She and her husband Dan have given up their city life and moved to Blaencwm, an ancient longhouse high in the hills. Here she hopes that the wild beauty will inspire her to produce her best art and will give her the baby they have longed for. But this high valley is also home to others, such as Rhys the charismatic loner who pursues Laura with fervor. And Anwen, the wise old woman from the neighboring farm who seems to know so much but talks in riddles. And then there is Merlin. Lamp Black, Wolf Grey tells both Laura's story and Merlin's. For once he too walked these hills, with his faithful grey wolf at his heel. It was here he fell in love with Megan, nurse-maid to the children of the hated local noble, Lord Geraint. Merlin was young, at the start of his renowned career as a magician, but when he refuses to help Lord Geraint it is Megan who may pay the price. From New York Times bestselling author Paula Brackston, Lamp Black, Wolf Grey is an enchanting tale of love and magic featuring her signature blend of gorgeous writing, an intriguing historical backdrop, and a relatable heroine that readers are sure to fall in love with.

    Gordon Melton has the credentials: he's a religious historian, author of 25 books about religion and vampires, president of the American chapter of the Transylvania Society of Dracula (founded in Bucharest, Romania), and chairman of the committee that put on Dracula '97: A Centennial Celebration in Los Angeles. The Vampire Book is meticulously researched and well organized. Included are an article on the cultural history of the vampire; a historical timeline; addresses of vampire societies all over the world; a 55-page filmography; vampires in plays, opera, and ballet; a 13-page list of vampire novels; and an extensive index. The A to Z entries, each with a short bibliography, include vampire lore in more than 30 different geographic regions and a comprehensive "who's who," and cover topics ranging from fingernails to sexuality, the Camarilla to Szekelys.

    Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    G. Lockhart, who worked for a publishing firm. The book proved popular and Scott was paid six hundred pounds, which he desperately needed (despite his success as a novelist, Scott was almost ruined when the Ballantyne publishing firm, where he was a partner, went bankrupt in 1826).Letters was written when educated society believed itself in enlightened times due to advances in modern science. The book, however, revealed that all social classes still held beliefs in ghosts, witches, warlocks, fairies, elves, diabolism, the occult, and even werewolves. Sourcing from prior sixteenth- and seventeenth-century treatises on demonology along with contemporary accounts from England, Europe, and North America (Cotton Mather's Magnalia Christi, for one), Scott's discourses on the psychological, religious, physical, and preternatural explanations for these beliefs are essential reading for acolytes of the dark and macabre; the letters dealing with witch hunts, trials (Letters Eight and Nine), and torture are morbidly compelling.Scott was neither fully pro-rational modernity nor totally anti-superstitious past, as his skepticism of one of the "new" sciences (skullology, as he calls it) is made clear in a private letter to a friend. Thus, Letters is both a personal and intellectual examination of conflicting belief systems, when popular science began to challenge superstition in earnest.

    Weird. Crazy. These are the names tossed around seventeen-year old Jane Watts by her fellow classmates. But things aren’t always as they seem. Sometimes there’s a reason for talking to yourself in the hallway at school.Adjusting to her new home and school after an abrupt move, Jane just wants to be like everyone else at school. Although she does manage to make one friend, Evan — sixteen, charming and protective. Evan is everything a girl could want in a best friend, with one minor caveat: He’s dead.Caught somewhere between life and death, Evan is tied to Jane and the living world, unable to complete the journey to the other side. She thinks he’s here to be her friend, to take care of her, and that’s why no one else can see or hear him.That is, until a new boy shows up at school after a rumored stretch in juvie. Connor can see Evan and is not convinced that the ghost is completely honest. Past experience taught him how ghosts tend to need something from the humans they connect to and Evan, despite his arguments, isn’t any different.Jane is resentful of Connor’s intrusion but soon realizes that her ghostly friend has secrets about his past. And now Evan's family, still reeling from his tragic death, is in danger. Jane must face her fears and battle Evan’s human demons to free both of them.

    Maps & photos.