This small collection of poems explores how time influences loving another, loving yourself and loving the life you own. This quick but fulfilling read, explores these topics in three sections: the head, the heart and the lungs.

    We at Zoo are eminently pleased to have such a fine book of verse for our inaugural Kenyon Review Prize volume. Fennelly's poems are well poised in their witty and sometime sassy ruminations, often "maximalist" in their scope (see "From L' HUtel Terminus Notebooks") and the pleasure one takes within them is of the rarest breed: it is the pleasure of unexpected revelation. Open House comes introduced by series judge and Kenyon Review poetry editor, David Baker.

    Will bathes his grandmother. Mel gives her wig a haircut. Norman is not prepared to take over his father’s club. Jesse has never known how old he is. They each cope with limited options and murky desires. An irreducible collage, as intuitive as it is formal, The Karaoke Singer's Guide to Self-Defense drifts between story lines and perspectives. Long bus rides through a post-industrial Gothic Midwest, Classic Rock, and compulsive brawls hum a requiem for the late night life of Stone Claw Grove.

    Ava is a Mexican prostitute, beautiful and no victim of circumstance. When DelRay falls in love with her at the drive-in whorehouse where she is the prize, she seizes the chance to break free. They take off for Sinaloa ,Texas, the lone-dog state where "nothin’ good ever happens." The far-out border flunkies they meet — Thankful Priest, the one-eyed former football player; Indio Desacato, Ava’s pimp and a small-town racketeer; Arkadelphia Quantrill Smith, an octogenarian whose father marched with Shelby in the Iron Brigade; and many others — fill out the sinister and electrifying ride.

    B's debut novel, Letters To My Ex, is a collection of letters written to a past love over a three year period of time that was never sent to him---but they are far from your typical love letters. If you are looking for a politically correct story, one with words that float on sugar-coated clouds as the sun sets, this story isn't for you. Heartbroken and confused, Cici. B pours her unfiltered emotions onto the pages. This isn't a "light read" or a "how to guide". It is raw, vulnerable and vivid. These letters tell the story of a woman who gave her all to a man, was broken, her journey of discovery, and self-healing. This novel is for all of the women who have given their everything to the wrong man, because sometimes, just knowing that someone has experienced and survived the same pain as you, can make all the difference in the world.

    Koyal and Atharv are childhood friends. They are also soulmates. Confidantes. Kindred spirits. They are made for each other only, neither of them seems to have figured it out just yet. As they grow into adulthood, they turn to each other in sorrow and joy, only becoming closer. But then one day, something happens, and their rare friendship is cruelly transformed into something a lot like hatred. Atharv, scarred and hurt, fumes with anger, while impetuous Koyal presses the self-destruct button. Years later, just when they ve both found peace within themselves, their paths cross again. And destiny, that strange creature, has a few tricks up her sleeve. Will these two ever forgive each other? Or have they already lost their one chance to find someone to love?

    . . must be the most accessible and enjoyable major poet in America. His lines are so clear and simple." --Michael Dirda, The Washington Post"Nothing escapes him; everything is illuminated." --Library Journal"Will one day rank alongside of Edgar Lee Masters, Robert Frost, and William Carlos Williams." --Minneapolis Tribune"Kooser's ability to discover the smallest detail and render it remarkable is a rare gift." --The Bloomsbury ReviewFour decades of poetry--and a generous selection of new work--make up this extraordinary collection by Pulitzer Prize winner Ted Kooser. Firmly rooted in the landscapes of the Midwest, Kooser's poetry succeeds in finding the emotional resonances within the ordinary. Kooser's language of quiet intensity trains itself on the intricacies of human relationships, as well as the animals and objects that make up our days. As Poetry magazine said of his work, "Kooser documents the dignities, habits, and small griefs of daily life, our hunger for connection, our struggle to find balance."From "March 2" Patchy clouds and windy.All morningour house has been flashing in and out of shadelike a signal, and far across the waves of grassa neighbor's house has answered, offering help.Ted Kooser is the author of eleven collections of poetry, including Delights & Shadows, which won the Pulitzer Prize. He served as the Poet Laureate of the United States, and is a visiting professor at the University of Nebraska-Lincoln.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    ‘Your arms or your legs?’ In July 2009 Geraint (Gez) Jones was sitting in Camp Bastion, Afghanistan with the rest of The Firm – Danny, Jay, Toby and Jake, his four closest friends, all junior NCOs and combat-hardened infantrymen. Thanks to the mangled remains of a Jackal vehicle left tactlessly outside their tent, IEDs were never far from their mind. Within days they’d be on the ground in Musa Qala with the rest of 3 Platoon – a mixed bunch of men Gez would die for. As they fight furiously, are pushed to their limits, hemmed in by IEDs and hampered by the chain of command, Gez starts to wonder what is the point of it all. The bombs they uncover on patrol, on their stomachs brushing the sand away, are replaced the next day. Firefights are a momentary victory in a war they can see is unwinnable. Gez is a warrior – he wants more than this. But then death and injury start to take their toll on The Firm, leaving Gez with PTSD and a new battle just beginning.

    I even had to take some breaks. It's just so incredibly relatable.""Absolutely obsessed and inspired.""I feel so seen reading her work; it's very powerful.""WOW. Her writing truly heals." bare roots has consistently been a bestseller in women's poetry since its debut in April of 2017. Readers were originally captivated by Hillery's fiesty, feminine style of poetry and her ability to bear her soul [and trauma] to the world. Published six months before the rise and height of the "Me Too" Movement, Hillery echoes sentiments bravely expressed by many women who decided that enough was enough. She hopes that by sharing her story of trauma and mental illness, she will empower other women to continue to speak up and rise above.[Original description]: "bare roots is a collection of poetry written for anyone that has ever buried parts of themselves away from the world. The book is divided into six parts— Pruning the Damage, Battling the Weeds, The Roses [and the Thorns], The Seedling Shall Blossom, Cultivating Wisdom, and Buds of Hope are delicately crafted segments that touch on the subjects of femininity, love and loss, trauma, mental illness, the search for meaning, and ultimately, how to grow from it all." Some portions of this book contain mature content and may be triggering to some readers.

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    Here are poems that bring to life her rural Missouri childhood in a family with ten children (“Oh what a wedding train / of vagabonds we were who fell asleep just where we lay”); the love between men and women as well as the devastation of widowhood (“love’s house she goes dancing her grief-stricken dance / for his unpacked suitcases, . . . / . . . / his closets of clothes where I crouch like a thief”); and the moods of nature, which schooled her (“A tree will take you in, flush riot of needles light burst, the white pine / grown through sycamore”). Throughout, touching all subjects, either implicitly or explicitly, is the call to poetry itself.The final work from one of our finest poets, The Wind Blows Through the Doors of My Heart is a uniquely intimate collection, a sustaining pleasure that will stand to remind us of Digges’s gift in decades to come.

    Dear Me At Fifteen is half poetry book and half self-expression journal. It is to not only inspire you to be the best version of yourself today and in the future, but for you to reflect on all the growth you have made. This book is meant for you to dig deep into yourself and answer questions you don’t always take the time to think about.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.