Based on a true story, MY MOTHER'S SECRET is a profound, captivating, and ultimately uplifting tale intertwining the lives of two Jewish families in hiding from the Nazis, a fleeing German soldier, and the clever and "righteous" mother and daughter who teamed up to save them. Franciszka and her daughter, Helena, are unlikely heroines. They are simple people who mind their own business and don't stand out from the crowd. Until 1939, when crisis strikes. The Nazis have invaded Poland and they are starting to persecute the Jews. Providing shelter to a Jew has become a death sentence. And yet, Franciszka and Helena decide to do just that. In their tiny, two-bedroom home in Sokal, Poland, they cleverly hide a Jewish family of two brothers and their wives in their pigsty out back, a Jewish doctor with his wife and son in a makeshift cellar under the kitchen floorboards, and a defecting German soldier in the attic--each group completely unbeknownst to the others. For everyone to survive, Franciszka will have to outsmart her neighbors and the German commanders standing guard right outside her yard. Told simply and succinctly from four different perspectives, MY MOTHER'S SECRET is a reminder that there are, in fact, no profiles of courage and each individual's character is a personal choice. This book was inspired by the true story of Franciszka Halamajowa, who, with her daughter, saved the lives of fifteen Jews in Poland during the Second World War. She also hid a young German soldier in her attic at the same time. Before the war, there were six thousand Jews in Sokal, Poland. Only thirty survived the war and half of those did so because of Franciszka.

    A prisoner in the camps, Anke Hoff is doing what she can to keep her pregnant campmates and their newborns alive.But when Anke's work is noticed, she is chosen for a task more dangerous than she could ever have imagined. Eva Braun is pregnant with the Führer's child, and Anke is assigned as her midwife.Before long, Anke is faced with an impossible choice. Does she serve the Reich she loathes and keep the baby alive? Or does she sacrifice an innocent child for the good of a broken world?An unforgettable tale of courage, betrayal and survival in the hardest of circumstances, perfect for readers of The Tattooist of Auschwitz and The Alice Network.

    When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.In a mining town in Germany, Werner Pfennig, an orphan, grows up with his younger sister, enchanted by a crude radio they find that brings them news and stories from places they have never seen or imagined. Werner becomes an expert at building and fixing these crucial new instruments and is enlisted to use his talent to track down the resistance. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another.From the highly acclaimed, multiple award-winning Anthony Doerr, the stunningly beautiful instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.An alternate cover for this ISBN can be found here

    The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them. A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a novel by a most original new voice in fiction.

    The people have no food and no weapons, and the enemy has sworn to slaughter them all.To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job.

    To bide the time, he studies a nest of redstarts at the edge of camp. Some prisoners plot escape; some are shot. And then, one day, James is called to the Kommandant’s office. Meanwhile, back home, James’s new wife, Rose, is on her own, free in a way she has never known. Then, James’s sister, Enid, loses everything during the Blitz and must seek shelter with Rose. In a cottage near Ashdown forest, the two women jealously guard secrets, but form a surprising friendship. Each of these characters will find unexpected freedom amid war’s privations and discover confinements that come with peace.

    It is a novel that engages the mind while satisfying those that crave the thrill of a chase. There are riots and sex. There is love and murder. There is Darwinism and Fascism, nightclubs, invented languages and the dangerous bravado of youth. And there are lots of beetles. It is clever. It is distinctive. It is entertaining. We hope you are too.

    Her parents and two older sisters were taken to the gas chambers, while Eva and her twin, Miriam, were herded into the care of the man who became known as the Angel of Death: Dr. Josef Mengele. They were 10 years old.While twins at Auschwitz were granted the 'privileges' of keeping their own clothes and hair, they were also subjected to Mengele's sadistic medical experiments. They were forced to fight daily for their own survival and many died as a result of the experiments, or from the disease and hunger rife in the concentration camp.In a narrative told simply, with emotion and astonishing restraint, The Twins of Auschwitz shares the inspirational story of a child's endurance and survival in the face of truly extraordinary evil.Also included is an epilogue on Eva's incredible recovery and her remarkable decision to publicly forgive the Nazis. Through her museum and her lectures, she dedicated her life to giving testimony on the Holocaust, providing a message of hope for people who have suffered, and worked toward goals of forgiveness, peace, and the elimination of hatred and prejudice in the world.

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    To Maddie’s horror, Ellis decides that the only way to regain his father’s favor is to succeed in a venture his father attempted and very publicly failed at: he will hunt the famous Loch Ness monster and when he finds it he will restore his father’s name and return to his father’s good graces (and pocketbook). Joined by their friend Hank, a wealthy socialite, the three make their way to Scotland in the midst of war. Each day the two men go off to hunt the monster, while another monster, Hitler, is devastating Europe. And Maddie, now alone in a foreign country, must begin to figure out who she is and what she wants. The novel tells of Maddie’s social awakening: to the harsh realities of life, to the beauties of nature, to a connection with forces larger than herself, to female friendship, and finally, to love.

    It had been an extraordinary career. When he first started out in the late sixties, Billy played the banjo in the folk clubs of Scotland. Between songs, he would improvise a bit, telling anecdotes from the Clyde shipyard where he'd worked. In the process, he made all kinds of discoveries about what audiences found funny, from his own brilliant mimes to the power of speaking irreverently about politics or explicitly about sex. He began to understand the craft of great storytelling. Soon the songs became shorter and the monologues longer, and Billy quickly became recognised as one of the most exciting comedians of his generation.Billy's routines always felt spontaneous. He never wrote scripts, always creating his comedy freshly on stage in the presence of a live audience. A brilliant comic story might be subsequently discarded, adapted or embellished. A quick observation or short anecdote one night, could become a twenty-minute segment by the next night of a tour.Billy always brought a beautiful sense of the absurd to his shows as he riffed on his family, hecklers, swimming in the North Sea or naked bungee jumping. But his comedy can be laced with anger too. He hates pretentiousness and calls out hypocrisy wherever he sees it. His insights about the human condition have shocked many people, while his unique talent and startling appearance on stage gave him license to say anything he damn well pleased about sex, politics or religion. Billy got away with it because he has always had the popular touch. His comedy spans generations and different social tribes in a way that few others have ever managed. Tall Tales and Wee Stories brings together the very best of Billy's storytelling for the first time and includes his most famous routines including, The Last Supper, Jojoba Shampoo, Incontinence Pants and Shouting at Wildebeest. With an introduction and original illustrations by Billy throughout, it is an inspirational, energetic and riotously funny read, and a fitting celebration of our greatest ever comedian.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    The war may be waning, but the city known as La Serenissima is still occupied and the people of Italy fear the power of the Third Reich. One night, under a canopy of stars, a fisherman named Cenzo comes across a young woman’s body floating in the lagoon and soon discovers that she is still alive and in trouble.Born to a wealthy Jewish family, Giulia is on the run from the SS. Cenzo chooses to protect Giulia rather than hand her over to the Nazis. This act of kindness leads them into the world of Partisans, random executions, the arts of forgery and high explosives, Mussolini’s broken promises, the black market and gold, and, everywhere, the enigmatic maze of the Venice Lagoon.

    Hannah listens to the extraordinary witness of women who were present under the German Occupation; in her desire to understand their lives and through them her own, she finds a city bursting with clues and connections. Out in the migrant suburbs, Tariq is searching for a mother he barely knew. For him, in his innocence, each boulevard, Métro station and street corner is a source of surprise.In this urgent and deeply moving novel, Faulks deals with questions of empire, grievance, and identity. With great originality and a dark humour, Paris Echo asks how much we really need to know if we are to live a valuable life.

    Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art. In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.). The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses.In this third volume of A Dance to the Music of Time, we again meet Widmerpool, doggedly rising in rank; Jenkins, shifted from one dismal army post to another; Stringham, heroically emerging from alcoholism; Templer, still on his eternal sexual quest. Here, too, we are introduced to Pamela Flitton, one of the most beautiful and dangerous women in modern fiction. Wickedly barbed in its wit, uncanny in its seismographic recording of human emotions and social currents, this saga stands as an unsurpassed rendering of England's finest yet most costly hour.Includes these novels:The Valley of BonesThe Soldier's ArtThe Military Philosophers"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."—Chicago Tribune"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."—Elizabeth Janeway, New York Times"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."—Naomi Bliven, New Yorker