving between rural Australia, London, the Caucasus and the Middle East, from the last days of the First World War to the years following the Second, Joan London's stunning novel examines what happens when we strike out into the worlld, and how, like Gagamesh, we find our way home." (from back cover of Picador book)

    Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.It Sounded Better in My Head is a compulsively readable love letter to teenage romance in all of its awkward glory, perfect for fans To All the Boys I’ve Loved Before and Emergency Contact.

    It's a culture that manifests itself as the ultimate example of resilience, strength and beauty. It’s also a culture that has consistently been led by its women.My Tidda, My Sister shares the experiences of many Indigenous women and girls, brought together by author and host of the Tiddas 4 Tiddas podcast, Marlee Silva. The voices of First Nations’ women that Marlee weaves through the book provide a rebuttal to the idea that 'you can’t be what you can’t see'. For non-Indigenous women, it demonstrates the diversity of what success can look like and offers an insight into the lives of their Indigenous sisters and peers.Featuring colourful artwork by artist Rachael Sarra, this book is a celebration of the Indigenous female experience through truth-telling. Some stories are heart-warming, while others shine a light on the terrible realities for many Australian Indigenous women, both in the past and in the present. But what they all share is the ability to inspire and empower, creating a sisterhood for all Australian women.Also features foreword by Helpmann and AACTA award-winning actor Leah Purcell.

    She's Lobster Girl and he's Shopping Trolley Boy. Not an auspicious beginning. But it gets better. Then it gets worse. Much worse. Classic romantic comedy: girl-meets-boy, love blossoms, and is derailed. Incredibly engaging, upbeat, funny and smart. Astrid Katy Smythe is beautiful, smart and popular. She's a straight-A student and a committed environmental activist. She's basically perfect.Hiro is the opposite of perfect. He's slouchy, rude and resentful. Despite his brains, he doesn't see the point of school.But when Astrid meets Hiro at the shopping centre where he's wrangling shopping trolleys, he doesn't recognise her because she's in disguise - as a lobster. And she doesn't set him straight.Astrid wants to change the world, Hiro wants to survive it. But ultimately both believe that the world needs to be saved from itself. Can they find enough in common to right all the wrongs between them?A romantic comedy about life and love and trying to make the planet a better place, with a little heartbreak, and a whole lot of hilarity.

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.

    Last year the jocks from Knights College tried to shame her best friend. This year she and a hand-picked college girl gang are going to get even.The lesson: don't mess with Unity girls.The target: Blondie, a typical Knights stud, arrogant, cold . . . and smart enough to keep up with Jess.A neo-riot grrl with a penchant for fanning the flames meets a rugby-playing sexist pig - sworn enemies or two people who happen to find each other when they're at their most vulnerable?It's all Girl meets Boy, Girl steals from Boy, seduces Boy, ties Boy to a chair and burns Boy's stuff. Just your typical love story.A searingly honest and achingly funny story about love and sex amid the hotbed of university colleges by the award-winning author of Raw Blue.

    What are your fictions?Tara Moss has worn many labels in her time, including 'author', 'model', 'gold-digger', 'commentator', 'inspiration', 'dumb blonde', 'feminist' and 'mother', among many others. Now, in her first work of non-fiction, she blends memoir and social analysis to examine the common fictions about women. She traces key moments in her life - from small-town tomboy in Canada, to international fashion model in the 90s, to bestselling author taking a polygraph test in 2002 to prove she writes her own work - and weaves her own experiences into a broader look at everyday sexism and issues surrounding the underrepresentation of women, modern motherhood, body image and the portrayal of women in politics, entertainment, advertising and the media. Deeply personal and revealing, this is more than just Tara Moss's own story. At once insightful, challenging and entertaining, she asks how we can change the old fictions, one woman at a time.'This book, part memoir, part manifesto, catapults [Tara] into the frontline as a public commentator who demands serious attention. She is a welcome addition to any conversation about social justice, public ethics and the objectification of women, about which she knows a great deal.' Caroline Baum'a nimbly argued, statistic-laden exploration of the various labels we give women and the impact this has on their lives' Catherine Keenan, ABC The Drum'This is a book which needs to be read by men and women. Well written, clearly argued, informative, powerful and thought provoking. Forget everything you thought you knew about Tara Moss, with The Fictional Woman, Tara sets the record straight and takes her place as one of our generations great commentators.' John Purcell, Booktopia

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    In writing that is inventive, bold, and generous, Axiomatic introduces an unforgettable voice.

    Her past, her memories, her feelings, will not leave her alone. And now, at sixteen, the time has come for her to act. She must head back to her old home, where a pair of family tragedies forever altered her life. What she discovers is powerful and shocking -- but must be dealt with in order for life to go on. This is the striking new novel from John Marsden, Australia's #1 best-selling author for teens, who is ready for his US breakthrough. It rings with hard truths that will resonate incredibly with YA readers.

    The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.Melanie Cheng is an important new voice, offering a fresh perspective on contemporary Australia. Her effortless, unpretentious realism balances an insider’s sensitivity and understanding with an outsider’s clear-eyed objectivity, showing us a version of ourselves richer and more multifaceted than anything we’ve seen before.

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    Set within Australia's lush rain forest at the height of the rainy season, Salt Rain is an absorbing debut about sifting through the complicated stories that shape us, and ultimately reclaiming them as our own.

    Sharp, sassy and determined not to be broken, she accepts a job as a cook on a fishing boat. Totally inexperienced, both as a sailor and a chef, a girl among tough working men and literally all at sea, Kacey confronts more than just the elements on the journey that follows. Facing a ferocious storm as well as treachery, she learns how to fashion a new story for herself-one in which she is strong enough to be the hero. These are captivating memories of growing up in Australia, and the tribulations Heyman encounters and escapes. Unsentimental and unflinching, she stares down disaster and looks back with a healthy rage and exhilarating intelligence.