Aided by ghosts, goddesses, dragons, and her own determination, the heroine becomes a courtesan, a musician, a runaway, a wandering swordswoman, a poet, and more."Larsen has used a dazzling diversity of prose styles to adroitly demonstrate how history is transmuted through the centuries into something not quite true, yet not entirely false...an illuminating and absorbing story." Publishers Weekly"A joyful blend of scholarship and fancy and an appreciation of the simple, strong, lyrical line of Chinese verse. But this is mainly magical fun." Kirkus Review

    Fifteen-year-old Hong and his older brother Chen face famine, flood, pirates, and jealous rivals on their journey through fifteenth century China as Chen pursues his calling as a scholar and Hong becomes involved with a secret society known as the White Lotus.

    But it is a young Chinese boy named Wah Chung who saves Eliza and her pet goat from being swept into the sea by a deadly wave. This makes Eliza wonder: Are the Chinese really people to be feared, as her father and their neighbors believe? Or are the Chinese immigrants people with whom the townspeople in Crescent City could live peaceably, with a little tolerance and understanding?

    After five days under consular protection, Smith was evacuated from a very different China to the country he first visited 23 years earlier.The visit marked a new twist in Australia’s 50-year diplomatic relationship with China which was now coming apart at the seams. But it also symbolised the authoritarianism creeping into every aspect of society under President Xi Jinping over the last three years.From Xinjiang’s re-education camps to the tear-gas filled streets of Hong Kong, Smith’s account of Xi Jinping’s China documents the country’s spectacular economic rise in the years leading up to the coronavirus outbreak.Through first-person accounts of life on the ground and interviews with friends as well as key players in Chinese society right up to the country’s richest man, The Last Correspondent explores what China’s rise to become the world’s newest superpower means for Australia and the rest of the world.

    Louis, teenage Daiyu often feels out of place. When an elderly Asian jewelry seller at a street fair shows her a black jade ring—and tells her that “black jade” translates to “Daiyu”—she buys it as a talisman of her heritage. But it’s more than that; it’s magic. It takes Daiyu through a gateway into a version of St. Louis much like 19th century China. Almost immediately she is recruited as a spy, which means hours of training in manners and niceties and sleight of hand. It also means stealing time to be with handsome Kalen, who is in on the plan. There’s only one problem. Once her task is done, she must go back to St. Louis and leave him behind forever. . . .

    In the Mongol world the only way to achieve respect is to show bravery and win glory on the battlefield. The last thing she wants is the distraction of the foreigner Marco Polo, who challenges her beliefs in the gardens of Xanadu. Marco has no skills in the "manly arts" of the Mongols: horse racing, archery, and wrestling. Still, he charms the Khan with his wit and story-telling. Emmajin sees a different Marco as they travel across 13th-century China, hunting 'dragons' and fighting elephant-back warriors. Now she faces a different battle as she struggles with her attraction towards Marco and her incredible goal of winning fame as a soldier.

    Set in the rural China in which Xiao grew up, these two masterpieces expand on many themes, including the plight of peasants and the role of women in society. With a realistic style that has been said to rival "Tolstoy's sweep, FlaubertÂ�s detachment and Ba JinÂ�s compassion," Xiao gives us an unflinching, surprisingly lyrical, and often wryly humorous account of the difficult lives of these characters. This is an updated and extensively revised new edition.

    Over the course of the next month, nearly 4,000 soldiers were killed on both sides and the Indian Army experienced its worst defeat ever. The conflict (war was never formally declared) ended because China announced a unilateral ceasefire on 21 November and halted its hitherto unhindered advance across NEFA and Ladakh. To add to India’s lasting shame, neither Prime Minister Jawaharlal Nehru nor the Indian Army was even aware that the ‘war’ had ended until they heard the announcement on the radio—despite the Indian embassy having been given the information two days earlier.This conflict continues to be one of our least understood episodes. Many books have been written on the events of the time, usually by those who were involved in some way, anxious to provide justification for their actions. These accounts have only succeeded in muddying the picture further. What is clear is that 1962 was an unmitigated disaster. The terrain on which most of the battles were fought (or not fought) was remote and inaccessible; the troops were sorely underequipped, lacking even warm clothing; and the men and officers who tried to make a stand were repeatedly let down by their political and military superiors. Time and again, in Nam Ka Chu, Bum-la, Tawang, Se-la, Thembang, Bomdila—all in the Kameng Frontier Division of NEFA in the Eastern Sector—and in Ladakh and Chusul in the Western Sector, our forces were mismanaged, misdirected or left to fend for themselves. If the Chinese Army hadn’t decided to stop its victorious campaign, the damage would have been far worse.In this definitive account of the conflict, based on dozens of interviews with soldiers and numerous others who had a first-hand view of what actually happened in 1962, Shiv Kunal Verma takes us on an uncomfortable journey through one of the most disastrous episodes of independent India’s history.

    These flawlessly crafted stories—unflinching in their honesty, yet balanced with humor and compassion—take us into the small towns and dirt roads that are home to the people who make China run. In the title story, a shopkeeper confronts a child thief and punishes him without mercy. “Victory” shows a young couple shaken by the husband’s infidelity, scrambling to stake claims to the components of their shared life. “Sweltering Summer” centers on an awkward young man who shrewdly uses the perks of his government position to court two women at once. Other tales show, by turns, two poor factory workers who spoil their only son, a gang of peasants who bully the village orphan, and a spectacular fistfight outside a refinery bathhouse. With sharp language and a keen eye, Yu Hua explores the line between cruelty and warmth on which modern China is—precariously, joyfully—balanced. Taken together, these stories form a timely snapshot of a nation lit with the deep feeling and ready humor that characterize its people. Already a sensation in Asia, certain to win recognition around the world, Yu Hua, in Boy in the Twilight, showcases the peerless gifts of a writer at the top of his form.

    But will Grandma's stinky Chinese ointments send him running? Or will Lindsey realize that the path to true love lies somewhere between the dim sum and the pepperoni pizza?

    This Very Short Introduction tells the story of Chinese literature from antiquity tothe present, focusing on the key role literary culture played in supporting social and political concerns. Embracing traditional Chinese understandings of literature as encompassing history and philosophy as well as poetry and poetics, storytelling, drama, and the novel, Sabina Knight discusses thephilosophical foundations of literary culture as well as literature's power to address historical trauma and cultivate moral and sensual passions. From ancient historical records through the modernization and globalization of Chinese literature, Knight draws on lively examples to underscore theclose relationship between ethics and aesthetics, as well as the diversity of Chinese thought. Knight also illuminates the role of elite patronage; the ways literature has served the interests of specific groups; and questions of canonization, language, nationalism, and cross-cultural understanding.The book includes Chinese characters for names, titles, and key terms.

    As she lapses in and out of consciousness, she is haunted by vivid dreams that seem strange yet somehow familiar to her.

    Though she is used to being forgotten, she’s grown tired of being labeled as unwanted. The years have been hard on her, making it impossible to get close to anybody, except for her best friend Kai who has made it all bearable. When bureaucracy threatens to tear them apart, Willow and Kai make a run for it. The only problem is, they aren’t alone. They’ll have to figure out if their excess baggage—a sassy girl who holds an extra chromosome—will be the glue that keeps them together as they navigate street life, or the obstacle that jeopardizes their new found freedom. A fascinating look into modern day orphanage life and what it’s like to feel as though you belong to no one, Kay Bratt’s novel, Somewhere Beautiful, is the first in the two-book Life of Willow series. In Somewhere Beautiful, Bratt weaves a story of loss and loyalty that will have you following three teens as they battle their way through life’s obstacles in the search for the always elusive happily ever after.

    Written by Amy Eldridge, founder and CEO of Love Without Boundaries, this poignant chronicle of LWB's life-changing work, told through the stories of individual children, offers personal insight into the complex issues surrounding orphan care, abandonment, international aid, and adoption. Both thought-provoking and inspirational, "The Heart of an Orphan" reminds us all that while the needs of vulnerable children around the world may seem overwhelming, the human heart triumphs in believing that every life has value and every child deserves love.

    As a patrician’s daughter, Liona enjoys the sparkling life of a noble family—although she would prefer to be tending to her flowers than practicing violin or standing around in a ball gown. But what Liona fails to realize is that Venice is a city of stone in a world of water. And ruling the dark waters are the Seleni—ageless, cold, and calculating.When she loses everything she relies on, Liona must set a new course that will shake the foundations of Venice itself.