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    All at once the life of her tranquil family became a Hell. Forbidden Strawberries is the riveting auto-biography of Cipora Hurwitz, an innocent young girl caught up in the Maelstrom of the Holocaust.Her eldest brother survived the war by the skin of his teeth by fleeing to the Soviet Union. The second brother was murdered when only sixteen. Her parents, by great efforts, succeeded in hiding their little daughter and thereby save her life. Devastatingly, they themselves were unable to escape the hands of the murderers.Cipora, as yet a young child and an orphan, was miraculously saved after surviving the Budzyn camps and the Majdanek extermination camp. The author relates the story of her life during the Holocaust to a delegation of Hashomer Hatzair youth and Israeli High School students on a mission to the death camps in Poland. In Forbidden Strawberries, Cipora presents her testimony on what transpired to her family and friends who were exterminated, thus paying tribute to their memory.

    “Babel’s 1920 Diary, the source for many of his remarkable Red Cavalry stories, is itself as remarkable as the stories, particularly when one considers that the diarist was a journalist of only twenty-six. The staccato sentences in which Babel rapidly describes the horrific details of revolutionary brutality have the impact of an accomplished style, one that in its spontaneously elliptical way is strangely no less artful than the artfully nuanced directness that is the triumph of Red Cavalry.”—Philip Roth “An electrifying translation accompanied by an indispensable introduction. . . . Babel’s journey is a Jewish lamentation . . . a tragic masterwork.” —Cynthia Ozick, The New Republic “A precursor of Holocaust literature, and more powerful in its effect than any Holocaust literature that I have managed to read.”—Harold Bloom, New York Times Book Review

    Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date.Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.

    Set during one of the 20th century's most tumultuous decades, it tells the story of Anna, a lecturer in English from the University of Wroclaw, who arrives in Montreal in the fall of 1981. When martial law is declared in Poland, she chooses to remain in Canada, although emigration means abandoning her husband, an activist in the political opposition, and deserting her homeland as it reels from the shock of being betrayed by its own people. What follows is a bittersweet tale of Anna's marriage to a German émigré, a composer, and her journey back to Europe 10 years later--after his death and the fall of Communism--to come to terms with her own departure and her second husband's past. Necessary Lies, which won the Amazon.com/Books in Canada First Novel Award, tackles an intriguingly volatile period of repression, recrimination, and reconciliation in central and eastern Europe (and in Canada's separatist Quebec as well). Stachniak is a lucid lecturer who deftly makes fiction from events that have been fodder for recent travel literature, such as Eva Hoffman's Exit into History: A Journey Through the New Eastern Europe and Irena Karafilly's Ashes and Miracles: A Polish Journey. Stachniak's strength as a writer lies in her skill in invoking place--its sights and smells and energy--and in juxtaposing a city's present with its complex past. Like an archaeologist or archivist, she delves into the layers of history to reveal the collective source of personal tragedy. But these strengths ultimately prove to be the novel's shortcoming as a work of fiction. Stachniak has a faintly irritating tendency (right from page 1) to engage in irresolvable arguments about whether Poland is part of central or eastern Europe. More significantly, she fails to render psychologically compelling characters, despite the potentially fascinating figures she draws upon. Furthermore, central confrontation scenes with Anna's Polish ex-husband and her second husband's longtime German lover miss the opportunity to sound the depths of betrayal. How unsatisfactory for the reader when the collision of two world views gets reduced to the banality of a co-owned apartment buyout. --Diana Kuprel

    Who is she? And why did she die?Janusz Kiszka, unofficial 'fixer' to East London’s Polish community, and a man with his own distinctive moral code, has been hired to track down a missing waitress. Meanwhile, DC Natalie Kershaw, a rookie detective who’s not afraid of breaking a few rules, investigates the suspicious deaths of two Polish girls.They hail from very different worlds, but Kiszka and Kershaw are set on collision course…When Kershaw accuses Kiszka of murder, he escapes to Poland, determined to find the real killer. There he discovers a terrible secret from the country’s troubled communist past revealing why the girls were murdered.But is he too late to save the life of a third?

    Chopin (1810-1849) brought romantic music to unprecedented heights of expressiveness, as illustrated in this recording by numerous examples taken from the Naxos catalog.

    in the 1980s when she is just a girl. They are granted political asylum because of her father's role in the Solidarity movement that brings an end to the Communist regime. Anna never quite feels like she belongs until the summer she is 12, when she returns to Kielce, Poland, to visit her grandmother. She develops an intense friendship with two local girls-brash and beautiful Justyna and desperate, awkward Bronka. Despite the very different paths their lives take, they maintain their connection. Over a decade later, a scandalous murder leads them back to the place where their unlikely friendship began. Dominczyk's assured narrative flashes from the wild teenage summers of their past to the years of self-discovery in New York, and Europe. The Lullaby of Polish Girls captures the passion and drama of youthful friendship, the immigrant's yearning to fit in, and the exquisite and wistful transformation of young women coming of age.

    Years of rising tension have finally given way to a global catastrophe. Millions mobilize for what would become the most massive and devastating conflict in human history. Great Britain, with a sprawling Empire to protect against the seemingly-unstoppable Axis Powers, is on the defensive.Returning to his home country just months earlier is Peter Kemp. Kemp was a young law student who volunteered to fight for the Nationalists against the Republicans in the Spanish Civil War. Although seriously injured during that conflict, Kemp’s extensive irregular warfare experience and enormous bravery brought him to the attention of the elite British Special Operations Executive. After a brief time as a commando raider Kemp is thrust into the chaotic world of espionage and guerilla warfare, parachuting behind enemy lines into the Balkans and later Poland. His duties forced him to fight through an intricate maze of alliances, rivalries, and betrayals among the anti-Axis guerrillas, eventually leading him to imprisonment by his Soviet “allies” in a dungeon outside of Moscow.Kemp published his story in 1959, one of only a few to detail firsthand this rarely-explored corner of Second Wold War. Although out of print for decades, this paperback and ebook rerelease allows a new generation of readers to enjoy Kemp's thrilling and important work.

    Filled with archival photographs and amazing fact boxes, this groundbreaking series introduces young readers to some of history's most interesting and influential characters.Supports the Common Core State Standards.

    In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland.Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page.Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak.

    Three years later, in the small town of Żółkiew, life for Jewish 15-year-old Clara Kramer was never to be the same again. While those around her were either slaughtered or transported, Clara and her family hid perilously in a hand-dug cellar. Living above and protecting them were the Becks.Mr. Beck was a womaniser, a drunkard and a self-professed anti-Semite, yet he risked his life throughout the war to keep his charges safe. Nevertheless, life with Mr. Beck was far from predictable. From the house catching fire, to Beck's affair with Clara's cousin, to the nightly SS drinking sessions in the room just above, Clara's War transports you into the dark, cramped bunker, and sits you next to the families as they hold their breath time and again.Sixty years later, Clara Kramer has created a memoir that is lyrical, dramatic and heartbreakingly compelling. Despite the worst of circumstances, this is a story full of hope and survival, courage and love.

    Not a propitious time and place for a Jewish child to be born.One memory that has been etched indelibly in my mind is the sight of the Nazi army marching toward Russia. Our house was located on the main road leading to the Russian frontier. Day and night they marched - soldiers, trucks, tanks, and more soldiers, in a never ending line - an invincible force. I remember my father, holding me in his arms, saying to my mother, "Who is going to stop them? Certainly not the Russians." One night, my father had a dream. In this dream he saw what he had to do: where to build the bunker, how to build it, and even its dimensions.He would build a bunker under a wooden storage shed behind the house. It would be covered with boards, on top of which would be placed soil and bits of straw which would render it invisible. In order to camouflage the entrance, he would construct a shallow box and fill it with earth and cover it with straw so that it would be indistinguishable from the rest of the earthen floor. Air would be supplied through a drain pipe buried in the earth. This was to be our Noah's Ark that would save us from the initial deluge. It took my father about three weeks to finish the job. When he was done, he took my mother and sister into the shed and asked them if they could find the trap door. When they could not, he was satisfied.My mother prepared dry biscuits, jars of jam made out of beets, some tinned goods such as sardines, some sugar and salt. We placed two buckets in the bunker. One bucket was filled with water, the other bucket was empty and would serve as the latrine. We also took down some blankets, a couple of pillows and some warm clothing. We were ready.For three long years, starting in 1941 when the Nazis started the deportations and mass killings, we hid in secret bunkers, dug in fields, under sheds, or constructed in barn lofts. It seems that the only way that a Jew could survive in wartime Poland was to become invisible. So we became invisible Jews.

    As in Nothing to Declare, her celebrated travelogue of South America, Morris combines vivid portrayals of people and historical portraits of Soviet events with a more personal journey--her search for roots, family, and her ancestral home in the Ukraine.

    With her second novel, she once again charts that terrain in a novel that also explores the significant impact of history on individual lives. In Sonata for Miriam, two events occur that will change composer Adam Anker's life forever. Embarking on a journey that ranges from New Zealand to Poland, and then Sweden, Anker not only uncovers his parents' true fate during World War II, but he also finally faces the consequences of an impossible choice he was forced to make twenty years before-a choice that changed the trajectory of his life.